Nick's Pics 044
   HOME





Nick's Pics 044
Nick's (Nick's Tavern) was a tavern and jazz club located in the Greenwich Village neighborhood of the borough in Manhattan, New York City, which peaked in popularity during the 1940s and 1950s. It was notable for its position, because most popular jazz clubs at this time were located on 52nd street. Nick's, however, was placed on an unusually-shaped property off the northwest corner of 10th Street and 7th Avenue. Many artists performed at the club including Bill Saxton (a Friday night regular), Sister Rosetta Tharpe, Duke Ellington, Billie Holiday, Pee Wee Russell, Muggsy Spanier, Miff Mole and Joe Grauso, among others. Artists like Miles Davis and John Coltrane used to visit the pub to relax after their own gigs. During the early 1950s, the club was noted for its regular Phil Napoleon and The Original Memphis Five Dixieland performances. Dick Hyman, a regular at the club, remembered the club's "Sizzling Steaks," a kitchen specialty, and the signature wall decor. “We u ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Pee Wee Russell, Muggsy Spanier, Miff Mole, And Joe Grauso, Nick's (Tavern), New York, N
Pee or PEE may refer to: *Urine *Urination *Peeblesshire, historic county in Scotland, Chapman code *Penny or pence *Pochonbo Electronic Ensemble, a North Korean electronica group *Pee (South Park), "Pee" (''South Park''), an episode of ''South Park'' *P.E.E., a math rock band from San Francisco *Perm International Airport, or Bolshoye Savino Airport, IATA code PEE See also

* Peepee (other) {{Disambig ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


The Original Memphis Five
The Original Memphis Five was an early jazz quintet founded in 1917 by trumpeter Phil Napoleon and pianist Frank Signorelli. Jimmy Lytell was a member from 1922 to 1925. The group made many recordings between 1921 and 1931, sometimes under different names, including Ladd's Black Aces and The Cotton Pickers. Richard Cook and Brian Morton, writing for ''The Penguin Guide to Jazz'', refer to the group as "one of the key small groups of the '20s". The group formed around 1917. The name Original Memphis Five was first used in 1920, and applied to small groups of white musicians throughout the decade. The Ladd's Black Aces name was used from 1921 until 1924. Cook and Morton identify Jimmy Lytell and Miff Mole as standout musicians in the group. Jimmy Durante played piano with Ladd's Black Aces, while both Tommy and Jimmy Dorsey were members of the Original Memphis Five. Occasional vocalists were Anna Meyers, Annette Hanshaw and Vernon Dalhart (as George White). Both Red Nichols ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Music Venues Completed In 1940
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key r ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jazz Clubs In New York City
Jazz is a music genre that originated in the African Americans, African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, march (music), marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional music, traditional and popular music. Jazz is characterized by swung note, swing and blue notes, complex Chord (music), chords, Call and response (music), call and response vocals, polyrhythms and Jazz improvisation, improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. Dixieland, New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphony, polyphonic Musical improvisation, improvisati ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


1940 Establishments In New York City
Year 194 ( CXCIV) was a common year starting on Tuesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Septimius and Septimius (or, less frequently, year 947 ''Ab urbe condita''). The denomination 194 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Decimus Clodius Septimius Albinus Caesar became a Roman Consul. * Battle of Issus: Septimius Severus marches with his army (12 legions) to Cilicia, and defeats Pescennius Niger, Roman governor of Syria. Pescennius retreats to Antioch, and is executed by Severus' troops. * Septimius Severus besieges Byzantium (194–196); the city walls suffer extensive damage. Asia * Battle of Yan Province: Warlords Cao Cao and Lü Bu fight for control over Yan Province; the battle lasts for over 100 days. * First year of the ''Xingping'' era during the Han Dynasty in ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Blue Note Jazz Club
The Blue Note Jazz Club is a jazz club and restaurant located at 131 West 3rd Street in Greenwich Village, New York City. The club's performance schedule features shows every evening at 8:00 pm and 10:30 pm and a Sunday jazz brunch. The club has locations across the globe in New York, NY; Waikiki, Hawaii; Napa, CA; Tokyo, Japan; Rio de Janeiro, Brazil; São Paulo, Brazil; Milan, Italy; Beijing and Shanghai, China. History The club was opened on September 30, 1981, by owner and founder Danny Bensusan, with the Nat Adderley Quintet being the featured performers for the night. Bensusan's belief was "that if he brought big acts into a comfortable environment with great food, he could pack the house night after night."Alison Morris"Blue Note Jazz Club now a global brand", Fox5NY, March 11, 2015. The Blue Note was soon established as New York City's premier jazz club, with Dizzy Gillespie, Sarah Vaughan, Carmen McRae, Lionel Hampton, Oscar Peterson and the Modern Jazz Quartet amo ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Village Vanguard
The Village Vanguard is a jazz club at Seventh Avenue South in Greenwich Village, New York City. The club was opened on February 22, 1935, by Max Gordon. Originally, the club presented folk music and beat poetry, but it became primarily a jazz music venue in 1957. It has hosted many highly renowned jazz musicians since then, and today is the oldest operating jazz club in New York City. History Early years Max Gordon opened the Village Vanguard in 1934 on Charles Street and Greenwich Avenue in Manhattan, New York City. He intended it to be a forum for poets and artists as well as a site for musical performances. Due to insufficient facilities, Gordon was refused a cabaret license from the police department and was unable to create the club that he envisioned. In his autobiography he wrote: "I knew if I was ever to get anywhere in the nightclub business, I'd have to find another place with two johns, two exits, two hundred feet away from a church or synagogue or school, and wit ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Ernie Caceres
Ernesto Caceres (November 22, 1911 – January 10, 1971) was an American jazz saxophonist born in Rockport, Texas. He was a member of the Glenn Miller Orchestra from 1940 to 1942. Background Caceres's brothers were both musicians. Emilio Caceres was a violinist who played swing and '' norteño'' music, and Pinero was a trumpeter and pianist. Ernie played clarinet, guitar, alto and baritone saxophone, and first played professionally in 1928 in local Texas ensembles. He and Emilio moved to Detroit, then New York City, taking work as session musicians. In 1937 their appearances on Benny Goodman's radio series ''Camel Caravan'' "created a sensation and made them jazz stars". In 1938, Caceres became a member of Bobby Hackett's band, then worked as a sideman with Jack Teagarden in 1939 and Glenn Miller's orchestra from February 1940 to September 1942. While with Miller, he made an appearance in the films ''Sun Valley Serenade'' (1941) and ''Orchestra Wives'' (1942). Periods with Benny ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Eddie Condon
Albert Edwin Condon (November 16, 1905 – August 4, 1973) was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang. He also owned a self-named night club in New York City. Early years Condon was born in Goodland, Indiana, the son of John and Margaret (née McGraw) Condon. He grew up in Momence, Illinois, and Chicago Heights, Illinois, where he attended St. Agnes and Bloom High School. After playing ukulele, he switched to banjo and was a professional musician by 1921. When he was 15 years old, he received his first union card in Waterloo, Iowa. Career He was based in Chicago for most of the 1920s, and played with such jazz notables as Bix Beiderbecke, Jack Teagarden, and Frank Teschemacher. He and Red McKenzie formed the Chicago Rhythm Kings in 1925. While in Chicago, Condon and other white musicians would go to Lincoln Gardens to watch and learn from King Oliver and his band. They later would frequent t ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Bobby Hackett
Robert Leo Hackett (January 31, 1915 – June 7, 1976) was a versatile American jazz musician who played swing music, Dixieland jazz and mood music, now called easy listening, on trumpet, cornet, and guitar. He played Swing with the bands of Glenn Miller and Benny Goodman in the late 1930s and early 1940s, he played Dixieland from the 1930s into the 1970s in a variety of groups with many of the major figures in the field, and he was a featured soloist on the first ten of the numerous Jackie Gleason mood music albums during the 1950s. Biography Hackett was born in Providence, Rhode Island, United States. his father was a blacksmith, his mother a housewife. Because his family was poor, with nine children, he quit school at 14 to play guitar and violin in a band in a local Chinese restaurant. After he saw Louis Armstrong perform, he learned to play the cornet and trumpet. "I've never been the same since," he told long-time New Yorker jazz critic Whitney Balliett in 1969. ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Bob Casey (musician)
Robert Hanley Casey (February 11, 1909, in Johnson County, Illinois – April 9, 1986, in Marion, Illinois) was an American jazz double-bassist. Casey learned to play banjo and guitar as a child, playing both in regional ensembles in the Midwest. He began playing bass at age 20 and continued as a guitarist for some time after. In the mid-1930s he played in NBC radio ensembles and worked with Wingy Manone, and in 1939 joined Muggsy Spanier's Ragtimers band. The group soon split, after which he played with Charlie Spivak, Brad Gowans, Eddie Condon, Miff Mole, and Joe Marsala. He played extensively on radio with several of these ensembles. He was also a prolific session bassist, recording with Wild Bill Davison, Bobby Hackett, Cliff Jackson, Max Kaminsky, Eddie Edwards, Bud Freeman, Pee Wee Russell, Georg Brunis, George Wettling, Ralph Sutton, Joe Sullivan, and Boyce Brown in the 1940s and 1950s. Casey relocated to Florida in 1957, where he played with the Dukes of Dixieland. ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Jazz Improvisation
Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz music. It is one of the defining elements of jazz. Improvisation is composing on the spot, when a singer or instrumentalist invents melodies and lines over a chord progression played by rhythm section instruments (piano, guitar, double bass) and accompanied by drums. Although blues, rock, and other genres use improvisation, it is done over relatively simple chord progressions which often remain in one key (or closely related keys using the circle of fifths, such as a song in C Major modulating to G Major). Jazz improvisation is distinguished from this approach by chordal complexity, often with one or more chord changes per bar, altered chords, extended chords, tritone substitution, unusual chords (e.g., augmented chords), and extensive use of ii–V–I progression, all of which typically move through multiple keys within a single song. However, since the release ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]