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Nacht Und Träume
Nacht und Träume (Night and Dreams) is a lied for voice and piano by Franz Schubert, from a text by Matthäus von Collin, and published in 1825. In Otto Erich Deutsch's catalogue of Schubert's works, it is D. 827. The song, a meditation on night and dreams, is marked "Sehr langsam" (very slowly) and is in the key of B major (with a modulation to the flattened submediant, G major, in the middle). There is a single dynamic indication, "pianissimo" (very quietly), which does not change throughout the song. The piano plays broken chords in semiquavers for the song's duration in a manner similar to bar five (the bar in which the voice enters), for example: : A typical performance will last around three to four minutes. A version in the Spaun family collection has the different tempo marking "Langsam, Sempre legato" (Slow, Always legato). The original publication erroneously attributed the text to Friedrich Schiller. "Nacht und Träume" is one of several Schubert songs that M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert C1827
Franz may refer to: People * Franz (given name) * Franz (surname) Places * Franz (crater), a lunar crater * Franz, Ontario, a railway junction and unorganized town in Canada * Franz Lake, in the state of Washington, United States – see Franz Lake National Wildlife Refuge Businesses * Franz Deuticke, a scientific publishing company based in Vienna, Austria * Franz Family Bakeries, a food processing company in Portland, Oregon * Franz-porcelains, a Taiwanese brand of pottery based in San Francisco Other uses * Franz (1971 film), ''Franz'' (1971 film), a Belgian film * Franz (2025 film), an upcoming biographical film of Franz Kafka * Franz Lisp, a dialect of the Lisp programming language See also * Frantz (other) * Franzen (other) * Frantzen (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broken Chord
In Western music theory, a chord is a group of notes played together for their harmonic consonance or dissonance. The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz, and other genres. Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They provide the harmonic support and coloration that accompany melodies and contribute to the overall sound and mood of a musical composition. The factors, or component notes, of a chord are often sounded simultaneously but can instead be sounded consecutively, as in an arpeggio. A succession of chords is called a chord progression. One example of a widely used chord progression in Western traditional music and blues is the 12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nacht Und Träume (play)
''Nacht und Träume'' (''Night and Dreams'') is the last television play written and directed by Samuel Beckett. It was written in English (mid-1982) for the German channel Süddeutscher Rundfunk, recorded in October 1982 and broadcast on 19 May 1983 where it attracted "an audience of two million viewers."Knowlson, J., ''Damned to Fame: The Life of Samuel Beckett'' (London: Bloomsbury, 1996), p 683 The mime artist Helfrid Foron played both parts. It was published by Faber in ''Collected Shorter Plays'' in 1984. Originally entitled ''Nachtstück'' (''Night Piece''), it is a wordless play, the only sound that of a male voice humming, then singing, from the last seven bars of Schubert’s lied '' Nacht und Träume'', words by Matthäus Casimir von Collin: "Holde Träume, kehret wieder!'" ("Sweet dreams, come back"). Schubert was a composer much loved by Beckett – "the composer who spoke most to him … whom he considered a friend in suffering" – and this lied was one of the auth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Beckett
Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish writer of novels, plays, short stories, and poems. Writing in both English and French, his literary and theatrical work features bleak, impersonal, and Tragicomedy, tragicomic episodes of life, often coupled with black comedy and literary nonsense. A major figure of Irish literature and one of the most influential writers of the 20th century, he is credited with transforming the genre of the modern theatre. Best remembered for his tragicomedy play ''Waiting for Godot'' (1953), he is considered to be one of the last Modernism, modernist writers, and a key figure in what Martin Esslin called the "Theatre of the Absurd." For his lasting literary contributions, Beckett received the 1969 Nobel Prize in Literature, "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation." A resident of Paris for most of his adult life, Beckett wrote in both Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and a music director at the court of George II, Duke of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic family moved to Weiden in der Oberpfalz, Weid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, philosopher and historian. Schiller is considered by most Germans to be Germany's most important classical playwright. He was born in Marbach to a devoutly Protestant family. Initially intended for the priesthood, in 1773 he entered a military academy in Stuttgart and ended up studying medicine. His first play, ''The Robbers'', was written at this time and proved very successful. After a brief stint as a regimental doctor, he left Stuttgart and eventually wound up in Weimar. In 1789, he became professor of History and Philosophy at Jena, where he wrote historical works. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works that he had le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nacht Und Traume Bar 5
Nacht is the German and Dutch word for ''night''. It may refer to: * Die Nacht (film), ''Die Nacht'' (film), a 1985 West German installation film by Hans-Jürgen Syberberg * Die Nacht (Strauss), "Die Nacht" (Strauss), an 1885 art song composed by Richard Strauss * "Come Back, My Love" (German: ""), a song by Anton Rubinstein * NACHT domain, a conserved protein domain * Nacht Faust, a character from Japanese manga series ''Black Clover'' People * Michael Nacht (born 1942), United States government official * Sacha Nacht (1901–1977), French psychiatrist and psychoanalyst * Artur Nacht-Samborski (1898–1974), Polish avant-garde painter; see * (born 1939), Swiss journalist * Maximilian Nacht (1881–1973), American anarchist known as Max Nomad * Siegfried Nacht (1878–1956), Austrian-American writer, translator, and anarcho-syndicalist later known as Stephen Naft See also * Night (other) {{disambiguation, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiquaver
Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note ( American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece are the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. (''piano'' - "soft") never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than (''forte'' - "loud"). There are many factors affecting the interpretati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In the Western classical music tradition, ( , ; , ; ) is a term for setting poetry to classical music. The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest ''Lieder'' date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History Terminology For German speakers, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Submediant
In music, the submediant is the sixth degree () of a diatonic scale. The submediant ("lower mediant") is named thus because it is halfway between the tonic and the subdominant ("lower dominant") or because its position below the tonic is symmetrical to that of the mediant above. (See the figure in the Degree (music) article.) In the movable do solfège system, the submediant is sung as ''la'' in a major mode, ''le'' or ''lo'' in do-based minor and ''fa'' in la-based minor. It is occasionally called superdominant, as the degree above the dominant. This is its normal name (''sus-dominante'') in French. In Roman numeral analysis, the triad formed on the submediant is typically symbolized by "VI" if it is a major triad (the default in a minor mode) and by "vi" if it is a minor triad (the default in a major mode). The term ''submediant'' may also refer to a relationship of musical keys. For example, relative to the key of C major, the key of A minor is the submediant. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
