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Mystical Marriage Of Saint Catherine
The mystical marriage of Saint Catherine (or "Mystic") covers two different subjects in Christian art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical marriage wedding ceremony with Christ, in the presence of the Virgin Mary, consecrating themselves and their virginity to him. The ''Catholic Encyclopaedia'' notes that such a wedding ceremony "is but the accompaniment and symbol of a purely spiritual grace", and that "as a wife should share in the life of her husband, and as Christ suffered for the redemption of mankind, the mystical spouse enters into a more intimate participation in His sufferings." Catherine of Alexandria was martyred, while Catherine of Siena received the stigmata. Both subjects are frequent subjects in Christian art; the scene usually includes one of the Saint Catherines and either the infant Jesus held by his mother or an adult Jesus. Very rarely both sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bergognone 007
Ambrogio Borgognone (variously known as ''Ambrogio da Fossano'', ''Ambrogio di Stefano da Fossano'', ''Ambrogio Stefani da Fossano'' or as ''il Bergognone'' or ''Ambrogio Egogni'' By Gottardo Garollo, 1907, page 727. s1523/1524) was an Italian painter of the Renaissance period active in and near Milan. Biography While he was nearly contemporary with Leonardo da Vinci, he painted in a style more akin to the pre-Renaissance, Lombard art of Vincenzo Foppa and Bernardino Zenale. The dates of his birth and death are unknown; he is said to have been born at Fossano in Piedmont and his appellation is attributed to his artistic affiliation with the Burgundian school. His fame is principally associated with his work at the Certosa di Pavia complex, composed of the church and convent of ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Calvaert
Denis (or Denys or Denijs) Calvaert (; around 154016 April 1619) was an Antwerp-born Flemish painter, who lived in Italy for most of his life, where he was known as Dionisio Fiammingo () or simply Il Fiammingo ("the Fleming"). Calvaert was a profound student of architecture, anatomy, and history. His works are characterized by their advanced composition and colouring. Calvaert is well known for his drawings and small copper paintings. Some of his best known works include his rendition of The Resurrection of Christ and Saint John the Baptist in the Wilderness. Biography After studying landscape-painting for some time in his native city (the Antwerp "Record of Artists" or " Liggeren" (1556–57), gives his name as Caluwaert), he first studied under Christiaen van Queecborn. He then went to Bologna, where he apprenticed under Prospero Fontana. His paintings acquired the mannerism of Flemish art and appeared to be the work of an Italian. From Bologna he went to Rome in 1572, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Museums Of Fine Arts Of Belgium
The Royal Museums of Fine Arts of Belgium (french: Musées royaux des Beaux-Arts de Belgique, nl, Koninklijke Musea voor Schone Kunsten van België) are a group of art museums in Brussels, Belgium. They include six museums: the Oldmasters Museum, the Magritte Museum, the Fin-de-Siècle Museum, the Modern Museum, the Antoine Wiertz Museum and the Constantin Meunier Museum. The Royal Museums contains over 20,000 drawings, sculptures, and paintings, covering a period extending from the early 15th century to the present, such as those of Flemish old masters like Bruegel, Rogier van der Weyden, Robert Campin, Anthony van Dyck, Jacob Jordaens, and Peter Paul Rubens, making it the most popular art institution and most visited museum complex in Belgium. The Magritte Museum houses the world's largest collection of the works of the surrealist René Magritte. History Early history The museum was founded in 1801 by Napoleon and opened in 1803 as the Museum of Fine Arts of Bruss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of The Legend Of Saint Lucy
Master of the Legend of Saint Lucy ( fl. 1480–1510) was an unidentified Early Netherlandish painter from Bruges. His name comes from an altarpiece in the church of Saint James in Bruges, dated 1480, depicting three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of his paintings are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Hans Memling. He has been associated with the Bruges master Fransois vanden Pitte, active in Bruges between 1453 and 1456. Bibliography *D. de Vos, "Nieuwe toeschrijvingen aan de Meester van de Lucialegende, alias de Meester van de Rotterdamse Johannes op Patmos", ''Oud Holland'', XC, 1976, . *Max Jakob Friedländer Max Jakob Friedländer (5 July 1867 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Rosa Of Lima
Rose of Lima (born Isabel Flores de Oliva; 20 April 1586 24 August 1617) was a member of the Third Order of Saint Dominic in Lima, Peru, who became known for both her life of severe penance and her care of the poverty stricken of the city through her own private efforts. Rose of Lima was born to a noble family and is the patron saint of embroidery, gardening and cultivation of blooming flowers. A lay member of the Dominican Order, she was declared a saint by the Catholic Church, being the first person born in the Americas to be canonized as such. As a saint, Rose of Lima has been designated as a co-patroness of the Philippines along with Pudentiana; both saints were moved to second-class patronage in September 1942 by Pope Pius XII, but Rose remains the primary patroness of Peru and of the local people of Latin America. Her image is featured on the highest denomination banknote of Peru. Biography She was born as Isabel Flores de Oliva in the city of Lima, then in the Vicer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santo Spirito (Siena)
Santo Spirito is a Renaissance style, Roman Catholic church located in piazza Santo Spirito, where Via dei Pispini meets Vicolo del Sasso, in Siena, Italy. History Building at the site was begun by the Biccherna for monks of the Silvestrine order in 1345. In 1440 it was passed to the Benedictines of Santa Giustina, and soon after to the Dominican Order. They held the monastery till their suppression in 1782. The Benedictines were the first to erect a library. The church is largely a reconstruction from 1498-1504; the architectural design is attributed to Francesco di Giorgio, and Pandolfo Petrucci. The cupola was completed in 1504, but the church was not consecrated till 1513. The marble portal (1519) was designed by Baldassare Peruzzi. The interior houses the funeral monument of a number of Spaniards, including Daniel Burgos, Ferdinando Alvarez, Pietro Crispo Spagnuoli, and a chapel (Cappella degli Spagnoli) which is one of Sodoma's masterpieces. The chapel was painted (1530) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Beccafumi
Domenico di Pace Beccafumi (1486May 18, 1551) was an Italian Renaissance- Mannerist painter active predominantly in Siena. He is considered one of the last undiluted representatives of the Sienese school of painting. Biography Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist. In 1509 he traveled to Rome, where he learned from the artists who had just done their first work in the Vatican, but soon returned to Siena. However, while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany Regions of Italy, region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of Middle Ages, medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful House of Medici, Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Italian language, Stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Trinita
Santa Trinita (; Italian for "Holy Trinity") is a Roman Catholic church located in front of the piazza of the same name, traversed by Via de' Tornabuoni, in central Florence, region of Tuscany, Italy. It is the mother church of the Vallumbrosan Order of monks, founded in 1092 by a Florentine nobleman. South on Via de' Tornabuoni is the Ponte Santa Trinita over the river Arno; across the street is the Palazzo Spini Feroni. History The church is home to the Sassetti Chapel, containing 15th-century frescoes by Domenico Ghirlandaio, and the Bartolini Salimbeni Chapel, with frescoes by Lorenzo Monaco. Even though the modern Italian word for "trinity" is '' trinità'', with an accent indicating stress on the last vowel, the old Florentine pronunciation used to put the stress on the first vowel, and the name is therefore written without an accent; sometimes, it is accented as ''trìnita'' to indicate the unusual pronunciation. The current church was constructed in 1258–1280 at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinello Aretino
Spinello Aretino (c. 1350 – c. 1410) was an Italian painter from Arezzo, who was active in Tuscany at the end of the 14th and the first decennium of the 15th century.S. Petrocchi, ''Spinello Aretino'' in: Enciclopedia dell' Arte Medievale (1999) His style influenced the development of late 14th- and early 15th-century painting in Tuscany. Life Spinello Aretino was the son of a Florentine named Luca. His family was active in the goldsmith trade and had taken refuge in Arezzo in 1310 when the rest of the party was exiled from |
Giovanni Di Paolo
Giovanni di Paolo di Grazia (''c.'' 1403–1482) was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th century Sienese School. His early works show the influence of earlier Sienese masters, but his later style was more individual, characterized by cold, harsh colours and elongated forms. His style also took on the influence of International Gothic artists such as Gentile da Fabriano. Many of his works have an unusual dreamlike atmosphere, such as the surrealistic ''Miracle of St. Nicholas of Tolentino'' painted about 1455 and now housed in the Philadelphia Museum of Art, while his last works, particularly ''Last Judgment, Heaven, and Hell'' from about 1465 and ''Assumption'' painted in 1475, both at Pinacoteca Nazionale (Siena), are grotesque treatments of their lofty subjects. Giovanni's reputation declined after his death but was revived in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
