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Musée Des Beaux-Arts De Dijon
The Musée des Beaux-Arts de Dijon is a museum of fine arts opened in 1787 in Dijon, France. It is one of the main and oldest museums of France. It is located in the historic city centre of Dijon and housed in the former ducal palace which was the headquarters of the Burgundy State in the 15th century. When the duchy was assimilated to the Kingdom of France, the palace became the house of the King. In the 17th century it became the Palace of the Dukes of Burgundy following a project by Jules Hardouin-Mansart. Since 2006, the museum has been in a process of full renovation and extension. First, the work focused on one part including the renovated route “Middle-Ages – Renaissance”, inaugurated on September 7, 2013. The fully-renovated museum displaying 1500 works of art in 50 different rooms was inaugurated on May 17, 2019, in the presence of the Minister for Culture Franck Riester, the former French President François Hollande and the Mayor François Rebsamen. History o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of The Dukes Of Burgundy
The Palace of the Dukes and Estates of Burgundy or ''Palais des ducs et des États de Bourgogne'' is a remarkably well-preserved architectural assemblage in Dijon. The oldest part is the 14th and 15th century Gothic ducal palace and seat of the Dukes of Burgundy, made up of a logis still visible on place de la Liberation, the ducal kitchens on cour de Bar, the tour de Philippe le Bon, a "guette" overlooking the whole city, and tour de Bar. Most of what can be seen today, however, was built in the 17th and especially the 18th centuries, in a classical style, when the palace was a royal residence building and housed the estates of Burgundy. Finally, the 19th façade of the musée on place de la Sainte-Chapelle was added on the site of the palace's Sainte-Chapelle, demolished in 1802. The Palace houses the city's town hall and the musée des Beaux-Arts. History of the Palace of the Dukes The Duchy of Burgundy was founded in the 9th century, around the year 880, from the Kingdo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Antiquity
Classical antiquity (also the classical era, classical period or classical age) is the period of cultural history between the 8th century BC and the 5th century AD centred on the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome known as the Greco-Roman world. It is the period in which both Greek and Roman societies flourished and wielded huge influence throughout much of Europe, North Africa, and Western Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer (8th–7th-century BC), and continues through the emergence of Christianity (1st century AD) and the fall of the Western Roman Empire (5th-century AD). It ends with the decline of classical culture during late antiquity (250–750), a period overlapping with the Early Middle Ages (600–1000). Such a wide span of history and territory covers many disparate cultures and periods. ''Classical antiquity'' may also refer to an idealized vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tibetan Art
The vast majority of surviving Tibetan art created before the mid-20th century is religious, with the main forms being thangka, paintings on cloth, mostly in a technique described as gouache or distemper, Tibetan Buddhist wall paintings, and small statues in bronze, or large ones in clay, stucco or wood. They were commissioned by religious establishments or by pious individuals for use within the practice of Tibetan Buddhism and were manufactured in large workshops by monks and lay artists, who are mostly unknown. Various types of religious objects, such as the '' phurbu'' or ritual dagger, are finely made and lavishly decorated. Secular objects, in particular jewellery and textiles, were also made, with Chinese influences strong in the latter. Himalayan art is an overall term for Tibetan art together with the art of Bhutan, Nepal, Ladakh, Kashmir and neighbouring parts of Mongolia and China where Tibetan Buddhism is practiced. Sino-Tibetan art refers to works in a Tibetan st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suseok
''Suseok'' ( ko, 수석), also called viewing stones or scholar's stones, is the Korean term for rocks resembling natural landscapes. retrieved 2013-2-7. The term also refers to the art of stone appreciation. The stone may be hand-carved or naturally occurring, with natural stones being of greater value. Such stones are similar to Chinese '' gongshi'' () and Japanese '''' ().Brokaw, Charles. (2011) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Pottery And Porcelain
, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period (10,500–300BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony. Japanese ceramic history records distinguished many potter names, and some were artist-potters, e.g. Hon'ami Kōetsu, Ogata Kenzan, and Aoki Mokubei.Henry Trubner 1972, p. 18. Japanese anagama kilns also have flourished through the ages, and their influence weighs with that of the potters. Another characteristically Japanese aspect of the art is the continuing popularity of unglazed high-fired stone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Ceramics
Chinese ceramics show a continuous development since Chinese Neolithic, pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the List of Palaeolithic sites in China, Palaeolithic era. Chinese ceramics range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage. Most later Chinese ceramics, even of the finest quality, were made on an industrial scale, thus few names of individual potters were recorded. Many of the most important kiln workshops were owned by or reserved for the emperor, and large quantities of Chinese export porcelain were exported as diplomatic gifts or for trade from an early date, initially to East Asia and the Islam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional African Masks
Traditional African masks play an important role in certain traditional African rituals and ceremonies. Masks serve an important role in rituals or ceremonies with varied purposes like ensuring a good harvest, addressing tribal needs in times of peace or war, or conveying spiritual presences in initiation rituals or burial ceremonies. Some masks represent the spirits of deceased ancestors. Others symbolize totem animals, creatures important to a certain family or group. In some cultures, like the kuba culture of the Democratic Republic of the Congo, masks represent specific figures in tribal mythology, like a king or a rival to the ruler. The wearer of the mask is often believed to be able to communicate to the being symbolized by it, or to be possessed by who or what the mask represents. Ritual and ceremonial masks are an essential feature of the traditional culture of the peoples of a part of Sub-Saharan Africa, e.g. roughly between the Sahara and the Kalahari Desert. Whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivory
Ivory is a hard, white material from the tusks (traditionally from elephants) and teeth of animals, that consists mainly of dentine, one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mammals is the same, regardless of the species of origin, but ivory contains structures of mineralised collagen. The trade in certain teeth and tusks other than elephant is well established and widespread; therefore, "ivory" can correctly be used to describe any mammalian teeth or tusks of commercial interest which are large enough to be carved or scrimshawed. Besides natural ivory, ivory can also be produced synthetically, hence (unlike natural ivory) not requiring the retrieval of the material from animals. Tagua nuts can also be carved like ivory. The trade of finished goods of ivory products has its origins in the Indus Valley. Ivory is a main product that is seen in abundance and was used for trading in Harappan civilization. Finished ivor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Glass
The influence of the Islamic world to the history of glass is reflected by its distribution around the world, from Europe to China, and from Russia to East Africa. Islamic glass developed a unique expression that was characterized by the introduction of new techniques and the reinterpreting of old traditions. Roman and Sassanian influences Islamic glass did not begin to develop a recognizable expression until the late 8th or early 9th century AD, despite Islam spreading across the Middle East and North Africa during the mid-7th century AD.Israeli 2003, 319 Despite bringing enormous religious and socio-political changes to the region, this event appears to have not drastically affected the day-to-day workings of craft industries, nor did it cause "extensive destruction or long-lasting disruption". The Roman (Levant and Egypt) and Sassanian (Persia and Mesopotamia) glassmaking industries continued in much the same way they had for centuries. Following the unification of the entire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or " -ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms '' modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising that lifetimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis XIV Of France
, house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Versailles, Versailles, France , burial_date = 9 September 1715 , burial_place = Basilica of Saint-Denis , religion = Catholicism ( Gallican Rite) , signature = Louis XIV Signature.svg Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any sovereign in history whose date is verifiable. Although Louis XIV's France was emblematic of the age of absolutism in Europe, the King surrounded himself with a variety of significant political, military, and cultural figures, such as Bossuet, Colbert, Le Brun, Le Nôtre, Lully, Mazarin, Molière, Racin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Sans Peur
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon, USA Entertainment * Jean (dog), a female collie in silent films * Jean (song), "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * Jean Seberg (musical), ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS Jean (ID-1308), USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (other) * John (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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