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Muslim Social
The Muslim social is a film genre in Bollywood that portrays Islamic culture in India. It flourished in the 1950s and 1960s and lasted till the early 1980s. Muslim socials are divided into two categories: "classic Muslim socials" that explore nawabi culture and focus on upper class or elite Muslim families, and "new wave Muslim socials" that portray middle class Muslim families who experience economic problems, discrimination and communal violence. Muslim socials often include ghazals, qawwalis, Urdu poetry and expressions, and musical forms commonly associated with Islamic culture. However, lately the label has also been criticized for cultural ghettoization of minority cinema. Director M.S. Sathyu who made '' Garam Hava'' (1973), called it "a skewed way to look at cinema. When there is no Hindu social or Christian social, how can there be a Muslim social". History The earliest Muslim socials were made in the 1930s after the advent of sound and continued to be popular until the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Genre
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film. Drawing heavily from the theories of literary-genre criticism, film genres are usually delineated by "conventions, iconography, settings, narratives, characters and actors." One can also classify films by the tone, theme/topic, mood, format, target audience, or budget. Hayward, Susan. "Genre/Sub-genre" in ''Cinema Studies: The Key Concepts'' (Third Edition). Routledge, 2006. p. 185-192 These characteristics are most evident in genre films, which are "commercial feature films hat through repetition and variation, tell familiar stories with familiar characters and familiar situations" in a given genre. Grant, Barry Keith. ''Film Genre: From Iconography to Ideology''. Wallflower Press, 2007. p. 1 A film's genre will influence the use of filmmaking styles and techniques, such as the use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jahangir
Nur-ud-Din Muhammad Salim (30 August 1569 – 28 October 1627), known by his imperial name Jahangir (; ), was the fourth Mughal Emperor, who ruled from 1605 until he died in 1627. He was named after the Indian Sufi saint, Salim Chishti. Early life Prince Salim was the third son born to Akbar and his favourite Queen Consort, Mariam-uz-Zamani in Fatehpur Sikri on 30 August 1569. He had two elder brothers, Hassan Mirza and Hussain Mirza, born as twins to his parents in 1564, both of whom died in infancy. Since these children had died in infancy, Akbar sought the blessing of holy men for an heir-apparent to his empire. When Akbar was informed of the news that his chief Hindu wife was expecting a child, an order was passed for the establishment of a royal palace in Sikri near the lodgings of Shaikh Salim Chisti, where the Empress could enjoy the repose being in the vicinity of the revered saint. Mariam was shifted to the palace established there and during her pregnancy, Akba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakeel Badayuni
Shakeel Badayuni (3 August 1916 – 20 April 1970) was an Indian Urdu poet, lyricist and songwriter in Hindi / Urdu language films. Early life Shakeel Badayuni was born in Badaun, Uttar Pradesh. His father, Mohammed Jamaal Ahmed Sokhta Qadiri, wanted him to have a successful career, thus he arranged Arabic, Urdu, Persian, and Hindi tuition for Shakeel at home. His inclination towards poetry was not hereditary like other . One of his distant relatives, Zia-ul-Qadiri Badayuni, was a religious . Shakeel Masoodi was influenced by him and the contemporary environment of Badayun led him to poetry. When he joined Aligarh Muslim University in 1936, he started participating in inter-college, inter-university '' mushairas'' and won frequently. In 1940, he married Salma, who was his distant relative and had been living in a common house with him since childhood, however, the '' purdah'' system was vogue in their family and they were not close. After completing his BA, he moved to Delhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majrooh Sultanpuri
Asrar ul Hassan Khan (1 October 1919 − 24 May 2000), better known as Majrooh Sultanpuri, was an Indian Urdu poet and lyricist in India's Hindi language film industry. He wrote Hindustani lyrics for numerous Hindi film soundtracks. He was one of the dominating musical forces in Indian cinema in the 1950s and early 1960s, and was an important figure in the Progressive Writers' Movement. He is considered one of the finest avant-garde Urdu poets of 20th century literature. In his career spanning six decades, he worked with many music directors. He won the Filmfare Best Lyricist Award in 1965 for " Chahunga Main Tujhe" in the film ''Dosti'', and the highest award in Indian cinema, the Dadasaheb Phalke Award for lifetime achievement in 1993. In the 1980s and 1990s, most of his work was with Anand–Milind, their most notable collaborations being '' Qayamat Se Qayamat Tak'', ''Lal Dupatta Malmal Ka'', ''Love'', '' Kurbaan'' and '' Dahek''. He also wrote timeless classics with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahir Ludhianvi
Abdul Hayee (8 March 1921 – 25 October 1980), popularly known by his pen name (takhallus) Sahir Ludhianvi, was an Indian poet and film song lyricist who wrote primarily in Urdu in addition to Hindi. His work influenced Indian cinema, in particular Bollywood films. Sahir won a Filmfare Award for Best Lyricist for ''Taj Mahal'' (1963). He won a second Filmfare Award for Best Lyricist for his work in ''Kabhie Kabhie'' (1976). He was awarded the Padma Shri in 1971.Sahir Ludhianvi's Padma Shri and Filmfare Awards on GoogleBooks website Acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khayyam
Ghiyāth al-Dīn Abū al-Fatḥ ʿUmar ibn Ibrāhīm Nīsābūrī (18 May 1048 – 4 December 1131), commonly known as Omar Khayyam ( fa, عمر خیّام), was a polymath, known for his contributions to mathematics, astronomy, philosophy, and Persian poetry. He was born in Nishapur, the initial capital of the Seljuk Empire. As a scholar, he was contemporary with the rule of the Seljuk dynasty around the time of the First Crusade. As a mathematician, he is most notable for his work on the classification and solution of cubic equations, where he provided geometric solutions by the intersection of conics. Khayyam also contributed to the understanding of the parallel axiom.Struik, D. (1958). "Omar Khayyam, mathematician". ''The Mathematics Teacher'', 51(4), 280–285. As an astronomer, he calculated the duration of the solar year with remarkable precision and accuracy, and designed the Jalali calendar, a solar calendar with a very precise 33-year intercalation cycle'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghulam Haider (composer)
Ghulam Haider (1908 – 9 November 1953), also known by the honorary title Master Ghulam Haider, was a Pakistani music composer who worked both in India and later in Pakistan after its independence in 1947. He changed the face of film songs by combining the popular Raags with the verve and rhythm of Punjabi music, and also helped raise the status of film music directors. He is also known for giving a break to the well-known playback singer, Lata Mangeshkar. In an interview, Lata Mangeshkar herself disclosed on her 84th birthday in 2013, "Ghulam Haider is truly my Godfather. It was his confidence in me that he fought for me to tuck me into the Hindi Film Industry which otherwise had rejected me". Remembering her early rejection, Lata once said, "Ghulam Haider was the first music director who showed complete faith in my talent. He introduced me to many producers including ''S. Mukerji'', a big name in film production, but when he too rejected me, Ghulam Haider was very f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ismat Chugtai
Ismat Chughtai (21 August 1915 – 24 October 1991) was an Indian Urdu novelist, short story writer, liberal humanist and filmmaker. Beginning in the 1930s, she wrote extensively on themes including female sexuality and femininity, middle-class gentility, and class conflict, often from a Marxist perspective. With a style characterised by literary realism, Chughtai established herself as a significant voice in the Urdu literature of the twentieth century, and in 1976 was awarded the Padma Shri by the Government of India. Biography Early life and career beginnings (1915–41) Ismat Chughtai was born on 21 August 1915 in Badayun, Uttar Pradesh to Nusrat Khanam and Mirza Qaseem Baig Chughtai; she was the ninth of ten children—six brothers and four sisters. The family moved frequently as Chughtai's father was a civil servant; she spent her childhood in cities including Jodhpur, Agra, and Aligarh—mostly in the company of her brothers as her sisters had all got married while she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saadat Hassan Manto
Saadat Hasan Manto (; Punjabi, ur, , ; 11 May 1912 – 18 January 1955) was a Pakistani writer, playwright and author born in Ludhiana, who was active in British India and later, after the 1947 partition of India, in Pakistan. Writing mainly in Urdu, he produced 22 collections of short stories, a novel, five series of radio plays, three collections of essays and two collections of personal sketches. His best short stories are held in high esteem by writers and critics. He is best known for his stories about the partition of India, which he opposed, immediately following independence in 1947. Manto was tried for obscenity six times; thrice before 1947 in British India, and thrice after independence in 1947 in Pakistan, but was never convicted. He is acknowledged as one of the finest 20th century Urdu writers and is the subject of two biographical films: the 2015 film ''Manto'', directed by Sarmad Khoosat and the 2018 film ''Manto'', directed by Nandita Das. Biography E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abdul Rashid Kardar
Abdur Rashid Kardar (1904–1989) was an Indian film actor, director and producer. He is credited with establishing the film industry in the Bhati Gate locality of Lahore, British India (now in Pakistan).A. R. Kardar (a profile) Indian Cinema Heritage Foundation website. Retrieved 5 February 2022. Early career Kardar started as an arts scholar and a making posters for foreign film productions and writing for newspapers of the early 1920s. His work would often lead him to meet |
Abrar Alvi
Abrar Alvi (1 July 1927 – 18 November 2009) was an Indian film writer, director and actor. Most of his notable work was done in the 1950s and 1960s with Guru Dutt. He wrote some of the most respected works of Indian cinema, including ''Sahib Bibi Aur Ghulam'', ''Kaagaz Ke Phool'' and ''Pyaasa'', which have an avid following the world over. ''Pyaasa'' is included in the All-Time 100 Movies by ''Time'' magazine, as chosen by critics Richard Corliss and Richard Schickel. Works An integral part of the Guru Dutt team, he is noted for writing such films as ''Aar-Paar'', ''Sahib Bibi Aur Ghulam'', ''Kaagaz Ke Phool'', ''Pyaasa'' and '' Mr. & Mrs. '55''. In a chance meeting with Guru Dutt on sets of '' Baaz'' in 1953, Guru Dutt was having problems with a scene in the movie and Abrar suggested his opinion. Guru Dutt was so impressed that he invited Abrar to write ''Aar-Paar'', after which Abrar became an integral part of the Guru Dutt team. Many of the movies he worked on for Guru Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamal Amrohi
Syed Amir Haider Kamal Naqvi (17 January 1918 – 11 February 1993), popularly known as Kamal Amrohi, was an Indian film director and screenwriter. He was also an Urdu and Hindi poet. His Hindi films include '' Mahal'' (1949), ''Pakeezah'' (1972) and ''Razia Sultan'' (1983). He established Kamal Pictures (Mahal Films) in 1953 and Kamalistan Studio in Bombay in 1958. Early life Kamal Amrohi was born in Amroha, United Provinces in British India (present-day Uttar Pradesh) and later took on the name Kamal Amrohi (or Amrohvi). He was a first cousin to Pakistani writers Jaun Elia and Rais Amrohvi. Career In 1938, he left Amroha to study in Lahore, now part of Pakistan, where singer K. L. Saigal discovered him and took him to Mumbai (Bombay) to work for Sohrab Modi's Minerva Movietone film company, where he started his career working on films like ''Jailor'' (1938), ''Pukar'' (1939), ''Bharosa'' (1940), A. R. Kardar's film (Shahjehan 1946). He made his debut as a director in 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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