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Musical Instruments Of Georgia (country)
A rich variety of musical instruments are known from Georgia (country), Georgia. Among the most popular instruments are blown instruments, like the soinari, known in Samegrelo as larchemi (Georgian panpipe), stviri (flute), gudastviri (bagpipe), string instruments like changi (harp), chonguri (four stringed unfretted long neck lute), panduri (three stringed fretted long neck lute), bowed chuniri, known also as chianuri, and a variety of drums. Georgian musical instruments are traditionally overshadowed by the rich vocal traditions of Georgia, and subsequently received much less attention from Georgian (and Western) scholars. Dimitri Arakishvili and particularly Manana Shilakadze contributed to the study of musical instrument in Georgia.Manana Shilakadze. 1970. Georgian Folk Instruments and Instrumental Music. Tbilisi: Metsniereba List of instruments Wind instruments: Larchemi, larchemi/soinari, salamuri, pilili, Tulum (bagpipe), gudastviri, duduki, zurna and stviri Brass wind in ...
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The Soviet Union 1990 CPA 6248 Stamp (Georgian Chang, Gudastviri, Salamuri, Chonguri, Dayereh And Larchemi)
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ...
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Brass Wind Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while some ...
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Georgian Accordion
The Georgian accordion or Georgian Garmoni ( Georgian: ქართული გარმონი) is a traditional musical instrument of Georgia. It is especially popular in Tusheti and in Racha. Garmonis can be diatonic or chromatic. This instrument has been modified in the music of different peoples. The result of such adaptation is its variety disseminated in the Caucasus – Caucasian garmoni, Asian garmoni. In the Caucasus garmoni was introduced in the 19th century. The notion Caucasian garmoni is general, as it implies its national varieties, such as: Georgian and Azerbaijani garmonis, Ossetian iron-kandzal-pandir, Adyghean and Kabardyno-Balkarian pshine, Dagestanian komuz. Formation of the Georgian garmoni should have started in the second half of the 19th century. It was made individually in the workshops. There are three types of Georgian garmoni: # early – the so-called Tushetian garmoni; # miniature (buzika, tsiko-tsiko) and # late – the so-called bass garmoni. G ...
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Naqareh
The ''naqareh'', ''naqqāra'', ''nagara'' or ''nagada'' is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety. The term ''naqqāra'' (), also ''naqqarat'', ''naqqarah'', ''naqqåre'', ''nakkare'', ''nagora'' comes from the Arabic verb ''naqr-'' that means "to strike, beat". The instrument was also adopted in Europe following the Crusades, and known as the naccaire or naker. Construction The rounded section of a naqqara is made of baked clay, while the flat side consists of treated skin fastened around the rim with string which is tightened over the back of the bow Playing This percussion instrument is often played in pairs, where one ''naqqara'' will produce low pitch beats called ''nar'' and the other for the high pitch beats. The instruments are beaten with short wooden sticks bent outward at the upper ends called ''damka''. Varieties Iraq and the other Arab countries ''Naqqārāt'' is t ...
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Tsintsila
Tsintsila ( ka, წინწილა) is an ancient Georgian percussion instrument that represents a couple of oval plates with handholds. History During archeological excavations in a sepulchre near the territory of castle ("Modinakhe") a couple of plates (i.e. "Tsintsila") were found with other relics. The sepulchre is thought to date back to the 4th century A.D. The similar instruments were found during excavations near the castle of "Mtskheta", "Armazi" (eastern part of Georgia). 4 couples of plates i.e. 8 Tsintsilas were found of large and small size there. The diameter of large plates is 40 cm but the small ones' 20 cm. By their appearance, they look like usual plates. They are holed all around. That plays a great role in sound distributing. The comparison of the old and new plates showed that the Tsintsila found during the excavations in the sepulchre has a better design and sound reproducing than the simple plates used in the modern (military) orchestras that do no ...
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Dayereh
Daf ( fa, دف) also known as Dâyere and Riq is a Middle Eastern (mainly Iranian) frame drum musical instrument, used in popular and classical music in South and Central Asia. It is also used in Afghanistan, Azerbaijan, Tajikistan, Iran, Uzbekistan, many regions of Georgia, Pakistan as well as in parts of India and Russian polar regions. It is also popular among Balkans, Bukharan Jews, Caucasians, Kurds, and Macedonians. Daf is the national musical instrument of Pakistan and is also depicted on the reverse and obverse of the Azerbaijani 1 qəpik coin and 1 manat banknote respectively, since 2006. It traditionally has a round wooden frame (although in the modern era it may also be made of metal), jingles, and a thin, translucent head made of fish or goat skin (or, more recently, a synthetic material). The sound is produced by hitting the membrane with either hand – the left hand, which also holds the Daf, strikes the edges, and the right hand strikes the center. The ri ...
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Nagara (Drum)
The ''nagara'' or ''naghara'' is a drum used in the Middle East. There are several types of naghara, which is considered to be the lead instrument in folk ceremonies and weddings. The naghara differs in size and goes by various names such as "boyuk nagara" (big naghara), "cura nagara" (small naghara), "chiling naghara" (played with drum sticks), "Qoltuq nagara" (drum held under the arm), gosha naghara (Naqareh) and "el naghara" (hand naghara). Nagada (Indian Drum) is a percussion instrument used for its rhythmic sounds.. Nakara is a festival instrument mostly used in South Indian Hindu temples. The size may vary and this instrument may be kept near the entrance of the South Indian Hindu temples. Temple musical instrument Nagada is played even now in chosen Hindu temples in Tamil Nadu. The temple musical instruments are termed as Kethu or jalliry or jalli instruments (Tamil Language: கெத்து வாத்தியம், "ஜல்லிரி', "ஜல்லி'). ...
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Percussion Instruments
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymbal ...
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Çeng
The ''çeng'' is a Turkish harp. It was a popular Ottoman instrument until the last quarter of the 17th century. The ancestor of the Ottoman harp is thought to be an instrument seen in ancient Assyrian tablets. While a similar instrument also appears in Egyptian drawings. The çeng belongs to the family of instruments known in organology as "open harps", which are further divided into the "bow harps" and the "square harps". The çeng is in the latter groups. History Early accounts of square harps are from 6000 years ago in the Middle East. The origin of the Ottoman çeng was the Iranian çeng. But in Istanbul, the instrument gained certain features. The Persian manuscript, Kenzü't-Tuhaf, written in the 14th century, gives a good deal of information on the çeng. But the poetical work of the 15th-century poet Ahmed-i Dâî titled Çengname put the çeng in a very privileged place among the other Ottoman instruments. This was because no such work had ever been written � ...
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Kemenche
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian Kamancheh, meaning merely a "small bow". Variations The Kemençe of the Black Sea ( tr, Karadeniz kemençesi, italic=y), also known as ''Pontic kemenche'' or ''Pontic lyra'' ( el, Ποντιακή λύρα), is a box-shaped lute ( ), while the classical kemençe ( tr, Klasik kemençe, italic=y or ''Armudî kemençe'', el, Πολίτικη Λύρα) is a bowl-shaped lute ( ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh (or ''Kabak kemane'' in Turkish), a spike lute ( ), and the Cappadoc ...
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Chonguri
The choghur ( az, Çoğur; ka, ჩონგური) is a plucked string musical instrument common in Azerbaijan and Georgia. It has 4 nylon strings. The choghur dates back to the 12th to 16th centuries, the period between the gopuz and the Bağlama. In the Caucasus, Iran and Anatolia, and in Sufi traditions, darvishes and ashugs used an instrument called the "chaghyr" /"chagur"/ "chugur" / "choghur" / "chungur". Presumably, the name "choghur" means "the musical instrument used to appeal to God and truth". n Azerbaijani the word "chaghir" means "to call", "to appeal"It may be assumed that the name of the instrument originates from the expression "chal-chaghyr" (festivity or celebration), which was later changed to "choghur". Various historical sources indicate that the choghur was used to create a high battle spirit among the soldiers of the medieval Safavid state's army. In the "Jahanarai Shah Ismayil Safavi" annals, describing the situation at the beginning of the 16th c ...
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