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Music Of Mauritania
The music of Mauritania comes predominantly from the country's largest ethnic group: the Moors. In Moorish society musicians occupy the lowest caste, iggawin. Musicians from this caste used song to praise successful warriors as well as their patrons. Iggawin also had the traditional role of messengers, spreading news between villages. In modern Mauritania, professional musicians are paid by anybody to perform; affluent patrons sometimes record the entertainment, rather than the musicians themselves, and are then considered to own the recording. Instruments Traditional instruments include an hourglass-shaped four-stringed lute called the tidinit and the woman's Kora (instrument), kora-like Ardin (harp), ardin. Percussion instruments include the tbal (a kettle drum) and daghumma (a rattle (percussion instrument), rattle). Types of Mauritanian music There are three "ways" to play music in the Mauritanian tradition: *Al-bayda - the white way, associated with delicate and refined mu ...
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Mauritania
Mauritania (; ar, موريتانيا, ', french: Mauritanie; Berber: ''Agawej'' or ''Cengit''; Pulaar: ''Moritani''; Wolof: ''Gànnaar''; Soninke:), officially the Islamic Republic of Mauritania ( ar, الجمهورية الإسلامية الموريتانية), is a sovereign country in West Africa. It is bordered by the Atlantic Ocean to the west, Western Sahara to the north and northwest, Algeria to the northeast, Mali to the east and southeast, and Senegal to the southwest. Mauritania is the 11th-largest country in Africa and the 28th-largest in the world, and 90% of its territory is situated in the Sahara. Most of its population of 4.4 million lives in the temperate south of the country, with roughly one-third concentrated in the capital and largest city, Nouakchott, located on the Atlantic coast. The country's name derives from the ancient Berber kingdom of Mauretania, located in North Africa within the ancient Maghreb. Berbers occupied what is now Mauritani ...
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Bidan (white)
Bidan may refer to: * Bidan Community, an Aboriginal community in Western Australia * Bidan Island, an island off the coast of Yan, Kedah, Malaysia Iran * Bidan, Bushehr, a village * Bidan, Hormozgan, a village * Bidan, Baft, Kerman, a village * Bidan, Zarand, Kerman, a village * Bidan, South Khorasan, a village * Bidan Sarzeh, Sistan and Baluchestan, a village * Bidan-e Khvajeh, Kerman, a village * Bidan-e Panj, Yazd, a village See also * Biden (other) * Bidin, a surname * Bidon (other) {{geodis ...
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Tunis
''Tounsi'' french: Tunisois , population_note = , population_urban = , population_metro = 2658816 , population_density_km2 = , timezone1 = CET , utc_offset1 = +01:00 , timezone1_DST = , utc_offset1_DST = , postal_code_type = Postal code , postal_code = 1xxx, 2xxx , area_code_type = Calling code , area_code = 71 , iso_code = TN-11, TN-12, TN-13 and TN-14 , blank_name_sec2 = geoTLD , blank_info_sec2 = .tn , website = , footnotes = Tunis ( ar, تونس ') is the capital and largest city of Tunisia. The greater metropolitan area of Tunis, often referred to as "Grand Tunis", has about 2,700,000 inhabitants. , it is the third-largest city in the Maghreb ...
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Umm Kulthum
Umm Kulthum ( ar, أم كلثوم, , also spelled ''Oum Kalthoum'' in English; born Fatima Ibrahim es-Sayyid el-Beltagi, ar, فاطمة إبراهيم السيد البلتاجي, Fāṭima ʾIbrāhīm es-Sayyid el-Beltāǧī, link=no; 31 December 1898 – 3 February 1975) was an Egyptian singer, songwriter, and film actress active from the 1920s to the 1970s. She was given the honorific title "" ('Star of the Orient'). She is considered a national icon in her native Egypt; she has been dubbed "The Voice of Egypt", the "Lady of Arabic Song" and "Egypt's Fourth Pyramid". Biography Early life Umm Kulthum was born in the village of Tamay e-Zahayra, belonging to the city of Senbellawein, Dakahlia Governorate, in the Nile Delta to a family with a religious background as her father Ibrahim El-Sayyid El-Beltagi was an imam from the Egyptian countryside, her mother was Fatmah El-Maleegi, a housewife. She learned how to sing by listening to her father teach her older brother, Khal ...
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Mauritanian National Anthem
The national anthem of Mauritania ( ar, النشيد الوطني الموريتاني), also known by its incipit, "" ( en, "Land of the Proud, Guided by Noblemen"; french: "Pays des fiers, nobles guides"), was adopted on 16 November 2017 and was composed by Egyptian composer Rageh Daoud. History In March 2017, following a referendum to amend the constitution of July 1991, the Mauritanian National Assembly adopted a new national anthem to replace the previous one, which was considered almost impossible to sing. Lyrics The anthem currently has six verses, with a chorus repeated after each verse. The fifth verse (in brackets) is sung in an extended version of the anthem. It was first sung on the 57th independence day of Mauritania, on 28 November 2017. Full lyrics Short version On official occasions requiring brevity, a short version is sung, comprising verse one (which is repeated), the chorus (which is split before line three), verse two and verse six. See also * Fl ...
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Dimi Mint Abba
Dimi Mint Abba ( ar, ديمي منت آبا‎; 25 December 1958 – June 2011) was one of Mauritania's most famous musicians. She was born Loula Bint Siddaty Ould Abba in Tidjikja in Mauritania. 1958, into a low-caste ("iggawin") family specializing in the griot tradition. Life and career Dimi's parents were both musicians (her father had been asked to compose the Mauritanian national anthem), and she began playing at an early age. Her professional career began in 1976, when she sang on the radio and then competed, the following year, in the Umm Kulthum Contest in Tunis. Her winning song "Sawt Elfan" ("Art's Plume") has the refrain ''"Art's Plume is a balsam, a weapon and a guide enlightening the spirit of men"'', which can be interpreted to mean that artists play a more important role than warriors in society. Her first international release was on the World Circuit record label, following a recommendation from Ali Farka Touré. On this album, she was accompanied by ...
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Afterlife
The afterlife (also referred to as life after death) is a purported existence in which the essential part of an individual's identity or their stream of consciousness continues to live after the death of their physical body. The surviving essential aspect varies between belief systems; it may be some partial element, or the entire soul or spirit of an individual, which carries with it and may confer personal identity or, on the contrary, nirvana. Belief in an afterlife is in contrast to the belief in oblivion after death. In some views, this continued existence takes place in a spiritual realm, while in others, the individual may be reborn into this world and begin the life cycle over again, likely with no memory of what they have done in the past. In this latter view, such rebirths and deaths may take place over and over again continuously until the individual gains entry to a spiritual realm or otherworld. Major views on the afterlife derive from religion, esotericism ...
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Arabic Music
Arabic music or Arab music ( ar, الموسيقى العربية, al-mūsīqā al-ʿArabīyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects, with each country and region having their own traditional music. Arabic music has a long history of interaction with many other regional musical styles and genres. It represents the music of all the peoples that make up the Arab world today, all the 22 states. History Pre-Islamic period (Arabian Peninsula) Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaʾ who encouraged the development of music.
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Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation syst ...
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Haratin
Haratin (), also referred to as Haratine, Harratin (singular: Hartani), are an ethnic group found in western Sahel and southwestern Maghreb. The Haratin are mostly found in modern Mauritania (where they form a plurality), Morocco, Western Sahara, and Algeria. In Tunisia and Libya, they are referred to as Shwashin, Chouachin, Chouachine (singular: Shwashin, Chouchan). The Haratin are both culturally and ethnically distinct from modern sub-Saharan Africans and speak Maghrebi Arabic dialects as well as various Berber languages.they are Arabic speakinHaratin Encyclopædia Britannica (2014) They have traditionally been characterised as the descendants of former Sub-Saharan slaves and as one of the original inhabitants of the Sahara. They form the single largest defined ethnolinguistic group in Mauritania where they account for 40% of the population (~1.5 million). In parts of Arab-Berber Maghreb, they are sometimes referred to as a "socially distinct class of workers". The Haratin ...
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