Messiah Part I
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Messiah Part I
''Messiah'' ( HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. The wordbook (also called libretto or text) was supplied by Charles Jennens. This article covers Part I and describes the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his virgin birth by several prophets, namely Isaiah. His birth is still rendered in words by Isaiah, followed by the annunciation to the shepherds as the only scene from a Gospel in the oratorio, and reflections on the Messiah's deeds. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven. The popular Part I of ''Messiah'' is sometimes called the "Christmas" portion as it is frequently performed during Advent in concert, sing-along, or as a Scratch Messiah. When performed in this wa ...
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George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ...
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Messiah
In Abrahamic religions, a messiah or messias (; , ; , ; ) is a saviour or liberator of a group of people. The concepts of ''mashiach'', messianism, and of a Messianic Age originated in Judaism, and in the Hebrew Bible, in which a ''mashiach'' is a king or High Priest traditionally anointed with holy anointing oil. Χριστός, Greek for the Hebrew Messiah occurs 41 times in the LXX and the Hebrew Bible. ''Ha-mashiach'' (), often referred to as ' (), is to be a Jewish leader, physically descended from the paternal Davidic line through King David and King Solomon. He is thought to accomplish predetermined things in a future arrival, including the unification of the tribes of Israel, the gathering of all Jews to ''Eretz Israel'', the rebuilding of the Temple in Jerusalem, the ushering in of a Messianic Age of global universal peace, and the annunciation of the world to come. The Greek translation of Messiah is ''Khristós'' (), anglicized as ''Christ''. Christians commonly ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Scratch Messiah
A Scratch ''Messiah'', People's ''Messiah'', Come Sing ''Messiah'', Sing-it-yourself ''Messiah'', Do-it-yourself ''Messiah'' (DIY ''Messiah''), or Sing along ''Messiah'' (the first two British and Australian usage, the last three common in North America) is an informal performance of Handel's ''Messiah'' in which the audience serves as the unrehearsed chorus, often supported by a carefully prepared core group. Orchestra and soloists are usually professionals, though their services are often donated for charity benefits. The "scratch" name derives from the idea of cooking or building from scratch. History Scratch Messiah performances have their origins in the British tradition of choral societies, when large choruses of untrained amateur singers could participate in performances of large-scale concert works. Handel's Messiah was originally composed with charitable purposes in mind, having grown out of the 1749 performance of the Foundling Hospital Anthem and Handel's annual E ...
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Sing-along
Sing-along, also called community singing or group singing, is an event of singing together at gatherings or parties, less formally than choir singing. One can use a songbook. Common genres are folk songs, patriotic songs, kids' songs, spirituals, campfire songs, nonsense songs, humorous songs, hymns and drinking songs. Children around the world usually sing together. Sing-along can be based on unison singing, or on singing in harmony (different parts). Among animals Group vocalizing is known in several animal species. For example, a lion pride and a pack of wolves are known to vocalize together (supposedly to defend their territory), although some scholars do not characterize their vocalizations as "singing". Gibbons sing in family groups (couples sing together, sometimes with their offspring). Various species of birds also sing in duets and choruses, particularly in the tropics. In human pre-history Singing in groups is one of the universal features of human musical cultures, a ...
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Book Of Revelation
The Book of Revelation is the final book of the New Testament (and consequently the final book of the Christian Bible). Its title is derived from the first word of the Koine Greek text: , meaning "unveiling" or "revelation". The Book of Revelation is the only apocalyptic book in the New Testament canon. It occupies a central place in Christian eschatology. The author names himself as simply "John" in the text, but his precise identity remains a point of academic debate. Second-century Christian writers such as Papias of Hierapolis, Justin Martyr, Irenaeus, Melito of Sardis, Clement of Alexandria, and the author of the Muratorian fragment identify John the Apostle as the "John" of Revelation. Modern scholarship generally takes a different view, with many considering that nothing can be known about the author except that he was a Christian prophet. Modern theological scholars characterize the Book of Revelation's author as "John of Patmos". The bulk of traditional sources ...
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12-58
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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Paul The Apostle
Paul; grc, Παῦλος, translit=Paulos; cop, ⲡⲁⲩⲗⲟⲥ; hbo, פאולוס השליח (previously called Saul of Tarsus;; ar, بولس الطرسوسي; grc, Σαῦλος Ταρσεύς, Saũlos Tarseús; tr, Tarsuslu Pavlus; la, Paulus Tarsensis AD), commonly known as Paul the Apostle and Saint Paul, was a Christian apostle who spread the teachings of Jesus in the first-century world. Generally regarded as one of the most important figures of the Apostolic Age, he founded several Christian communities in Asia Minor and Europe from the mid-40s to the mid-50s AD. According to the New Testament book Acts of the Apostles, Paul was a Pharisee. He participated in the persecution of early disciples of Jesus, possibly Hellenised diaspora Jews converted to Christianity, in the area of Jerusalem, prior to his conversion. Some time after having approved of the execution of Stephen, Paul was traveling on the road to Damascus so that he might find any Christians ...
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Messiah Part III
''Messiah'' ( HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part III in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds as a scene from the Gospel of Luke, and reflects the Messiah's deeds on Earth. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven. Messiah, the oratorio The libretto by Charles Jennens is entirely drawn from the Bible, mostly from the King James Bible, whereas several psalms are taken from the Book of Common Prayer. The librettist commented: "... the Subject excells every other Subject. The Subject is Messiah ...". ''Messiah'' differs from Handel's other or ...
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Ascension Of Jesus
The Ascension of Jesus (anglicized from the Vulgate la, ascensio Iesu, lit=ascent of Jesus) is the Christian teaching that Christ physically departed from Earth by rising to Heaven, in the presence of eleven of his apostles. According to the New Testament narrative, the Ascension occurred on the fortieth day counting from the resurrection. In the Christian tradition, reflected in the major Christian creeds and confessional statements, God exalted Jesus after his death, raising him from the dead and taking him to Heaven, where Jesus took his seat at the right hand of God. In Christian art, the ascending Jesus is often shown blessing an earthly group below him, signifying the entire Church. The Feast of the Ascension is celebrated on the 40th day of Easter, always a Thursday; some Orthodox traditions have a different calendar up to a month later than in the Western tradition, and while the Anglican Communion continues to observe the feast, many Protestant churches have abandone ...
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Passion (Christianity)
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the ...
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Messiah Part II
''Messiah'' ( HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part II in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto ''He was despised'', then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection. The part is concluded by a scene called "God's Triumph" that culminates in the ''Hallelujah'' chorus. Part III of the oratorio concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven. Messiah, the oratorio The libretto by Charles Jennens is entirely drawn from the Bible, mostly from the King James ...
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