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Medieval Aesthetics
Medieval aesthetics refers to the general philosophy of beauty during the Medieval period. Although Aesthetics did not exist as a field of study during the Middle Ages, influential thinkers active during the period did discuss the nature of beauty and thus an understanding of medieval aesthetics can be obtained from their writings. Medieval aesthetics is characterized by its synthesis of Classical and Christian conceptions of beauty. The thought of Aristotle and Plato, framed by that of the Neoplatonist Plotinus, placed an emphasis on concepts such as harmony, light, and symbolism. By contrast, readings of the Bible inspired an interrogation of the relationship between nature and the divine. The writings of St Augustine and Pseudo-Dionysius integrated Plato and Plotinus with early Church Doctrine, while St Thomas Aquinas incorporated Aristotelian philosophy into his discussion of beauty in nature. The theological concerns of these writers meant that their aesthetic theories were re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umberto Eco
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel ''The Name of the Rose'', a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as ''Foucault's Pendulum,'' his 1988 novel which touches on similar themes. Eco wrote prolifically throughout his life, with his output including children's books, translations from French and English, in addition to a twice-monthly newspaper column "La Bustina di Minerva" (Minerva's Matchbook) in the magazine ''L'Espresso'' beginning in 1985, with his last column (a critical appraisal of the Romantic paintings of Francesco Hayez) appearing 27 January 2016. At the time of his death, he was an Emeritus professor at the University of Bologna, where he taught for much of his life. In the 21st century, he has conti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetics (Aristotle)
Aristotle's ''Poetics'' ( grc-gre, Περὶ ποιητικῆς ''Peri poietikês''; la, De Poetica; c. 335 BCDukore (1974, 31).) is the earliest surviving work of Greek dramatic theory and first extant philosophical treatise to focus on literary theory. In this text Aristotle offers an account of ποιητική, which refers to poetry and more literally "the poetic art," deriving from the term for "poet; author; maker," ποιητής. Aristotle divides the art of poetry into verse drama (to include comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: # Differences in music rhythm, harmony, meter and melody. # Difference of goodness in the characters. # Difference in how the narrative is presented: telling a story or acting it out. The surviving book of ''Poetics'' is primarily concerned with drama, and the analysis of tragedy constitutes t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorgias (dialogue)
''Gorgias'' (; el, Γοργίας ) is a Socratic dialogue written by Plato around 380 BC. The dialogue depicts a conversation between Socrates and a small group of sophists (and other guests) at a dinner gathering. Socrates debates with the sophist seeking the true definition of rhetoric, attempting to pinpoint the essence of rhetoric and unveil the flaws of the sophistic oratory popular in Athens at the time. The art of persuasion was widely considered necessary for political and legal advantage in classical Athens, and rhetoricians promoted themselves as teachers of this fundamental skill. Some, like Gorgias, were foreigners attracted to Athens because of its reputation for intellectual and cultural sophistication. Socrates suggests that he is one of the few Athenians to practice true politics (521d). The characters *Socrates * Gorgias *Polus *Callicles *Chaerephon Major themes Definition of rhetoric Socrates interrogates Gorgias to determine the true definition of rheto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippias Major
''Hippias Major'' (or ''What is Beauty?'' or ''Greater Hippias'' ( el, Ἱππίας μείζων, ''Hippías meízōn''), to distinguish it from the '' Hippias Minor'', which has the same chief character), is one of the dialogues of Plato, although its authenticity has been doubted. It belongs to the early dialogues, written while the author was still young. Its precise date is uncertain, although a date of c. 390 BC has been suggested. In the ''Hippias Major'', Socrates and Hippias set out to find a definition for "beauty", but are destined to fail due to their inability to formulate an answer which encompasses the entire concept. The actual Greek term that is used in the dialogue is καλόν, which as an adjective often means fine or noble as well as beautiful. For this reason, translators such as Paul Woodruff typically translate the term (τὸ καλόν—the abstract noun of the adjective) as "the Fine" (things) instead of "Beauty." As in '' Charmides'', ''Lysis'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimesis
Mimesis (; grc, μίμησις, ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including ''imitatio'', imitation, nonsensuous similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self. The original Ancient Greek term ''mīmēsis'' ( grc, μίμησις, label=none) derives from ''mīmeisthai'' ( grc, μιμεῖσθαι, label=none, 'to imitate'), itself coming from ''mimos'' ( μῖμος, 'imitator, actor'). In ancient Greece, ''mīmēsis'' was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted ''mimesis'', or imitation Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "developm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demiurge
In the Platonic, Neopythagorean, Middle Platonic, and Neoplatonic schools of philosophy, the demiurge () is an artisan-like figure responsible for fashioning and maintaining the physical universe. The Gnostics adopted the term ''demiurge''. Although a fashioner, the demiurge is not necessarily the same as the Creator figure in the monotheistic sense, because the demiurge itself and the material from which the demiurge fashions the universe are both considered consequences of something else. Depending on the system, they may be considered either uncreated and eternal or the product of some other entity. The word ''demiurge'' is an English word derived from ''demiurgus'', a Latinised form of the Greek or . It was originally a common noun meaning "craftsman" or "artisan", but gradually came to mean "producer", and eventually "creator". The philosophical usage and the proper noun derive from Plato's ''Timaeus'', written 360 BC, where the demiurge is presented as the crea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theory Of Forms
The theory of Forms or theory of Ideas is a philosophical theory, fuzzy concept, or world-view, attributed to Plato, that the physical world is not as real or true as timeless, absolute, unchangeable ideas. According to this theory, ideas in this sense, often capitalized and translated as "Ideas" or "Forms", are the non-physical essences of all things, of which objects and matter in the physical world are merely imitations. Plato speaks of these entities only through the characters (primarily Socrates) of his dialogues who sometimes suggests that these Forms are the only objects of study that can provide knowledge. The theory itself is contested from within Plato's dialogues, and it is a general point of controversy in philosophy. Nonetheless, the theory is considered to be a classical solution to the problem of universals. The early Greek concept of form precedes attested philosophical usage and is represented by a number of words mainly having to do with vision, sight, and ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good
In most contexts, the concept of good denotes the conduct that should be preferred when posed with a choice between possible actions. Good is generally considered to be the opposite of evil and is of interest in the study of ethics, morality, philosophy, and religion. The specific meaning and etymology of the term and its associated translations among ancient and contemporary languages show substantial variation in its inflection and meaning, depending on circumstances of place and history, or of philosophical or religious context. History of Western ideas Every language has a word expressing ''good'' in the sense of "having the right or desirable quality" ( ἀρετή) and ''bad'' in the sense "undesirable". A sense of moral judgment and a distinction "right and wrong, good and bad" are cultural universals. Plato and Aristotle Although the history of the origin of the use of the concept and meaning of "good" are diverse, the notable discussions of Plato and Aristotle o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium (Plato)
The ''Symposium'' ( grc, Συμπόσιον, ) is a philosophical text by Plato, dated . It depicts a friendly contest of extemporaneous speeches given by a group of notable men attending a banquet. The men include the philosopher Socrates, the general and political figure Alcibiades, and the comic playwright Aristophanes. The speeches are to be given in praise of Eros, the god of love and desire. In the ''Symposium'', Eros is recognized both as erotic love and as a phenomenon capable of inspiring courage, valor, great deeds and works, and vanquishing man's natural fear of death. It is seen as transcending its earthly origins and attaining spiritual heights. This extraordinary elevation of the concept of love raises a question of whether some of the most extreme extents of meaning might be intended as humor or farce. ''Eros'' is almost always translated as "love", and the English word has its own varieties and ambiguities that provide additional challenges to the effort to under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Wisdom
The Book of Wisdom, or the Wisdom of Solomon, is a Jewish work written in Greek and most likely composed in Alexandria, Egypt. Generally dated to the mid-first century BCE, the central theme of the work is "wisdom" itself, appearing under two principal aspects. The first aspect is, in its relation to humankind, wisdom is the perfection of knowledge of the righteous as a gift from God showing itself in action. The second aspect is, in direct relation to God, wisdom is with God from all eternity. It is one of the seven Sapiential or wisdom books in the Septuagint, the others being Psalms, Proverbs, Ecclesiastes, Song of Songs (Song of Solomon), Job, and Sirach. It is included in the canons of the Catholic Church and the Eastern Orthodox Church. Most Protestants consider it part of the Apocrypha. Structure, genre and content The structure can be divided into three sections: # Book of Eschatology #* exhortation to justice #* speech of the impious, contrasts of the wicked and the j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genesis Creation Narrative
The Genesis creation narrative is the creation myth of both Judaism and Christianity. The narrative is made up of two stories, roughly equivalent to the first two chapters of the Book of Genesis. In the first, Elohim (the Hebrew generic word for God) creates the heavens and the Earth in six days, then rests on, blesses, and sanctifies the seventh (i.e. the Biblical Sabbath). In the second story God (now referred to by the personal name Yahweh) creates Adam, the first man, from dust and places him in the Garden of Eden. There he is given dominion over the animals. Eve, the first woman, is created from Adam’s rib as his companion. The Hebrew creation narrative borrowed themes from Mesopotamian mythology, but adapted them to their unique belief in one God. The first major comprehensive draft of the Pentateuch (the series of five books which begins with Genesis and ends with Deuteronomy) is thought to have been composed in the late 7th or the 6th century BCE (the Jahwist sour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
