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Max D'Ollone
Maximilien-Paul-Marie-Félix d'Ollone (13 June 1875 – 15 May 1959) was a 20th-century French composer. Life and career Born in Besançon, d'Ollone started composing very early, entering the Paris Conservatoire at 6, winning many prizes, receiving the encouragement of Gounod, Saint-Saëns, Massenet, Thomas and Delibes. His teachers at the Conservatoire were Lavignac, Massenet, Gédalge and Lenepveu; he won the Prix de Rome in 1897. He was director of music in Angers, professor at the Paris Conservatoire and director of the Opéra-Comique. His work was part of the music event in the art competition at the 1912 Summer Olympics. In 1932 he wrote three important articles for ''Le Ménestrel'' (29 July, 9 and 16 December) arguing for a more populist approach to composition.Landormy (1943) In addition to the works listed below, d'Ollone produced a number of song cycles (including "Les Chants d'Ailleurs"; " Les Chants d'Exil"; "Impressions d'Automne"), which demonstrate a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max D'Ollone BNF
Max or MAX may refer to: Animals * Max (dog) (1983–2013), at one time purported to be the world's oldest living dog * Max (English Springer Spaniel), the first pet dog to win the PDSA Order of Merit (animal equivalent of OBE) * Max (gorilla) (1971–2004), a western lowland gorilla at the Johannesburg Zoo who was shot by a criminal in 1997 Brands and enterprises * Australian Max Beer * Max Hamburgers, a fast-food corporation * MAX Index, a Hungarian domestic government bond index * Max Fashion, an Indian clothing brand Computing * MAX (operating system), a Spanish-language Linux version * Max (software), a music programming language * Commodore MAX Machine * Multimedia Acceleration eXtensions, extensions for HP PA-RISC Films * Max (1994 film), ''Max'' (1994 film), a Canadian film by Charles Wilkinson * Max (2002 film), ''Max'' (2002 film), a film about Adolf Hitler * Max (2015 film), ''Max'' (2015 film), an American war drama film Games * ''Dancing Stage Max'', a 2005 game in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Ménestrel
''Le Ménestrel'' (The Minstrel) was an influential French music journal published weekly from 1833 until 1940. It was founded by Joseph-Hippolyte l'Henry and originally printed by Poussièlgue. In 1840 it was acquired by the music publishers Heugel (music publisher), Heugel and remained with the company until the journal's demise at the beginning of World War II. With the closure of its chief rival, ''Revue et gazette musicale de Paris, La Revue et gazette musicale de Paris'' in 1880, ''Le Ménestrel'' became France's most prestigious and longest-running music journal. Publishing history In 1827, François-Joseph Fétis had founded ''La Revue musicale'', France's first periodical devoted entirely to classical music. By 1834, it had two serious competitors, ''Le Ménestrel'' established in 1833, and Maurice Schlesinger's ''Gazette Musicale'', established in 1834. ''Le Ménestrel'' was founded by the Paris publisher Joseph-Hippolyte l'Henry, with the first edition (printed by Poussi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Poulet
Gérard (Georges) Poulet (born 12 August 1938) is a French classical violinist. Biography Born in Bayonne the son of conductor Gaston Poulet, Poulet started studying the violin at age five. At 11 he entered the Conservatoire de Paris in André Asselin's class and was unanimously awarded first prize in violin at age 12. He performed Salle Gaveau the same year under the direction of his father with the Concerts Colonne. In 1956, he won the 1st Grand Prix of the Paganini Competition in Genoa then perfected his skills with Zino Francescatti, Yehudi Menuhin, Nathan Milstein, and Henryk Szeryng. He considers the latter as "his father in music". Poulet was professor, then honorary professor at the Conservatoire de Paris. His students included the violinists , Renaud Capuçon, Sarah Nemtanu, Jean-Marc Phillips-Varabédjian, Svetlin Roussev, Marie Scheublé, Klodiana Skenderi, Guillaume Sutre, Akiko Yamada. He was also a full professor at the École Normale de Musique de Paris and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enesco Quartet
The Enesco Quartet is a French string quartet based in Paris. History The Enesco Quartet was formed in 1979. Wishing to honour the memory of the illustrious Georges Enesco (1881-1955), their founders gave his name to the Quartet. Their meeting with the famous musicians Sándor Végh, Norbert Brainin and Sergiu Celibidache was of the utmost importance: the Enesco Quartet established itself internationally from the very beginning of their studies with these great artists with whom they maintained privileged relations. Their repertoire is distinguished by a very large number of quartets, as well as numerous works ranging from the quintet to the octet, including classical and romantic pages from the 18th, 19th, and 20th century, which occupies an important place in their programmes. They have performed a large number of contemporary works for string quartets composed by Philippe Hersant, Serge Nigg, Henri Sauguet, Jean-Jacques Werner, Pierre-Max Dubois, Nicolas Bacri, Nicolas P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Verany
Disques Pierre Verany is a French classical music record label named after its founder and producer. Verany, a producer and sound engineer, ran his own label "Disques Pierre Verany" for many years — concentrating on Italian and French baroque music - before selling the label in 1997 to the Arion (record label) of Manuela Ostrolenk, who had acquired Arion from the first owner Ariane Segal in 1985. "On relève à côté de Mozart, Schumann et Bartok names like Emmanuel Chabrier, François Devienne, François-Joseph Naderman, Jehan Alain, Claude Ballif, Georges Migot and Arvo Pärt. Le label de Pierre Verany, racheté en 1997,.." Artists associated with the label include Paul Kuentz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Pâris
Alain Pâris (born 22 November 1947) is a French conductor and musicologist. Biography Born in Paris, Alain Pâris was trained as a pianist and has a law degree. He studied conducting with Pierre Dervaux, Paul Paray and Georg Solti and won the First prize at the International Besançon Competition for Young Conductors in 1968. For thirty-seven years, he was the youngest winner before Lionel Bringuier took his place. An assistant to Michel Plasson at the Capitole de Toulouse, he was principal conductor at the Opéra du Rhin (1983–1987) and professor of conducting at the conservatoire de Strasbourg (1986–89). He conducts most of the major French orchestras (Orchestre de Paris, Radio France orchestras, Lyon, Strasbourg, Lille...) and develops an international career, notably as a regular guest of the St. Petersburg Capella(1993–1999), the Bilkent Symphony Orchestra in Ankara (1998–2000), the George Enescu Philharmonic Orchestra (1999–2011), the Athens State Orche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Gaubert
Philippe Gaubert (5 July 1879 – 8 July 1941) was a French musician who was a distinguished performer on the flute, a respected conductor, and a composer, primarily for the flute. Biography Gaubert – commonly referred to as Gauberto – was born in Cahors. He became one of the most prominent French musicians between the two World Wars. After a prominent career as a flautist with the Paris Opéra, he was appointed in 1919, at the age of forty, to three positions that placed him at the very centre of French musical life: * Professor of flute in the Conservatoire de Paris (teacher of Marcel Moyse) * Principal conductor of the Paris Opéra * Principal conductor of the Orchestre de la Société des Concerts du Conservatoire In 1907, he participated in the first performance of Maurice Ravel's ''Introduction and Allegro'' for harp, flute, clarinet and string quartet. Among his recordings as conductor, one that he made of César Franck's Symphony in D minor (with the Conse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Dumas, Père
Alexandre Dumas (, ; ; born Dumas Davy de la Pailleterie (), 24 July 1802 – 5 December 1870), also known as Alexandre Dumas père (where '' '' is French for 'father', to distinguish him from his son Alexandre Dumas fils), was a French writer. His works have been translated into many languages and he is one of the most widely read French authors. Many of his historical novels of adventure were originally published as serials, including '' The Count of Monte Cristo'', ''The Three Musketeers'', ''Twenty Years After'' and '' The Vicomte of Bragelonne: Ten Years Later''. His novels have been adapted since the early twentieth century into nearly 200 films. Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris. His father, General Thomas-Alexandre Dumas D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Rostand
Edmond Eugène Alexis Rostand (, , ; 1 April 1868 – 2 December 1918) was a French poet and dramatist. He is associated with neo-romanticism and is known best for his 1897 play '' Cyrano de Bergerac''. Rostand's romantic plays contrasted with the naturalistic theatre popular during the late nineteenth century. Another of Rostand's works, ''Les Romanesques'' (1894), was adapted to the 1960 musical comedy '' The Fantasticks''. Early life Rostand was born in Marseille, France, into a wealthy and cultured Provençal family. His father was an economist, a poet who translated and edited the works of Catullus, and a member of the Marseille Academy and the Institut de France. Rostand studied literature, history, and philosophy at the Collège Stanislas in Paris, France. Career When Rostand was twenty years old, his first play, a one-act comedy, ''Le Gant rouge'', was performed at the Cluny Theatre, 24 August 1888, but it was almost unnoticed. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats includi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" ''Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; ''Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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