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Marie De' Medici Cycle
The Marie de' Medici Cycle is a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens received the commission in the autumn of 1621. After negotiating the terms of the contract in early 1622, the project was to be completed within two years, coinciding with the marriage of Marie's daughter, Henrietta Maria. Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents. The paintings now hang in the Louvre in Paris. Commission Much speculation exists on the exact circumstances under which Marie de' Medici decided to commission Rubens to paint "such a grandiose project, conceived in truly heroic proportions".Saward, p. 2. John Coolidge suggests the cycle may have even been commissioned to rival another famous series of Rubens, ''The Constantine Tapestries'', which he designed in his studio at the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flanders Exposition At The Richelieu Wing Of The Louvre
Flanders (, ; Dutch: ''Vlaanderen'' ) is the Flemish-speaking northern portion of Belgium and one of the communities, regions and language areas of Belgium. However, there are several overlapping definitions, including ones related to culture, language, politics, and history, and sometimes involving neighbouring countries. The demonym associated with Flanders is Fleming, while the corresponding adjective is Flemish. The official capital of Flanders is the City of Brussels, although the Brussels-Capital Region that includes it has an independent regional government. The powers of the government of Flanders consist, among others, of economic affairs in the Flemish Region and the community aspects of Flanders life in Brussels, such as Flemish culture and education. Geographically, Flanders is mainly flat, and has a small section of coast on the North Sea. It borders the French department of Nord to the south-west near the coast, the Dutch provinces of Zeeland, North Brabant a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles I Of England
Charles I (19 November 1600 – 30 January 1649) was King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. He was born into the House of Stuart as the second son of King James VI of Scotland, but after his father inherited the English throne in 1603, he moved to England, where he spent much of the rest of his life. He became heir apparent to the kingdoms of England, Scotland, and Ireland in 1612 upon the death of his elder brother, Henry Frederick, Prince of Wales. An unsuccessful and unpopular attempt to marry him to the Spanish Habsburg princess Maria Anna culminated in an eight-month visit to Spain in 1623 that demonstrated the futility of the marriage negotiation. Two years later, he married the Bourbon princess Henrietta Maria of France. After his 1625 succession, Charles quarrelled with the English Parliament, which sought to curb his royal prerogative. He believed in the divine right of kings, and was determined to govern acco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laocoön Group
Laocoön (; grc, , Laokóōn, , gen.: ), is a figure in Greek and Roman mythology and the Epic Cycle. Laocoon was a Trojan priest. He and his two young sons were attacked by giant serpents, sent by the gods. The story of Laocoön has been the subject of numerous artists, both in ancient and in more contemporary times. Family Laocoön was variously called as the son of Acoetes, Antenor, or Poseidon; or the son of Priam and Hecuba. He had two sons. Death The most detailed description of Laocoön's grisly fate was provided by Quintus Smyrnaeus in ''Posthomerica'', a later, literary version of events following the ''Iliad''. According to Quintus, Laocoön begged the Trojans to set fire to the Trojan horse to ensure it was not a trick. Athena, angry with him and the Trojans, shook the ground around Laocoön's feet and painfully blinded him. The Trojans, watching this unfold, assumed Laocoön was punished for the Trojans' mutilating and doubting Sinon, the undercover Greek soldi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Sculpture
Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style. The main subject of Ancient Greek sculpture from its earliest days was the human figure, usually male and nude (or nearly so). Apart from the heads of portrait sculptures, the bodies were highly idealized but achieved an unprecedented degree of naturalism. In addition to free standing statues, the term classical sculpture incorporates relief work (such as the famous Elgin Marbles of the Parthenon) and the fla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as '' The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italian (Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante's '' Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Van Veen
Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius (1556 – 6 May 1629), was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late 16th and early 17th centuries. He is known for running a large studio in Antwerp, producing several emblem books, and for being, from 1594 or 1595 until 1598, Peter Paul Rubens' teacher. His role as a classically educated humanist artist (a ''pictor doctus''), reflected in the Latin name by which he is often known, Octavius Vaenius, was influential on the young Rubens, who would take on that role himself. Life Van Veen was born around 1556 in Leiden, where his father, Cornelis Jansz. van Veen (1519–1591), had been Burgomaster.Van de Velde. He probably was a pupil of Isaac Claesz van Swanenburg until October 1572, when the Catholic family moved to Antwerp, and then to Liège. He studied for a time under Dominicus Lampsonius and Jean Ramey, before traveling to Rome around 1574 or 157 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Boucher
François Boucher ( , ; ; 29 September 1703 – 30 May 1770) was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century. Life A native of Paris, Boucher was the son of a lesser known painter Nicolas Boucher, who gave him his first artistic training. At the age of seventeen, a painting by Boucher was admired by the painter François Lemoyne. Lemoyne later appointed Boucher as his apprentice, but after only three months, he went to work for the engraver Jean-François Cars.Alastair Laing. "Boucher, François." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 16 June 2016 In 1720, he won the elite Grand Prix de Rome for painting, but did not take up the consequential opportunity to study in Italy until five years later, due to fina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Antoine Watteau
Jean-Antoine Watteau (, , ; baptised October 10, 1684died July 18, 1721) Alsavailablevia Oxford Art Online (subscription needed). was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of '' fêtes galantes'', scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet. Early life and training Jean-Antoine Watteau was born in October 1684 in Valenciennes, once an important town in the County of Hainaut which became sequently part of the Burgundian and Habsburg Netherlands until its secession to France following the Franco-Dutch War. He was the second of four sons born to Jean-Philippe Watteau (1660–1720) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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