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Maison De L'Art Nouveau
The Maison de l'Art Nouveau ("House of New Art"), abbreviated often as L'Art Nouveau, and known also as Maison Bing for the owner, was a gallery opened on 26 December 1895, by Siegfried Bing at 22 rue de Provence, Paris.Martin Eidelberg and Suzanne Henrion-Giele, "Horta and Bing: An Unwritten Episode of L'Art Nouveau," ''The Burlington Magazine'', vol. 119, Special Issue Devoted to European Art Since 1890 (Nov., 1977), pp. 747-752. The building was designed by the architect Louis Bonnier (1856–1946). Unlike his earlier stores at the same location and nearby at 19 rue Chauchat that specialized in Japanese and Asian art objects, the gallery specialized in modern art.Alastair Duncan, ''Art Nouveau'', World of Art. New York: Thames and Hudson (1994), 15–16; 25–27. The original exhibition featured windows designed by Nabi artists, including Henri de Toulouse-Lautrec, and made by Louis Comfort Tiffany. The original interior of the gallery included rooms designed by artists Mauric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Objets D'art
In art history, the French term Objet d’art describes an ornamental work of art, and the term Objets d’art describes a range of works of art, usually small and three-dimensional, made of high-quality materials, and a finely-rendered finish that emphasises the aesthetics of the artefact. Artists create and produce ''objets d’art'' in the fields of the decorative arts and metalwork, porcelain and vitreous enamel; figurines, plaquettes, and engraved gems; ivory carvings and semi-precious hardstone carvings; tapestries, antiques, and antiquities; and books with fine bookbinding. The National Maritime Museum, Greenwich, London, describe their accumulated artworks as a: "collection of ''objets d’art'' hichcomprises over 800 objects. These are mostly small, decorative art items that fall outside the scope of the Museum’s ceramic, plate, textiles and glass collections." The artwork collection also includes metal curtain ties, a lacquered ''papier-maché'' tray, tobacco boxes, ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau Commercial Buildings
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau Collections
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau Architecture In Paris
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau In Paris
The Art Nouveau movement of architecture and design flourished in Paris from about 1895 to 1914, reaching its high point at the 1900 Paris International Exposition. with the Art Nouveau metro stations designed by Hector Guimard. It was characterized by a rejection of historicism and traditional architectural forms, and a flamboyant use of floral and vegetal designs, sinuous curving lines such as the whiplash line, and asymmetry. It was most prominent in architecture, appearing in department stores, apartment buildings, and churches; and in the decorative arts, particularly glassware, furniture, and jewelry. Besides Guimard, major artists included René Lalique in glassware, Louis Majorelle in furniture, and Alphonse Mucha in graphic arts, It spread quickly to other countries, but lost favor after 1910 and came to an end with the First World War. History The Maison de l'Art Nouveau (1895) Art Nouveau had first appeared in Brussels, in houses completed in 1893 by Victor Horta, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Movement
An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality (figurative art). By the end of the 19th century many artists felt a need to create a new Style (visual arts), style which would encompass the fundamental changes taking place in technology, science and philosophy (abstract art). Concept According to theories associated with modernism and the concept of Postmodern art, postmodernism, ''art movements'' are especially important dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decorative Arts
] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the " fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-Renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much les ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Gaillard
Eugène Gaillard (1862–1933) was a French art nouveau industrial designer, architect and advocate of modern design. Gaillard abandoned a career in law for that of interior design and decoration. He was employed for some time by Siegfried Bing along with Georges de Feure Georges de Feure (real name Georges Joseph van Sluijters, 6 September 1868 – 26 November 1943) was a French painter, theatrical designer, and industrial art designer in the symbolism and Art Nouveau styles. De Feure was born in Paris. His f ... and Edouard Colonna to work on his pavilion at the 1900 Paris Universal Exposition. Bibliography *''A Propos du Mobilier'' - Eugène Gaillard (1906) References 1862 births 1933 deaths Architects from Paris Art Nouveau designers French industrial designers Art Nouveau architects 19th-century French architects 20th-century French architects {{France-architect-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges De Feure
Georges de Feure (real name Georges Joseph van Sluijters, 6 September 1868 – 26 November 1943) was a French painter, theatrical designer, and industrial art designer in the symbolism and Art Nouveau styles. De Feure was born in Paris. His father was an affluent Dutch architect, and his mother was Belgian. De Feure had two sons, Jean Corneille and Pierre Louis, in the early 1890s with his mistress Pauline Domec and a daughter with his first wife Marguerite Guibert (married 7 July 1897). In 1886, de Feure was one of the eleven students admitted at the Rijkscademie voor Beeldende Kunsten in Amsterdam, which he did however leave very quickly for Paris since he felt that formal academic training had nothing to offer him. Being of very independent nature, de Feure never again took up formal artistic studies, and forged his own independent path. He was however influenced by Jules Chéret in his posters for the café concert but most likely was never his pupil and became the key d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Colonne
Édouard Juda Colonne (23 July 1838 – 28 March 1910) was a French conductor and violinist, who was a champion of the music of Berlioz and other eminent 19th-century composers. Life and career Colonne was born in Bordeaux, the son and grandson of musicians of Italian-Jewish descent. From the age of eight, he played flageolet and accordion, and then began violin studies with Baudoin.''Cinquante Ans de Musique Française de 1874 à 1925.'' Les Éditions Musicales de la Librairie de France, Paris, 1925. Starting in 1855, Colonne studied at the Conservatoire in Paris, where he won first prizes in both harmony and violin. For almost a decade (1858–67) he was first violinist at the Opéra in Paris, as well as playing second violin in the Lamoureux Quartet. In 1871 he directed concerts at the Grand-Hôtel and Massenet's music for the staging of ''Les Érinnyes'' in 1873. Also in 1873, Colonne, along with the music publisher Georges Hartmann, founded the " Concert National" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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