Musique (disco Band)
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Musique (disco Band)
Musique was a studio project by Patrick Adams, best known for the song "In the Bush". It consisted of five singers, Christine Wiltshire, Angela Howell, Gina Taylor Pickens, Mary Seymour and Jocelyn Brown. Career Recorded originally as a "low budget" project at Bob Blank's ''Blank Tape Studios'' in New York City (the tracking session was completed in four hours), the album ''Keep On Jumpin'' contained only four cuts: "Keep On Jumpin'," "Summer Love," "In the Bush" and "Summer Love Theme." Adams, known for his arranging, wrote the horn section parts as the studio musicians sat waiting. Those musicians included Skip McDonald and Doug Wimbish, who were among the musicians later responsible for much of the backing work at Sugar Hill Records before teaming up to become known as Tackhead in the 1980s, collaborating with Adrian Sherwood on numerous works on his label ON-U Sound in England. Due to the overtly sexual lyrics of "In the Bush" many radio stations banned it when it ...
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New York City
New York, often called New York City (NYC), is the most populous city in the United States, located at the southern tip of New York State on one of the world's largest natural harbors. The city comprises five boroughs, each coextensive with a respective county. The city is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is a global center of finance and commerce, culture, technology, entertainment and media, academics, and scientific output, the arts and fashion, and, as home to the headquarters of the United Nations, international diplomacy. With an estimated population in 2024 of 8,478,072 distributed over , the city is the most densely populated major city in the United States. New York City has more than double the population of Los Angeles, the nation's second-most populous city.
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ...
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Prelude Records
Prelude Records was a New York–based independent record label that was active from 1976 to 1986. At one time, François Kevorkian held an A&R position at Prelude. The label's owner was Marvin Schlachter, and his business partner was Stan Hoffman, who had worked with him at Janus Records, and later Pye/ATV. Hoffman eventually became a noted boxing promotor. History Prelude was first launched in 1977, renamed from Pye International Records, a US division of UK-based Pye Records which had begun in 1974. The name was derived from the music group Prelude, which recorded for Pye at the time. At the outset, Prelude's LP and 45 catalogue numbers were the same as had begun under Pye (US), with the prefix changed from PYE- to PRL-. For a very short period at the start, Pye's then-parent, ATV Music, owned Prelude.It first made its small release with a large name called JUMBO, which spawned a minor hit with "Turn On To Love". As disco music declined, Prelude was one of the few disco ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ...
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Prelude Records (record Label)
Prelude Records was a New York–based independent record label that was active from 1976 to 1986. At one time, François Kevorkian held an A&R position at Prelude. The label's owner was Marvin Schlachter, and his business partner was Stan Hoffman, who had worked with him at Janus Records, and later Pye/ATV. Hoffman eventually became a noted boxing promotor. History Prelude was first launched in 1977, renamed from Pye International Records, a US division of UK-based Pye Records which had begun in 1974. The name was derived from the music group Prelude, which recorded for Pye at the time. At the outset, Prelude's LP and 45 catalogue numbers were the same as had begun under Pye (US), with the prefix changed from PYE- to PRL-. For a very short period at the start, Pye's then-parent, ATV Music, owned Prelude.It first made its small release with a large name called JUMBO, which spawned a minor hit with "Turn On To Love". As disco music declined, Prelude was one of the few disco la ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ...
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Black Singles
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were co ...
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Crossover (music)
Crossover is a term applied to musical works or performers who appeal to different types of audiences. This can be seen, for example, when a song appears on two or more of the record charts, which track differing musical styles or genres. In some contexts, the term "crossover" can have negative connotations associated with cultural appropriation, implying the dilution of a music's distinctive qualities to appeal to mass tastes. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists such as Pat Boone in a more toned-down style, often with changed lyrics, that lacked the hard edge of the original versions. These covers were popular with a much broader audience. Crossover frequently results from the appearance of the music in a film soundtrack. For instance, Sacred Harp music experienced a spurt of crossover popularity as a result of its appearance in the 2003 film '' Cold Mountain'' ...
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Nightclub
A nightclub or dance club is a club that is open at night, usually for drinking, dancing and other entertainment. Nightclubs often have a Bar (establishment), bar and discotheque (usually simply known as disco) with a dance floor, laser lighting displays, and a stage for live music or a disc jockey (DJ) who mixes recorded music. Nightclubs tend to be smaller than live music venues like theatres and stadiums, with few or no seats for customers. Nightclubs generally restrict access to people in terms of age, Clothing, attire, personal property, personal belongings, and behaviors. Nightclubs typically have dress codes to prohibit people wearing informal, indecent, offensive, or gang-related attire from entering. Unlike other entertainment venues, nightclubs are more likely to use Bouncer (doorman), bouncers to screen prospective patrons for entry. The busiest nights for a nightclub are Friday and Saturday nights. Most nightclubs cater to a particular music genre or sound for bran ...
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Hit Record
A hit song, also known as a hit record, hit single, or simply hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions or significant streaming data and commercial sales. Prior to the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released '' The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to what later became music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the U ...
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