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Music Workstation
A music workstation is an electronic musical instrument providing the facilities of: *a sound module, *a music sequencer and *(usually) a musical keyboard. It enables a musician to compose electronic music using just one piece of equipment. Origin of concept The concept of a music sequencer combined with a synthesizer originated in the late 1970s with the combination of microprocessors, mini-computers, digital synthesis, disk-based storage, and control devices such as musical keyboards becoming feasible to combine into a single piece of equipment that was affordable to high-end studios and producers, as well as being portable for performers. Prior to this, the integration between sequencing and synthesis was generally a manual function based on wiring of components in large modular synthesizers, and the storage of notes was simply based on potentiometer settings in an analog sequencer. Multitimbrality Polyphonic synthesizers such as Sequential Circuit Prophet-5 and Yamaha D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Musical Instrument
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronics, electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch (music), pitch, frequency, or duration of each Musical note, note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano where the keys are each linked mechanically to swinging string hammers - whereas with an electronic keyboard, the keyboard interface is linked to a synth module, computer or other electronic or digital sound generator, which then creates a sound. However, it is increasingly common to separate user interface and sound-generating functions int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FM Synthesis
Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal. FM synthesis can create both harmonic and inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. Through the use of modulators with frequencies that are non-integer multiples of the carrier signal (i.e. inharmonic), inharmonic bell-like and percussive spectra can be created. FM synthesis using analog oscillators may result in pitch instability. However, FM synthesis can also be implemented digitally, which is more stable and became standard practice. Applications In synthesizers Digital FM synthesis (equivalent to phase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorus Effect
Chorus is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device. When the effect is produced successfully, none of the constituent sounds are perceived as being out of tune. It is characteristic of sounds with a rich, shimmering quality that would be absent if the sound came from a single source. The shimmer occurs because of beating. The effect is more apparent when listening to sounds that sustain for longer periods of time. The chorus effect is especially easy to hear when listening to a choir or string ensemble. A choir has multiple people singing each part (alto, tenor, etc.). A string ensemble has multiple violinists and possibly multiples of other stringed instruments. Acoustically created Although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverberation
In acoustics, reverberation (commonly shortened to reverb) is a persistence of sound after it is produced. It is often created when a sound is reflection (physics), reflected on surfaces, causing multiple reflections that build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 millisecond, ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scorewriter
A scorewriter, or music notation program is software for creating, editing and printing sheet music. A scorewriter is to music notation what a word processor is to text, in that they typically provide flexible editing and automatic layout, and produce high-quality printed results. The first modern score manipulation program was Mockingbird, written by John Maxwell and Severo Ornstein at Xerox PARC in 1980 on a Dorado computer. It preceded MIDI so an electronic keyboard had to be modified to enable interaction (input and playback) with the program. The WYSIWYG program was envisioned as a composer's amanuensis, but as it was an experimental program it never reached beyond PARC, though it influenced commercial programs which soon followed. Most scorewriters, especially those from the 2000s, can record notes played on a MIDI keyboard (or other MIDI instruments), and play music back via MIDI or virtual instruments. Playback is especially useful for novice composers and music s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples. The 808 was a commercial failure, as electronic music had yet to become mainstream and many producers wanted more realistic drum sounds. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the emerging electronic, dance and hip-hop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apple Macintosh
Mac is a brand of personal computers designed and marketed by Apple Inc., Apple since 1984. The name is short for Macintosh (its official name until 1999), a reference to the McIntosh (apple), McIntosh apple. The current product lineup includes the MacBook Air and MacBook Pro laptops, and the iMac, Mac Mini, Mac Studio, and Mac Pro desktops. Macs are currently sold with Apple's UNIX-based macOS operating system, which is Proprietary software, not licensed to other manufacturers and exclusively Pre-installed software, bundled with Mac computers. This operating system replaced Apple's original Macintosh operating system, which has variously been named System, Mac OS, and Classic Mac OS. Jef Raskin conceived the Macintosh project in 1979, which was usurped and redefined by Apple co-founder Steve Jobs in 1981. The original Macintosh 128K, Macintosh was launched in January 1984, after Apple's 1984 (advertisement), "1984" advertisement during Super Bowl XVIII. A series of increment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg M1
The Korg M1 is a synthesizer and music workstation manufactured by Korg from 1988 to 1995. It is one of the bestselling synthesizers in history, selling an estimated 250,000 units. The M1 was widely used in popular music and stock music in the late 80s and early 90s. The piano and organ presets were used in 1990s house music, beginning with Madonna's 1990 single " Vogue". Development Korg's chief engineer, Junichi Ikeuchi, led the hardware engineering design of the M1. Whereas many previous synthesizers had shipped with sounds chosen for different markets, the Korg chairman, Tsutomu Kato, and his son Seiki decided that their synthesizers should use the same sounds internationally. Korg assembled an international team to develop the sounds for the M1. To create a deep blown bottle sound, the team played a pan flute over a large sake bottle. Features The M1 features a 61-note velocity- and aftertouch-sensitive keyboard, 16-note polyphony, a joystick for pitch-bend and mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensoniq ESQ-1
Ensoniq ESQ-1 is a 61-key, velocity sensitive, eight-note polyphonic and multitimbral synthesizer released by Ensoniq in 1985. It was marketed as a "digital wave synthesizer" but was an early Music Workstation. Although its voice generation is typically subtractive in much the same fashion as most analog synthesizers that preceded it, its oscillators are neither voltage nor " digitally controlled", but true digital oscillators, provided by a custom Ensoniq wavetable chip. The signal path includes analog resonant low-pass filters and an analog amplifier. The synth also features a fully functional, 8-track MIDI sequencer that can run either its internal sounds, external MIDI equipment, or both, with a capacity of 2, 400 notes (expandable via cartridges). It provides quantization, step-editing, primitive forms of copy/paste editing, and can be synchronized with external MIDI or tape-in clock. The ESQ-1 had a particularly easy user interface, especially for a feature-filled digit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-mu Emulator
The Emulator is a series of digital sampling synthesizers using floppy-disk storage that was manufactured by E-mu Systems from 1981 until 2002. Although it was not the first commercial sampler, the Emulator was innovative in its integration of computer technology and was among the first samplers to find widespread usage among musicians. While costly, its price was considerably lower than those of its early competitors, and its smaller size increased its portability and, resultantly, practicality for live performance. The line was discontinued in 2002. Impetus E-mu Systems was founded in 1971 as a manufacturer of microprocessor chips, digital scanning keyboards and components for electronic instruments. Licensing revenue for this technology afforded E-mu the ability to invest in research and development, and it began to develop boutique synthesizers for niche markets, including a series of modular synthesizers and the high-end Audity system, of which only one prototype was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequential Circuits Six-Trak
The Six-Trak was an analogue synthesizer manufactured by Sequential Circuits in San Jose, California and released in January 1984, notable for being one of the first multi-timbral synthesizers. It is a six-voice polyphonic synthesizer with one oscillator-per-voice equipped with MIDI, arpeggiator and an on-board six-channel digital sequencer which allows individual or grouped track recording. It was designed as an inexpensive and easily portable 'scratch-pad' machine for trying out arrangements. The synthesizer has both a polyphonic and a unison (monophonic) mode. The Six-Trak is prominently featured and can be heard on the 1998 minimalist space music CD release ''The Dream Garden'', by musician/composer Dane Rochelle. More recently it has been used by composeChristopher de Grootfor the 2012 soundtrack to Australian feature film "Sororal". The synthesizer used CEM3394, a complete monophonic analog synth chip manufactured by Curtis Electromusic Specialties, which was used i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
