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Music Industry Of East Asia
The music industry of East Asia, a region that includes Mainland China, Hong Kong, Macau, Japan, Mongolia, North Korea, South Korea and Taiwan is a rapidly growing economic sector that is home to some of the world's largest music markets. Milestones In 2003, South Korea became the world's first music market where digital music sales surpassed those of physical formats. In 2012, Japan surpassed the United States as the world's largest recorded music market for the first time, according to the International Federation of the Phonographic Industry. Though the U.S. remained the largest if licensing fees are included into the figures. However, in the following year, Japan fell back to the second-largest music market after experiencing a 16.7 per cent decrease due to the country's reliance of CDs and slow adoption of digital services. In 2019, there were 750 million digital music users in China. It was also estimated that its digital music market hit a yearly revenue of approximatel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Industry
The music industry are individuals and organizations that earn money by Songwriter, writing songs and musical compositions, creating and selling Sound recording and reproduction, recorded music and sheet music, presenting live music, concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, Conducting, conductors, and bandleaders who perform the music; the record labels, music publishers, Recording studio, recording studios, Record producer, music producers, audio engineers, Record shop, retail and digital music stores, and Performance rights organisation, performance rights organizations who create and sell recorded music and sheet music; and the talent agent, booking agents, Promoter (entertainment), promoters, music venues, road crew, and audio engineers who help organiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universal Music Group
Universal Music Group N.V. (often abbreviated as UMG and referred to as Universal Music Group or Universal Music) is a Netherlands, Dutch–United States, American multinational Music industry, music corporation under Law of the Netherlands, Dutch law. UMG's corporate headquarters are located in Hilversum, Netherlands, and its operational headquarters are located in Santa Monica, California. The biggest music company in the world, it is one of the "Record label#Major labels, Big Three" record labels, along with Sony Music, Sony Music Entertainment and Warner Music Group. Tencent acquired ten percent of Universal Music Group in March 2020 for €3 billion and acquired an additional ten percent stake in January 2021. Pershing Square Holdings later acquired ten percent of UMG prior to its Initial public offering, IPO on the Euronext Amsterdam stock exchange. The French Vincent Bolloré, Bolloré family still owns 28 percent of UMG (18 percent directly, and ten percent through Vive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trot
The trot is a two-beat diagonal horse gait where the diagonal pairs of legs move forward at the same time with a moment of suspension between each beat. It has a wide variation in possible speeds, but averages about . A very slow trot is sometimes referred to as a jog. An extremely fast trot has no special name, but in harness racing, the trot of a Standardbred is faster than the gallop of the average non-racehorse, and has been clocked at over . On June 29, 2014, at Pocono Downs in Pennsylvania the Swedish standardbred Sebastian K trotted a mile in 1 minute, 49 seconds (quarters were passed at 26:2, 55:3 and 1,21:4). This is equivalent to a 1000-pace in 1.07,7 or 53.14 kilometers per hour or 33 miles per hour. From the standpoint of the balance of the horse, the trot is a very stable gait and does not require the horse to make major balancing motions with its head and neck.Harris, Susan E. ''Horse Gaits, Balance and Movement'' New York: Howell Book House 1993 pp. 35–37 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
T'ong Guitar
T'ong guitar (or tong guitar) was a form of Korean music developed in the early 1970s. It was heavily influenced by American pop music, and artists in the genre were considered Korean versions of American folk singers, such as Joan Baez and Bob Dylan. The musical form originally started as a solo singer-songwriter performing with an acoustic guitar. It was allied with student movements of the 1970s in song clubs such as "Maeari" at Seoul National University and in '' Norae Undong'' ("''Song Movement''"), caused the embracing of popular genres by Korean intellectuals. Serious academic inquiries in Korean popular music started in 1984, and continue today. With Korean popular music becoming more wide-spread across the world this style of guitar is being heard by more and more people. This does not limit T'ong guitar to specifically the Korean pop genre as there are hints of it in many different genres of music from rock all the way to contemporary Korean music. Most of these genres t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Rock
Korean rock () is rock music from South Korea. It has roots in American rock, which was imported to South Korea by U.S. soldiers fighting in the Korean War and stationing in U.S. military bases in South Korea after the war. Around the U.S. military bases, local musicians could have opportunities to learn American rock music and perform it on stage for U.S. soldiers. As a result, many Korean rock bands, called Vocal Bands or Group Sound, started their musical careers in the 1960s. Under the military administration in the 1970s, rock music and its subculture were classified as a depraved youth culture and restricted. After the Korean Fifth Republic, the censorship policies under the military government were abolished and rock music became a mainstream genre in South Korea until the end of the 1980s. History 1950s Rock music was brought to South Korea in 1950 by U.S. soldiers fighting in the Korean War. After the war ended in 1953, many U.S. soldiers remained in South Korea, stati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Hip Hop
Korean hip-hop, also known as K-hip-hop or K-rap, is a subgenre of the South Korean popular music. It is widely considered to have originated in the late 1980s and early 1990s, and has since become increasingly popular, both in South Korea and abroad. While South Korea's hip-hop culture includes various elements such as rap, graffiti, DJing, turntablism, and b-boying, rapping makes up a significant part of the culture. The term "hip-hop" is largely recognized and understood as "rap" in Korea. Characteristics Linguistic hybridization The interplay between the Korean language and English has been used as a technical and aesthetic device in Korean hip-hop. Many Korean hip-hop songs contain syllabic similarities that could be interpreted in either languages. The bilingual aspect of this music is one distinguishing factor between Korean hip-hop and American hip-hop. As early-stage Korean hip-hop was heavily influenced by African-American hip-hop, Korean hip-hop artists began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
K-pop
K-pop (; an abbreviation of "Korean popular music") is a form of popular music originating in South Korea. It emerged in the 1990s as a form of youth subculture, with Korean musicians taking influence from Western Electronic dance music, dance music, hip-hop, Contemporary R&B, R&B and Rock music, rock. Today, K-pop commonly refers to the musical output of teen idol acts, chiefly girl groups and boy bands, who emphasize Visual communication, visual appeal and Performing arts, performance. As a Pop music, pop genre, K-pop is characterized by its Melody, melodic quality and cultural hybridity. K-pop can trace its origins to "rap dance", a fusion of hip-hop, techno and rock popularized by the group Seo Taiji and Boys, whose experimentation helped to modernize South Korea's contemporary music scene in the early 1990s. Their popularity with teenagers incentivized the music industry to focus on this demographic, with Lee Soo-man of SM Entertainment developing the Korean idol system i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-pop
J-pop (often stylized in all caps; an abbreviated form of "Japanese popular music"), natively known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s in music, 1960s pop music, pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music"), a term for Japanese popular music from the 1920s to the 1980s in the Japanese music scene. Japanese rock bands such as Happy End (band), Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-pop was further defined by New wave music, new wave and Crossover music, crossover Jazz fusion, fusion acts of the late 1970s, such as Yellow Magic Orchestra and Southern All Stars. () Popular styles of Japanese pop music include city pop and technopop during the 1970s1980s, and Eurobeat#J-Euro, J-Euro (such as Namie Amuro) and Shibuya-kei during the 1990s and 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hokkien Pop
Hokkien pop, also known as Taiwanese Hokkien popular music, Taiwanese pop (), T-pop (), Tai-pop, Minnan Pop and Taiwanese folk (), is a popular music genre sung in Hokkien, especially Taiwanese Hokkien and produced mainly in Taiwan and sometimes in Fujian in Mainland China or Hong Kong or even Singapore in Southeast Asia. Hokkien pop is most popular amongst Hoklo people in Taiwan, Mainland China, Hong Kong, and the Overseas Chinese and Overseas Taiwanese in Southeast Asia, such as Chinese Singaporeans, Chinese Malaysians, Chinese Filipinos, Chinese Indonesians, etc. Terminology The historical origin of Hokkien pop comes from a Japanese enka base instead of a Chinese shidaiqu base. Because it developed from traditional Japanese enka, it has become diverse in its varieties. History Origin Under Japanese rule (1895–1945), Taiwanese music continued and developed its new form from the previous period. By the 1930s, vinyl records of traditional music, such as Taiwanese opera, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantopop
Cantopop (a contraction of "Cantonese pop music") is a genre of pop music sung in Cantonese. Cantopop is also used to refer to the cultural context of its production and consumption. The genre began in the 1970s and became associated with Hong Kong popular music from the middle of the decade. Cantopop then reached its height of popularity in the 1980s and 1990s before slowly declining in the 2000s and shrinking in the 2010s. The term "Cantopop" itself was coined in 1978 after "Cantorock", a term first used in 1974. In the 1980s, Cantopop reached its highest glory with fanbase and concerts all over the world, especially in Macau, Mainland China, Taiwan, Singapore, Malaysia, South Korea, and Japan. This was even more obvious with the influx of songs from Hong Kong movies during the time. Besides Western pop music, Cantopop is also influenced by other international genres, including jazz, rock and roll, R&B, disco, electronic, ballad and others. Cantopop songs are almost inva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandopop
Mandopop or Mandapop refers to Mandarin popular music. The genre has its origin in the jazz-influenced popular music of 1930s Shanghai known as Shidaiqu; later influences came from Japanese enka, Hong Kong's Cantopop, Taiwan's Hokkien pop, and in particular the campus folk song folk movement of the 1970s. "Mandopop" may be used as a general term to describe popular songs performed in Mandarin. Though Mandopop predates Cantopop, the English term was coined around 1980 after " Cantopop" became a popular term for describing popular songs in Cantonese. "Mandopop" was used to describe Mandarin-language popular songs of that time, some of which were versions of Cantopop songs sung by the same singers with different lyrics to suit the different rhyme and tonal patterns of Mandarin. Mandopop is categorized as a subgenre of commercial Chinese-language music within C-pop. Popular music sung in Mandarin was the first variety of popular music in Chinese to establish itself as a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C-pop
C-pop is an abbreviation for Chinese popular music (), a loosely defined musical genre by artists originating from mainland China, Hong Kong and Taiwan (the Greater China region). This also includes countries where Sinitic languages, Chinese languages are used by parts of the population, such as Singapore and Malaysia. C-pop is used as an umbrella term covering not only Chinese pop but also rhythm and blues, R&B, Sentimental ballad, ballads, Chinese rock, Chinese hip hop and Chinese ambient music, although Chinese rock diverged during the early 1990s. There are currently three main subgenres within C-pop: Cantopop, Mandopop and Hokkien pop. The gap between Cantopop and Mandopop has been narrowing in the new millennium. Hokkien pop, initially strongly influenced by Japanese enka, has been re-integrating into C-pop and narrowing its trend of development towards Mandopop. Chinese popular music in China was initially a vehicle for the Cultural Revolution and Maoism, Maoist ideolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
