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Motif (visual Arts)
In art and iconography, a motif () is an element of an image. Motifs can occur both in figurative and narrative art, and in ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and in other ancient textiles. Where the main subject of an artistic work - such as a painting - is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art - such as a painting on a vase. Ornament (art), Ornamental or decorative art ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bead And Reel
Bead and reel is an architectural motif, usually found in sculptures, moldings and numismatics. It consists in a thin line where beadlike elements alternate with cylindrical ones. It is found throughout the modern Western world in architectural detail, particularly on Greek/Roman style buildings, wallpaper borders, and interior moulding design. It is often used in combination with the egg-and-dart motif. According to art historian John Boardman, the bead and reels motif was entirely developed in Greece from motifs derived from the turning techniques used for wood and metal, and was first employed in stone sculpture in Greece during the 6th century BC. The motif then spread to Persia, Egypt and the Hellenistic world, and as far as India, where it can be found on the abacus part of some of the Pillars of Ashoka or the Pataliputra capital. Bead and reel motifs can be found abundantly in Greek and Hellenistic sculpture and on the border of Hellenistic coins. Gallery Didyma 2013-03- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kilim Motifs
Many motif (textile arts), motifs are used in traditional kilims, handmade flat-woven rugs, each with many variations. In Turkish Anatolia in particular, village women wove themes significant for their lives into their rugs, whether before marriage or during married life. Some motifs represent desires, such as for happiness and children; others, for protection against threats such as wolves (''to the flocks'') and scorpions, or against the evil eye. These motifs were often combined when woven into patterns on kilims. With the fading of tribal and village cultures in the 20th century, the meanings of kilim patterns have also faded. In these tribal societies, women wove kilims at different stages of their lives, choosing themes appropriate to their own circumstances. Some of the motifs used are widespread across Anatolia and sometimes across other regions of West Asia, but patterns vary between tribes and villages, and rugs often expressed personal and social meaning. Context ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kilim
A kilim ( ; ; ) is a flat tapestry-weaving, woven carpet or rug traditionally produced in countries of the former Persian Empire, including Iran and Turkey, but also in the Balkans and the Turkic countries. Kilims can be purely decorative or can function as prayer rugs. Modern kilims are popular floor coverings in Western households. Etymology The word 'kilim' originates from the Persian language, Persian () where it means 'to spread roughly', perhaps of Akkadian language, Akkadian or Aramaic, Aramean origin. History Like Pile weave, pile carpets, kilim have been produced since ancient times. The explorer Aurel Stein, Mark Aurel Stein found kilims dating to at least the fourth or fifth century CE in Hotan, China: :"As kilims are much less durable than rugs that have a pile to protect the warp and weft, it is not surprising that few of great age remain.... The Weaving, weave is almost identical with that of modern kilims, and has about fourteen threads of warp and sixt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Culture
Islamic cultures or Muslim cultures refers to the historic cultural practices that developed among the various peoples living in the Muslim world. These practices, while not always religious in nature, are generally influenced by aspects of Islam, particularly due to the religion serving as an effective conduit for the inter-mingling of people from different ethnic/national backgrounds in a way that Melting pot, enabled their cultures to come together on the basis of a common Muslims, Muslim identity. The earliest forms of Muslim culture, from the Rashidun Caliphate to the Umayyad Caliphate and early Abbasid Caliphate, was predominantly based on the existing cultural practices of the Arab culture, Arabs, the Byzantine Empire#Culture, Byzantines, and the Culture of Iran, Persians. However, as the Caliphate, Islamic empires expanded rapidly, Muslim culture was further influenced and assimilated much from the Iranian peoples, Iranic, Pakistanis, Pakistani, Bangladeshis, Bangladeshi, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Joseph
According to the canonical Gospels, Joseph (; ) was a 1st-century Jewish man of Nazareth who was married to Mary, the mother of Jesus, and was the legal father of Jesus. Joseph is venerated as Saint Joseph in the Catholic Church, Eastern Orthodox Church, Oriental Orthodox Church, Anglicanism and Lutheranism. In Catholic traditions, Joseph is regarded as the patron saint of workers and is associated with various feast days. The month of March is dedicated to Saint Joseph. Pope Pius IX declared him to be both the patron and the protector of the Catholic Church, in addition to his patronages of the sick and of a holy death, due to the belief that he died in the presence of Jesus and Mary. Joseph has become patron of various dioceses and places. Being a patron saint of virgins, he is venerated as "most chaste". A specific veneration is attributed to the pure and most Chaste Heart of Joseph. Several venerated images of Saint Joseph have been granted a decree of canonical co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nativity Of Jesus In Art
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the ''Nativity'' or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the "Madonna and Child" or "Virgin and Child". They are not usually representations of the ''Nativity'' specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary, or Jesus. ''Nativity'' pictures, on the other hand, are specifically illustrative, and include many narrative details; they are a normal component of the sequences illustrating both the Life of Christ and the Life of the Virgin. The Nativity has been depicted in many different media, both pictorial and sculptural. Pict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puer Mingens
A puer mingēns (; : puerī mingentēs ) is a figure in a work of art depicted as a prepubescent boy in the act of urinating, either actual or simulated. The puer mingens could represent anything from whimsy and boyish innocence to erotic symbols of virility and masculine bravado. Etymology and word play The term ''puer mingens'' comes from the Latin ''puer'', meaning "boy", and from the Latin ''mingens''; "urinating", the present participle of the verb ''mingere'' which means "to urinate". In Latin, verbs for urinating like ''mingere'' were frequently employed in the sense of "to ejaculate".Adams, J. N. ''The Latin Sexual Vocabulary''. Baltimore: Johns Hopkins University Press, 1982. This connotation was preserved in various descendants of Latin, including Italian with such words as ''pisciare''. On account of this, the urine emitted from the penis of the ''puer mingens'' can be interpreted symbolically as semen; and ''pueri mingentes'' are frequently found in works auguring fer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheela Na Gig
A sheela na gig is a figurative carving of a naked woman displaying an exaggerated Human vulva, vulva. These carvings, from the Middle Ages, are Grotesque (architecture), architectural grotesques found throughout most of Europe on Architecture of cathedrals and great churches, cathedrals, castles, and other buildings. The greatest concentrations can be found in Ireland, Great Britain, France and Spain, sometimes together with male figures. Ireland has the greatest number of surviving sheela na gig carvings; Joanne McMahon and Jack Roberts cite 124 examples in Ireland and 45 examples in Britain. One of the best examples may be found in the Irish round tower, Round Tower at Rattoo, in County Kerry, Ireland. There is a replica of the Round Tower sheela na gig in the County Museum in Tralee town. Another well-known example may be seen at Kilpeck in Herefordshire, England. The carvings may have been used to ward off death, evil and demons. Other grotesque carvings, such as gargoyl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Hares
The three hares (or three rabbits) is a circular motif appearing in sacred sites from China , the Middle East and the churches and synagogues of Europe, in particular those of Devon, England (as the " Tinners' Rabbits"), . It is used as an architectural ornament, a religious symbol, and in other modern works of art or a logo for adornment (including tattoos), jewelry, and a coat of arms on an escutcheon. It is viewed as a puzzle, a visual challenge, and has been rendered as sculpture, drawing, and painting. The symbol features three hares or rabbits chasing each other in a circle. Like the triskelion, the triquetra, and their antecedents (e.g., the triple spiral), the symbol of the three hares has a threefold rotational symmetry. Each of the ears is shared by two hares, so that only three ears are shown. Although its meaning is apparently not explained in contemporary written sources from any of the medieval cultures where it is found, it is thought to have a range of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death And The Maiden (motif)
''Death and the Maiden'' (''Der Tod und das Mädchen'' in German) was a common motif in Renaissance art, especially in German painting and printmaking. The usual form shows just two figures, with a young woman being seized by a personification of Death, often shown as a skeleton. Variants may include other figures. It developed from the Danse Macabre with an added erotic subtext. The German artist Hans Baldung depicted it several times.Le Mort dans l'Art The motif was revived during the romantic era in the arts, a notable example being Franz Schubert's song "Der Tod und das Mädchen", setting a poem by the German poet Matthias Claudius. Part of the piano part was re-used in Schubert's famous String Quartet No. 14, which is therefore also known by this title, in either English or German. Selected versions *Painting: '' Death and the Maiden'' (''Der Tod und das Mädchen'') by Hans Baldung (1517) *Painting: ''Death and the Maiden'' (''Der Tod und das Mädchen'') by Niklaus Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velificatio
''Velificatio'' is a stylistic device used in Roman art, ancient Roman art to frame a List of Roman deities, deity by means of a billowing garment. It represents "vigorous movement," an theophany, epiphany, or "the vault of heaven," often appearing with celestial, weather, or sea deities. It is characteristic of the iconography of the Aura (mythology), Aurae, the Breezes personification, personified, and one of the elements which distinguish representations of Luna, the Roman Moon goddess, goddess of the Moon, alluding to her astral course. A figure so framed is a ''velificans'' (plural ''velificantes''). Not all deities are portrayed as ''velificantes'', but the device might be used to mark a member of the Roman Emperor, Imperial family who had been divinized (a Divus, ''divus'' or ''diva''). ''Velificatio'' is a frequent device in Roman art, including painting, mosaic, relief, and Roman sculpture, sculpture, though it poses technical difficulties for freestanding sculpture. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
