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Motif-Index Of Folk-Literature
The ''Motif-Index of Folk-Literature'' is a six volume catalogue of motifs, granular elements of folklore, composed by American folklorist Stith Thompson (1932–1936, revised and expanded 1955–1958). Often referred to as Thompson's motif-index, the catalogue has been extensively used in folklore studies Folklore studies (also known as folkloristics, tradition studies or folk life studies in the UK) is the academic discipline devoted to the study of folklore. This term, along with its synonyms, gained currency in the 1950s to distinguish the ac ..., where folklorists commonly use it in tandem with the Aarne–Thompson–Uther Index (ATU), an index used for folktale type analysis. As standard tools The motif-index and the ATU indices are regarded as standard tools in the study of folklore. For example, folklorist Mary Beth Stein said that, "Together with Thompson's six-volume ''Motif-Index of Folk-Literature'', with which it is cross-indexed, ''The Types of Folktale'' co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Maiden
The "swan maiden" () is a tale classified as Aarne–Thompson–Uther Index, ATU 400, "The Swan Maiden" or "The Man on a Quest for His Lost Wife," in which a man makes a pact with, or marries, a supernatural female being who later departs. The wife Shapeshifting, shapeshifts from human to bird form with the use of a feathered cloak (or otherwise turns into a beast by donning animal skin). The discussion is sometimes limited to cases in which the wife is specifically a swan, a goose, or at least some other kind of bird, as in ''Enzyklopädie des Märchens''. The key to the transformation is usually a swan skin, or a garment with swan feathers attached. In the typical story a maiden is (usually bathing) in some body of water, a man furtively steals, hides, or burns her feather garment (Motif-Index of Folk-Literature, motif K 1335, D 361.1), which prevents her from flying away (or swimming away, etc.), forcing her to become his wife. She is often one of several maidens present (of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (narrative)
A motif ( ) is any distinctive feature or idea that recurs across a story; often, it helps develop other narrative elements such as theme or mood. A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller's play '' Death of a Salesman'' is a recurrent sound motif that conveys rural and idyllic notions. Another example from modern American literature is the green light found in the novel '' The Great Gatsby'' by F. Scott Fitzgerald. Narratives may include multiple motifs of varying types. In Shakespeare's play ''Macbeth'', he uses a variety of narrative elements to create many different motifs. Imagistic references to blood and water are continually repeated. The phrase "fair is foul, and foul is fair" is echoed at many points in the play, a combination that mixes the concepts of good and evil. The play also features the central motif of the washing of hands, on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creation Myth
A creation myth or cosmogonic myth is a type of cosmogony, a symbolic narrative of how the world began and how people first came to inhabit it., "Creation myths are symbolic stories describing how the universe and its inhabitants came to be. Creation myths develop through oral traditions and therefore typically have multiple versions." While in popular usage the term ''myth'' often refers to false or fanciful stories, members of cultures often ascribe varying degrees of truth to their creation myths. In the society in which it is told, a creation myth is usually regarded as conveying profound truthsmetaphorically, symbolically, historically, or literally. They are commonly, although not always, considered cosmogonical mythsthat is, they describe the ordering of the cosmos from a state of chaos or amorphousness. Creation myths often share several features. They often are considered sacred accounts and can be found in nearly all known religious traditions. They are all storie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beauty And The Beast
"Beauty and the Beast" is a fairy tale written by the French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in (''The Young American and Marine Tales''). Villeneuve's lengthy version was abridged, rewritten, and published by French novelist Jeanne-Marie Leprince de Beaumont in 1756 in ''Magasin des enfants'' (''Children's Collection'') to produce the most commonly retold version. Later, Andrew Lang retold the story in ''Andrew Lang's Fairy Books#The Blue Fairy Book (1889), Blue Fairy Book'', a part of the ''Fairy Book'' series, in 1889. The fairy-tale was influenced by the story of Petrus Gonsalvus as well as Ancient Greece, Ancient Latin stories such as "Cupid and Psyche" from ''The Golden Ass'', written by Apuleius, Lucius Apuleius Madaurensis in the second century AD, and "The Pig King", an Italian fairy-tale published by Giovanni Francesco Straparola in ''The Facetious Nights of Straparola'' around 1550. Variants of the tale are known across Europe.H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loathly Lady
The loathly lady (, Motif D732 in Aarne–Thompson classification system, Stith Thompson's motif index), is a tale type commonly used in medieval literature, most famously in Geoffrey Chaucer's ''The Wife of Bath's Tale''. The motif is that of a woman who appears unattractive (ugly, ''loathly'') but undergoes a transformation upon being approached by a man in spite of her unattractiveness, becoming extremely desirable. It is then revealed that her ugliness was the result of a curse which was broken by the hero's action. Irish legend The loathly lady can be found in ''The Adventures of the Sons of Eochaid Mugmedon'', in which Niall of the Nine Hostages proves himself the rightful High King of Ireland by embracing her, because she turns out to personify the sovereignty of the territory (and is therefore sometimes referred in scholarship as a 'sovereignty goddess'). The motif can also be found in stories of the earlier high kings Lugaid Loígde and Conn of the Hundred Battles. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werewolf
In folklore, a werewolf (), or occasionally lycanthrope (from Ancient Greek ), is an individual who can shapeshifting, shapeshift into a wolf, or especially in modern film, a Shapeshifting, therianthropic Hybrid beasts in folklore, hybrid wolf–humanlike creature, either purposely or after being placed under a curse or affliction, often a bite or the occasional scratch from another werewolf, with the transformations occurring on the night of a full moon. Early sources for belief in this ability or affliction, called lycanthropy, are Petronius (27–66) and Gervase of Tilbury (1150–1228). The werewolf is a widespread concept in European folklore, existing in many variants, which are related by a common development of a Christianization, Christian interpretation of underlying European folklore developed during the Middle Ages. From the early modern period, werewolf beliefs spread to the New World with colonialism. Belief in werewolves developed in parallel to the belief in Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic In Fiction
Magic in fiction is the endowment of characters or objects in works of fiction or fantasy with powers that do not naturally occur in the real world. Magic often serves as a plot device and has long been a component of fiction, since writing was invented. Historical beliefs Historically, witches such as the Weird Sisters in William Shakespeare's ''Macbeth,'' wizards such as Prospero in ''The Tempest'' or characters like Doctor Faustus in Christopher Marlowe's play of the same name were widely considered to be real. Contemporary authors tend to treat magic as an imaginary idea, opting to build their worlds with a blank slate where the laws of reality do not carry as much weight. Function Within a work of fantasy, magic can help to advance the plot, often providing power to heroes or to their opponents. The use of magic frequently manifests itself in a transformation of a character, if not the transformation of the fictional world. For magic to carry out its functions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Looking Taboo
Looking taboo is a motif (a recurring element) in mythology, folklore and works of fiction. A person is prohibited to look at something or somewhere for fear of dire consequences. Notable examples A notable looking taboo is in the story of Orpheus and Eurydice in Greek mythology. Orpheus, the son of Apollo and a renowned musician, fell in love with Eurydice, who was bitten by a snake and died. On the gods' advice, Orpheus traveled to the Underworld wherein his music softened the hearts of Hades and Persephone, who agreed to allow Eurydice to return with him to the living world on one condition: he should guide her out and not look back until they both had reached the upper world. As he was about to reach the living world, Orpheus looked back toward Eurydice in excitement to see his beloved, and Eurydice was trapped in the Underworld forever. Another looking taboo is in the story of Lot in the Book of Genesis. In Genesis 19, two angels in the form of men arrived in Sodom and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taboo
A taboo is a social group's ban, prohibition or avoidance of something (usually an utterance or behavior) based on the group's sense that it is excessively repulsive, offensive, sacred or allowed only for certain people.''Encyclopædia Britannica Online''.Taboo. Encyclopædia Britannica Inc., 2012. Retrieved 21 Mar. 2012 Such prohibitions are present in virtually all societies. Taboos may be prohibited explicitly, for example within a legal system or religion, or implicitly, for example by social norms or conventions followed by a particular culture or organization. Taboos are often meant to protect the individual, but there are other reasons for their development. An ecological or medical background is apparent in many, including some that are seen as religious or spiritual in origin. Taboos can help use a resource more efficiently, but when applied to only a subsection of the community they can also serve to suppress said subsection of the community. A taboo acknowledged by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puss In Boots
"Puss in Boots" (; ; ; ) is a European fairy tale about an anthropomorphic cat who uses trickery and deceit to gain power, wealth, and the hand in marriage of a princess for his penniless and low-born master. The oldest written telling version (Italian for "Lucky Costantino") by Italian author Giovanni Francesco Straparola, included in ''The Facetious Nights of Straparola'' (), in which the cat is a fairy in disguise who helps his owner, a poor boy named Costantino from Bohemia, to gain his princess by duping a king, a lord, and many commoners. There is a version written by Girolamo Morlini, from whom Straparola used various tales in ''The Facetious Nights''; another version was published in 1634 by Giambattista Basile with the title . The most popular version of the tale was written in French at the close of the seventeenth century by Charles Perrault (1628–1703), a retired civil servant and member of the . Puss in Boots appears in DreamWorks' ''Shrek'' franchise, appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Language Of The Birds
In Abrahamic and European mythology, medieval literature and occultism, the language of the birds is postulated as a mystical, perfect divine language, Adamic language, Enochian, angelic language or a mythical or magical language used by birds to communicate with the initiated. History In Indo-European religion, the behavior of birds has long been used for the purposes of divination by augurs. According to a suggestion by Walter Burkert, these customs may have their roots in the Paleolithic when, during the Ice Age, early humans looked for carrion by observing scavenging birds. There are also examples of contemporary bird-human communication and symbiosis. In North America, ravens have been known to lead wolves (and native hunters) to prey they otherwise would be unable to consume. In Africa, the greater honeyguide is known to guide humans to beehives in the hope that the hive will be incapacitated and opened for them. Dating to the Renaissance, birdsong was the inspi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phoenix (mythology)
The phoenix is a Legendary creature, legendary immortal bird that cyclically regenerates or is otherwise born again. Originating in Greek mythology, it has analogs in many cultures, such as Egyptian mythology, Egyptian and Persian mythology. Associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, while others say that it simply dies and decomposes before being born again. In the ''Motif-Index of Folk-Literature'', a tool used by folklore studies, folklorists, the phoenix is classified as motif B32.Thompson. (2001: 581). The origin of the phoenix has been attributed to Ancient Egypt by Herodotus and later 19th-century scholars, but other scholars think the Egyptian texts may have been influenced by classical folklore. Over time, the phoenix motif spread and gained a variety of new associations; Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, and Isidore of Sev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
