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Mitridate, Rè Di Ponto
''Mitridate, re di Ponto'' (''Mithridates, King of Pontus''), K. 87 (74a), is an opera seria in three acts by the young Wolfgang Amadeus Mozart. The libretto is by , after Giuseppe Parini's Italian translation of Jean Racine's play ''Mithridate''. Mozart wrote ''Mitridate'' while touring Italy in 1770. The musicologist Daniel E. Freeman has demonstrated that it was composed with close reference to the opera '' La Nitteti'' by Josef Mysliveček. The latter was the opera being prepared for production in Bologna when Mozart met Mysliveček for the first time with his father in March 1770. Mysliveček visited the Mozarts frequently in Bologna during the summer of 1770 while Wolfgang was working on ''Mitridate''. Mozart gained expertise in composition from his older friend and also incorporated some of his musical motifs into his own operatic setting. The opera was first performed at the Teatro Regio Ducale, Milan, on 26 December 1770 (at the Milan Carnival). It was a success, perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. An opera seria had a historical or Biblical subject, whereas an opera buffa had a contemporary subject. Italian ''opera seria'' (invariably to Italian libretto, libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the Royal court, court operas based in Warsaw (since 1628), Bavarian State Opera, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tutti
''Tutti'' is an Italian word literally meaning ''all'' or ''together'' and is used as a musical term, for the whole orchestra as opposed to the soloist. It is applied similarly to choral music, where the whole section or choir is called to sing. Music examination boards may instruct candidates to "play in tuttis", indicating that the candidate should play both the solo and the tutti sections. An orchestrator may specify that a section leader (e.g., the principal violinist) plays alone, while the rest of the section is silent for the duration of the solo passage, by writing ''solo'' in the music at the point where it begins and ''tutti'' at the point where the rest of the section should resume playing. In organ music, it indicates that the full organ should be used: all stops and all couplers. Some organ consoles offer a toe stud or piston to toggle the tutti: pressing once activates all stops (although it does not physically move the stop knobs), and pressing again reverts to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Malherbe
Charles Théodore Malherbe (; 21 April 1853 – 5 October 1911) was a French violinist, musicologist, composer and music editor. Life and career Malherbe was born in Paris, son of Pierre Joseph Malherbe (1819–1890) and Zoé Caroline Mozin (1832–1921) the youngest daughter of French painter Charles Mozin (1806–1862). He studied law and was admitted to the bar, but instead decided on music as a profession. He studied music with Adolphe Danhauser, Jules Massenet and André Wormser, and served as Danhauser's secretary on a tour through Holland, Belgium and Switzerland to survey systems of music pedagogy in the public schools. He afterward settled in Paris, and became assistant to Charles Nuitter, the archivist-librarian of the Paris Opera Library in 1896, succeeding him in 1899. He edited the music periodical ''Le Ménestrel'' and also wrote for a number of other publications, including ''Le Guide musical'', ''Progrès artistique'', ''Revue internationale de musique'' and ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parthia
Parthia ( ''Parθava''; ''Parθaw''; ''Pahlaw'') is a historical region located in northeastern Greater Iran. It was conquered and subjugated by the empire of the Medes during the 7th century BC, was incorporated into the subsequent Achaemenid Empire under Cyrus the Great in the 6th century BC, and formed part of the Hellenistic Seleucid Empire after the Wars of Alexander the Great, 4th-century BC conquests of Alexander the Great. The region later served as the political and cultural base of the Eastern Iranian languages, Eastern Iranian Parni people and Arsacid dynasty, rulers of the Parthian Empire (247 BC – 224 AD). The Sasanian Empire, the last state of History of Iran, pre-Islamic Iran, also held the region and maintained the Seven Great Houses of Iran, seven Parthian clans as part of their feudal aristocracy. Name The name "Parthia" is a continuation from Latin language, Latin ', from Old Persian ', which was the Parthian language self-designator signifying "of the Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nymphaion (Crimea)
Nýmphaion (, ), also known as Nymphaion on the Pontus (), was a significant centre of the Bosporan Kingdom, situated on the Crimean shore of the Cimmerian Bosporus. Today it is located near the resort town Heroivske. It lies at a distance of about 14 kilometers south of Kerch, which was the site of ancient Panticapaeum. Geography The ruins of Nymphaion stand on a rocky cape approximately 200 meters west of the shoreline. Centuries of coastal erosion caused the shoreline to recede. The ancient shoreline would have been some 300 meters further east. Today the ruins are bordered by the Čurubaš Lake to the north and the Tobečik Lake to the south. In ancient times both of these lakes were ravines with sea gulfs at their mouths in the east. These ravines were situated 7 kilometers apart. They enclosed a territory of more than 40 square kilometers further west, where a rocky ridge of steep hills bordered the area on the west. These natural borders made the territory of Nymph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crimea
Crimea ( ) is a peninsula in Eastern Europe, on the northern coast of the Black Sea, almost entirely surrounded by the Black Sea and the smaller Sea of Azov. The Isthmus of Perekop connects the peninsula to Kherson Oblast in mainland Ukraine. To the east, the Crimean Bridge, constructed in 2018, spans the Strait of Kerch, linking the peninsula with Krasnodar Krai in Russia. The Arabat Spit, located to the northeast, is a narrow strip of land that separates the Syvash lagoons from the Sea of Azov. Across the Black Sea to the west lies Romania and to the south is Turkey. The population is 2.4 million, and the largest city is Sevastopol. The region, internationally recognized as part of Ukraine, has been under Russian occupation of Crimea, Russian occupation since 2014. Called the Tauric Peninsula until the early modern period, Crimea has historically been at the boundary between the Classical antiquity, classical world and the Pontic–Caspian steppe, steppe. Greeks in pre-Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithridates VI Eupator
Mithridates or Mithradates VI Eupator (; 135–63 BC) was the ruler of the Kingdom of Pontus in northern Anatolia from 120 to 63 BC, and one of the Roman Republic's most formidable and determined opponents. He was an effective, ambitious, and ruthless ruler who sought to dominate Asia Minor and the Black Sea region, waging several hard-fought but ultimately unsuccessful wars (the Mithridatic Wars) to break Roman dominion over Asia and the Hellenic world. He has been called the greatest ruler of the Kingdom of Pontus. He cultivated an immunity to poisons by regularly ingesting sub-lethal doses; this practice, now called mithridatism, is named after him. After his death, he became known as Mithridates the Great. Biography Name and ancestry ''Mithridates'' is the Greek attestation of the Iranic name ''Mihrdāt'', meaning "given by Mithra" ( - '' Mehrdād''), the name of the ancient Iranian sun god. The name ''Mihrdāt'' itself derives from Old Iranian ''Miθra-dāta- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pharnaces II Of Pontus
Pharnaces II of Pontus (; about 97–47 BC) was the king of the Bosporan Kingdom and Kingdom of Pontus until his death. He was a monarch of Persian and Greek ancestry. He was the youngest child born to King Mithridates VI of Pontus from his first wife, his sister Queen Laodice. He was born and raised in the Kingdom of Pontus and was the namesake of his late double great grandfather Pharnaces I of Pontus. After his father was defeated by the Romans in the Third Mithridatic War (73–63 BC) and died in 63 BC, the Romans annexed the western part of Pontus, merged it with the former Kingdom of Bithynia and formed the Roman province of Bithynia and Pontus. The eastern part of Pontus remained under the rule of Pharnaces as a client kingdom until his death. Rebellion against his father Pharnaces II was raised as his father's successor and treated with distinction. However, little is known of his youth from ancient writers and find him first mentioned after Mithridates VI was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonia Bernasconi
Antonia Bernasconi (1741–1803) was a German operatic soprano, originally from the Holy Roman Empire. She appeared in opera houses in Vienna, Milan, Venice, Naples and London. Life Bernasconi was born in Stuttgart in 1741; her father, named Wagele. was a valet de chambre of the Prince of Württemberg; after Wagele's death his widow married Andrea Bernasconi, ''Kapellmeister'' of the court at Munich and composer. Antonia received early music lessons from her stepfather, and she sang in Munich and other German cities. From 1765 she took part in operas in Vienna; her first appearance in a major role was at the Burgtheater in December 1767, in '' Alceste'', which Gluck had written expressly for her."Bernasconi, Antonia" '' |
Xiphares
Xiphares ({{langx, grc, Ξιφάρης; c. 85 – 65 BC) was, according to Appian, a Pontic prince who was the son of King Mithridates VI of Pontus from his concubine and later wife Stratonice of Pontus. During the Mithridatic Wars, Stratonice turned over Mithridates' stronghold at Coenum, which had been entrusted to her protection, to the Roman forces under Pompey Gnaeus Pompeius Magnus (; 29 September 106 BC – 28 September 48 BC), known in English as Pompey ( ) or Pompey the Great, was a Roman general and statesman who was prominent in the last decades of the Roman Republic. .... In revenge, Mithridates had Xiphares killed, leaving his corpse unburied. References * A. Duggan, ''He Died Old, Mithridates Eupator, King of Pontus'' (1974) 80s BC births 65 BC deaths Iranian people of Greek descent 1st-century BC Iranian people Ancient Persian people Mithridatic dynasty Children of Mithridates VI Eupator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
