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Missa L'homme Armé (Obrecht)
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * '' Missa L'homme armé'' (Antoine Busnois) * '' Missa L'homme armé'' (Guillaume Dufay) * '' Missa L'homme armé'' ( Johannes Regis) (two: one lost) * '' Missa L'homme armé'' (Johannes Ockeghem) * '' Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * '' Missa L'homme armé'' (Johannes Tinctoris) * '' Missa L'homme armé'' ( Firminus Caron) * '' Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * '' Missa L'homme armé'' ( Mathurin Forestier) * '' Missa L'homme armé'' (Jacob Obrecht) * ''Missa L'homme armé super voces musicales'' (Josquin des Prez) * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ordinary Of The Mass
The ordinary, in Catholic liturgy, Catholic liturgies, refers to the part of the Mass (liturgy), Mass or of the canonical hours that is reasonably constant without regard to the date on which the service is performed. It is contrasted with the ''Proper (liturgy), proper'', which is that part of these liturgies that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event, or to the ''Common (liturgy), common'' which contains those parts common to an entire category of saints such as Apostles in the New Testament, apostles or martyrs. The ordinary of both the Mass and the canonical hours does, however, admit minor variations following the seasons (such as the omission of "Alleluia" in Lent and its multiple additions in Eastertide). These two are the only liturgical celebrations in which a distinction is made between an ordinary and other parts. It is not made in the Christian liturgy, liturgy of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé (Anonymous)
Over 40 settings of the Ordinary of the Mass using the tune '' L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * '' Missa L'homme armé'' ( Antoine Busnois) * '' Missa L'homme armé'' ( Guillaume Dufay) * '' Missa L'homme armé'' ( Johannes Regis) (two: one lost) * '' Missa L'homme armé'' ( Johannes Ockeghem) * '' Missa L'homme armé'' ( Guillaume Faugues) (two) Probably written before 1475: * '' Missa L'homme armé'' ( Johannes Tinctoris) * '' Missa L'homme armé'' ( Firminus Caron) * '' Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's adminis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé (Vaqueras)
Over 40 settings of the Ordinary of the Mass using the tune '' L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * '' Missa L'homme armé'' ( Antoine Busnois) * '' Missa L'homme armé'' ( Guillaume Dufay) * '' Missa L'homme armé'' ( Johannes Regis) (two: one lost) * '' Missa L'homme armé'' ( Johannes Ockeghem) * '' Missa L'homme armé'' ( Guillaume Faugues) (two) Probably written before 1475: * '' Missa L'homme armé'' ( Johannes Tinctoris) * '' Missa L'homme armé'' ( Firminus Caron) * '' Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's adminis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loyset Compère
Loyset Compère ( – 16 August 1518) was a Franco-Flemish composer of the Renaissance. Of the same generation as Josquin des Prez, he was one of the most significant composers of motets and chansons of that era, and one of the first musicians to bring the light Italianate Renaissance style to France. Life His exact place of birth is not known, but documents of the time assign him to a family from the province of Artois (in modern France), and suggest he may have been born in Hainaut (in modern Belgium). At least one source from Milan indicates he described himself as coming from Arras, also in Artois. Both the date and probable place of birth are extremely close to those of Josquin des Prez; indeed the area around the current French-Belgian border produced an astonishing number of excellent composers in the 15th and 16th centuries, composers whose fame spread throughout Europe. Often these composers are known as the Franco-Flemish or Netherlandish School). In the 1470s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé (Compère)
Over 40 settings of the Ordinary of the Mass using the tune '' L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * '' Missa L'homme armé'' ( Antoine Busnois) * '' Missa L'homme armé'' ( Guillaume Dufay) * '' Missa L'homme armé'' ( Johannes Regis) (two: one lost) * '' Missa L'homme armé'' ( Johannes Ockeghem) * '' Missa L'homme armé'' ( Guillaume Faugues) (two) Probably written before 1475: * '' Missa L'homme armé'' ( Johannes Tinctoris) * '' Missa L'homme armé'' ( Firminus Caron) * '' Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * '' Missa L'homme armé'' ( Mathurin Forestier) * '' Missa L'homme armé'' ( Jacob Obrecht) * '' Missa L'homme armé super voces musicales'' ( Josquin des P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé Sexti Toni
''Missa L'homme armé sexti toni'' is probably the latter of two '' L'homme arme'' masses by Josquin des Prez, both published in 1502. " sexti toni" refers to the use of the sixth Gregorian mode. It uses Paraphrase technique in which the ''L'homme armé'' tune is shared between all voices rather than being confined to a single one, as in Josquin's tenor mass ('' Missa L'homme armé super voces musicales''). The five sections of the mass contain several examples of compositional virtuosity, including strict canons in the Sanctus/Osanna and simultaneous statements of the theme both forwards and in retrograde in the final Agnus Dei. References *Noble, Jeremy (1972), sleeve notes to his recording with The Josquin Choir Masses by Josquin des Prez Renaissance music {{classical-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often Imitation (music), imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated Motif (music), motifs between voices. Josquin was a singer, and List of compositions by Josquin des Prez, his compositions are mainly vocal. They include mass (music), masses, motets and secular chansons. Josqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé Super Voces Musicales
The ''Missa L'homme armé super voces musicales'' is the first of two settings of the Ordinary of the Mass by Josquin des Prez using the famous ''L'homme armé'' tune as his cantus firmus source material (for the other, presumed later, setting see Missa ''L'homme armé'' sexti toni). The setting is for four voices. It was the most famous mass Josquin composed, surviving in numerous manuscripts and print editions. The earliest printed collection of music devoted to a single composer, the ''Misse Josquin'' published by Ottaviano Petrucci in 1502, begins with this famous work. Background Dating of the mass has been controversial, with some scholars proposing a mid-career date, for example during Josquin's Roman period (roughly 1489 to 1495), and other scholars, such as Gustave Reese, arguing for an earlier date, claiming that the contrapuntal complexity the mass shows is more typical of Josquin's early style, and that he simplified his method as he aged. The earliest source conta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Obrecht
Jacob Obrecht (also Hobrecht; 1457/8 – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses">Rob C. Wegman. "Obrecht, Jacob." In Grove Music Online. Oxford Music Online, (accessed 24 September 2020). – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses in Europe of the late 15th century and was only eclipsed after his death by Josquin des Prez. Life What little is known of Obrecht's origins and early childhood comes mostly from his motet ''Mille quingentis''. He was the only son of Ghent city trumpeter Willem Obrecht and Lij ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa L'homme Armé (Obrecht)
Over 40 settings of the Ordinary of the Mass using the tune ''L'homme armé'' survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the ''Missae L'homme armé'' are as follows: Probably dating from the 1450s: * '' Missa L'homme armé'' (Antoine Busnois) * '' Missa L'homme armé'' (Guillaume Dufay) * '' Missa L'homme armé'' ( Johannes Regis) (two: one lost) * '' Missa L'homme armé'' (Johannes Ockeghem) * '' Missa L'homme armé'' (Guillaume Faugues) (two) Probably written before 1475: * '' Missa L'homme armé'' (Johannes Tinctoris) * '' Missa L'homme armé'' ( Firminus Caron) * '' Missa L'homme armé'' (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * '' Missa L'homme armé'' ( Mathurin Forestier) * '' Missa L'homme armé'' (Jacob Obrecht) * ''Missa L'homme armé super voces musicales'' (Josquin des Prez) * '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
