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Mise-en-scène
(; or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in the visual arts through storyboarding, visual themes, and cinematography and in narrative-storytelling through directions. The term is also commonly used to refer to single scenes that are representative of a film. has been called film criticism's "grand undefined term". It has been criticized for its focus on the dramatic design aspects rather than the plot itself, as those who utilize tend to look at what is "put before the camera" rather than the story. The use of is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. allows the director to not only convey their message but also implement their aesthetic; as such, each director has their own unique . refers to everything in front of the camera, including the set design, lighting, and actors, and t ...
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Narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether non-fictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' ("to tell"), which is derived from the adjective ''gnarus'' ("knowing or skilled"). Historically preceding the noun, the adjective "narrative" means "characterized by or relating to a story or storytelling". Narrative is expressed in all mediums of human creativity, art, and entertainment, including public speaking, speech, literature, theatre, dance, music and song, comics, journalism, animation, video (including film and television), video games, radio program, radio, game, structured and play (activity), unstructu ...
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Film
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ...
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André Bazin
André Bazin (; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about movies in 1943 and was a co-founder of the renowned film magazine '' Cahiers du cinéma'' in 1951 alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. He is notable for arguing that realism is the most important function of cinema. His call for objective reality in film, as understood through the use of deep focus as well as the lack of montage, were linked to his belief that the interpretation of an entire movie or a specific scene should be left to the spectator. This placed him in opposition to prior film theorists, such as many writing during the 1920s and 1930s, who had emphasized how the cinema could manipulate reality. Bazin insisted that movies morally should serve as personalized projects by their directors to the degree that each and every one represents a director's individual vision, which reflected his broader p ...
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Stage Design
Scenic design, also known as stage design or set design, is the creation of scenery for theatrical productions including Play (theatre), plays and Musical theatre, musicals. The term can also be applied to film and television productions, where it may be referred to as Production designer, production design. Scenic designers create sets and scenery to support the overall artistic goals of the production. Scenic design is an aspect of scenography, which includes theatrical set design as well as light and sound. Modern scenic designers are increasingly taking on the role of co-creators in the artistic process, shaping not only the physical space of a production but also influencing its blocking, pacing, and tone. As Richard Foreman famously stated, scenic design is a way to "create the world through which you perceive things happening." These designers work closely with the director, playwright, and other creative members of the team to develop a visual concept that complements t ...
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Production Designer
In film and television, a production designer is the individual responsible for the overall aesthetic of the story. The production design gives the viewers a sense of the time period, the plot location, and character actions and feelings. Working directly with the director, cinematographer, and producer, production designers have a key creative role in the creation of motion pictures and television. The term ''production designer'' was coined by William Cameron Menzies while he was working on the film '' Gone with the Wind''. Production designers are commonly confused with '' art directors'' as the roles have similar responsibilities. Production designers decide the visual concept and deal with the many and varied logistics of filmmaking including, schedules, budgets, and staffing. Art directors manage the process of making the visuals, which is done by concept artists, graphic designers, set designers, costume designers, lighting designers, etc. The production designer ...
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Composition (visual Arts)
The term composition means "putting together". It can be thought of as the organization of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as ''design, form, visual ordering,'' or ''formal structure,'' depending on the context. In graphic design for press and desktop publishing, composition is commonly referred to as page layout. The composition of a picture is different from its subject (what is depicted), whether a moment from a story, a person or a place. Many subjects, for example Saint George and the Dragon, are often portrayed in art, but using a great range of compositions even though the two figures are typically the only ones shown. Elements of design The central visual element, known as ''element of design'', ''formal element'', or ''element of art,'' constitute the vocabulary with which the vi ...
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Space
Space is a three-dimensional continuum containing positions and directions. In classical physics, physical space is often conceived in three linear dimensions. Modern physicists usually consider it, with time, to be part of a boundless four-dimensional continuum known as '' spacetime''. The concept of space is considered to be of fundamental importance to an understanding of the physical universe. However, disagreement continues between philosophers over whether it is itself an entity, a relationship between entities, or part of a conceptual framework. In the 19th and 20th centuries mathematicians began to examine geometries that are non-Euclidean, in which space is conceived as '' curved'', rather than '' flat'', as in the Euclidean space. According to Albert Einstein's theory of general relativity, space around gravitational fields deviates from Euclidean space. Experimental tests of general relativity have confirmed that non-Euclidean geometries provide a bet ...
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Cinematographer
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light film crew, crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, photographic lens, lenses, filter (photography), filters, etc. The study and practice of this field are referred to as ''cinematography''. The cinematographer is a subordinate of the film director, director, tasked with capturing a scene in accordance with the director's vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Suc ...
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Cinematography
Cinematography () is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens (optics), lens to focus reflected light from objects into a real image that is transferred to some image sensor or Photographic film, light-sensitive material inside the movie camera. These Exposure (photography), exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an Charge-coupled device, electrical charge for each pixel in the image, which is Video processing, electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically "Photographic developer, developed" into a Positive (photography), visible image. The images on the film stock are Movie projector, projected for viewing in the sam ...
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Location Shooting
Location shooting is the shooting of a film or television production in a real-world setting rather than a sound stage or backlot. The location may be interior or exterior. When filmmaking professionals refer to shooting "on location", they are usually referring to a "practical location", which is any location that already exists in the real world. The filming location may be the same in which the story is set (for example, scenes in the film ''The Interpreter (2005 film), The Interpreter'' were set and shot inside the Headquarters of the United Nations, United Nations Headquarters in Manhattan), or it may stand in for a different locale (the films ''Amadeus (film), Amadeus'' and ''The Illusionist (2006 film), The Illusionist'' were primarily set in Vienna, but were filmed in Prague). Location shooting includes any practical location which resembles the location of a scene in the script; for example, students in the USC School of Cinematic Arts, film school of the University of ...
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Constant Puyo- Mise En Scène
Constant or The Constant may refer to: Mathematics * Constant (mathematics), a non-varying value * Mathematical constant, a special number that arises naturally in mathematics, such as or Other concepts * Control variable or scientific constant, in experimentation the unchanging or constant variable * Physical constant, a physical quantity generally believed to be universal and unchanging * Constant (computer programming), a value that, unlike a variable, cannot be reassociated with a different value * Logical constant, a symbol in symbolic logic that has the same meaning in all models, such as the symbol "=" for "equals" People * Constant (given name) * Constant (surname) * John, Elector of Saxony (1468–1532), known as John the Constant * Constant Nieuwenhuys (1920-2005), better known as Constant Places * Constant, Barbados, a populated place Arts and entertainment * " The Constant", a 2008 episode of the television show ''Lost'' * ''The Constant'' (Story of the Year al ...
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Blocking (stage)
In theatre, blocking is the precise staging of actors to facilitate the performance of a Play (theatre), play, ballet, film or opera. Historically, the expectations of staging/blocking have changed substantially over time in Western theater. Prior to the movements toward "realism" that occurred in the 19th century, most staging used a "tableau" approach, in which a stage picture was established whenever characters entered or left the stage, ensuring that leading performers were always shown to their best advantage. In more recent times, while nothing has changed about showing leading performers to their best advantage, there have been changing cultural expectations that have made blocking/staging more complicated. There are also artistic reasons why blocking can be crucial. Through careful use of positioning on the stage, a director or performer can establish or change the significance of a scene. Different artistic principles can inform blocking, including minimalism and natur ...
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