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Messiah Part II
''Messiah'' ( HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part II in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto ''He was despised'', then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection. The part is concluded by a scene called "God's Triumph" that culminates in the ''Hallelujah'' chorus. Part III of the oratorio concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven. Messiah, the oratorio The libretto by Charles Jennens is entirely drawn from the Bible, mostly from the King James ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, Handel spent his early life in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah Part I
''Messiah'' ( HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. The wordbook (also called libretto or text) was supplied by Charles Jennens. This article covers Part I and describes the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his virgin birth by several prophets, namely Isaiah. His birth is still rendered in words by Isaiah, followed by the annunciation to the shepherds as the only scene from a Gospel in the oratorio, and reflections on the Messiah's deeds. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven. The popular Part I of ''Messiah'' is sometimes called the "Christmas" portion as it is frequently performed during Advent in concert, sing-along, or as a Scratch Messiah. When performed in this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. The Italian language, Italian word (, ) is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language cognates, equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Hogwood 2014
Christopher is the English version of a Europe-wide name derived from the Greek name Χριστόφορος (''Christophoros'' or '' Christoforos''). The constituent parts are Χριστός (''Christós''), "Christ" or "Anointed", and φέρειν (''phérein''), "to bear"; hence the "Christ-bearer". As a given name, 'Christopher' has been in use since the 10th century. In English, Christopher may be abbreviated as "Chris", "Topher", and sometimes " Kit". It was frequently the most popular male first name in the United Kingdom, having been in the top twenty in England and Wales from the 1940s until 1995, although it has since dropped out of the top 100. Within the United Kingdom, the name is most common in England and not so common in Wales, Scotland, or Northern Ireland. Cognates in other languages *Afrikaans: Christoffel, Christoforus *Albanian: Kristofer, Kristofor, Kristoforid, Kristo *Arabic: كريستوفر (''Krīstafor, Kristūfar, Krístufer''), اصطفر (''ʔiṣ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Revelation
The Book of Revelation, also known as the Book of the Apocalypse or the Apocalypse of John, is the final book of the New Testament, and therefore the final book of the Bible#Christian Bible, Christian Bible. Written in Greek language, Greek, its title is derived from the Incipit, first word of the text, ''apocalypse'' (), which means "revelation" or "unveiling". The Book of Revelation is the only Apocalyptic literature, apocalyptic book in the Development of the New Testament canon, New Testament canon, and occupies a central place in Christian eschatology. The book spans three literary genres: the Letter (message), epistolary, the Apocalyptic literature, apocalyptic, and the prophetic. It begins with John, on the island of Patmos in the Aegean Sea, addressing letters to the "Seven Churches of Asia" with exhortations from Christ. He then describes a series of prophetic and symbolic Vision (spirituality), visions, including figures such as a Woman clothed with the sun with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12-58
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural number, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul The Apostle
Paul, also named Saul of Tarsus, commonly known as Paul the Apostle and Saint Paul, was a Apostles in the New Testament, Christian apostle ( AD) who spread the Ministry of Jesus, teachings of Jesus in the Christianity in the 1st century, first-century world. For his contributions towards the New Testament, he is generally regarded as one of the most important figures of the Apostolic Age, and he also founded Early centers of Christianity, several Christian communities in Asia Minor and Europe from the mid-40s to the mid-50s AD. The main source of information on Paul's life and works is the Acts of the Apostles in the New Testament. Approximately half of its content documents his travels, preaching and miracles. Paul was not one of the Twelve Apostles, and did not know Jesus during his lifetime. According to the Acts, Paul lived as a Pharisees, Pharisee and participated in the Persecution of Christians in the Roman Empire, persecution of early Disciple (Christianity), disciples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah Part III
''Messiah'' ( HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part III in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds as a scene from the Gospel of Luke, and reflects the Messiah's deeds on Earth. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven. Messiah, the oratorio The libretto by Charles Jennens is entirely drawn from the Bible, mostly from the King James Bible, whereas several psalms are taken from the Book of Common Prayer. The librettist commented: "... the Subject excells every other Subject. The Subject is Messiah ...". ''Messiah'' differs from Handel's other ora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ascension Of Jesus
The Ascension of Jesus (anglicized from the Vulgate ) is the Christianity, Christian and Islamic belief that Jesus entering heaven alive, ascended to Heaven. Christian doctrine, as reflected in the major Christian creeds and confessional statements, holds that Jesus ascended after his Resurrection of Jesus, resurrection, where he was exaltation of Jesus, exalted as Lord and Christ (title), Christ, session of Christ, sitting at the right hand of God. Schools of Islamic theology, Islamic doctrine holds that Jesus directly ascended to heaven without dying or resurrecting. The Gospels and other New Testament writings imply resurrection and exaltation as a single event. The ascension is "more assumed than described," and only Luke–Acts, Luke and Acts contain direct accounts of it, but with different chronologies. In Christian art, the ascending Jesus is often shown blessing an earthly group below him, signifying the entire Church. The Feast of the Ascension is celebrated on the 40t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophe, strophi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion (Christianity)
The Passion (from Latin , "to suffer, bear, endure") is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week. The ''Passion'' may include, among other events, Jesus's triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, his agony, his arrest, his trials before the Sanhedrin and before Pilate, his crucifixion and death, and his burial. Those parts of the four canonical Gospels that describe these events are known as the Passion narratives. In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Latin form ''passio''. Narratives according to the four canonical gospels Acco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
