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Mechanical Effects
Special effects (often abbreviated as F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the fictional events in a story or virtual world. It is sometimes abbreviated as SFX, but this may also refer to ''sound effects''. Special effects are traditionally divided into the categories of mechanical effects and optical effects. With the emergence of digital filmmaking a distinction between special effects and visual effects has grown, with the latter referring to digital post-production and optical effects, while "special effects" refers to mechanical effects. Mechanical effects (also called practical or physical effects) are usually accomplished during the live-action shooting. This includes the use of mechanised props, scenery, scale models, animatronics, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noël-Noël Pigrizia
Noël-Noël (born Lucien Noël; 9 August 1897 – 5 October 1989) was a French actor and screenwriter. Partial filmography * ''La prison en folie'' (1931) − Yves Larsac * ''When Do You Commit Suicide? (1931 film), When Do You Commit Suicide?'' (1931) − Léon Mirol * ''Mistigri (film), Mistigri'' (1931) − Zamore * ''La brigade du bruit'' (1931) * ''A Father Without Knowing It'' (1932) − Léon Jacquet * ''Monsieur Albert'' (1932) − Monsieur Albert * ''Mon coeur balance'' (1932) − Le comte Noel * ''A Star Disappears'' (1932) − Himself * ''To Live Happily'' (1932) − Jean Mauclair * ''Les jeux sont faits'' (1932) * ''My Hat'' (1933) − Grégoire * ''Mannequins (film), Mannequins'' (1933) − Alfred * ''Vive la compagnie'' (1934) − Jean−Jacques Bonneval * ''Une fois dans la vie'' (1934) − Léon Saval * ''Skylark (1934 film), Skylark'' (1934) − Adémaï * ''Mam'zelle Spahi'' (1934) − Bréchu − l'ordonnance du colonel * ''Adémaï in the Middle Ages'' (1935 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animatronics
An animatronic is a puppet controlled electronically to move in a fluent way. Animatronics are the modern adaptation of the automaton and are often used for the portrayal of characters in films, video games and in theme park attractions. Animatronics are a multidisciplinary field integrating puppetry, anatomy and mechatronics. Animatronic figures can be implemented with both computer and human control, including teleoperation. Motion actuators are often used to imitate muscle movements and create realistic motions. Figures are usually encased in body shells and flexible skins made of hard or soft plastic materials and finished with colors, hair, feathers and other components to make them more lifelike. Animatronics stem from a long tradition of mechanical Automaton, automata powered by hydraulics, pneumatics and clockwork. Before the term "animatronics" became common, they were usually referred to as "robots". Since then, robots have become known as more practical programmable ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary, Queen Of Scots
Mary, Queen of Scots (8 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was List of Scottish monarchs, Queen of Scotland from 14 December 1542 until her forced abdication in 1567. The only surviving legitimate child of James V of Scotland, Mary was six days old when her father died and she inherited the throne. During her childhood, Kingdom of Scotland, Scotland was governed by regents, first by the heir to the throne, James Hamilton, Earl of Arran, and then by her mother, Mary of Guise. In 1548, she was betrothed to Francis II of France, Francis, the Dauphin of France, and was sent to be brought up in Kingdom of France, France, where she would be safe from invading Kingdom of England, English forces during the Rough Wooing. Mary Wedding of Mary, Queen of Scots, and Francis, Dauphin of France, married Francis in 1558, becoming queen consort of France from his accession in 1559 until his death in December 1560. Widowed, Mary Entry of Mary, Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Clark (director)
Alfred Clark (December 19, 1873 – June 16, 1950) was a pioneer of music recording and cinema. As a cameraman and director of productions at Edison's first studio, he was the first to make moving pictures with innovations like continuity, plot, trained actors and special effects. In 1896, he joined Emile Berliner's Gramophone Company and then went to Europe where he became an important manager of companies like His Master's Voice and EMI. He was naturalized as a British citizen in 1928 and became a leading member of the Oriental Ceramic Society in London, establishing a valuable collection including rare pieces which had been made for the emperors of the Tang and Song dynasty. In 1921 he married Ivy Sanders, who survived him and died in 1973. Early life Alfred Clark was born in New York on 19 December 1876. He was educated at the Franklin School in Washington and the City College of New York. He took an early interest in electricity and left college at sixteen to join t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Combination Print
Combination printing is a photographic technique of using the negatives of two or more images in conjunction with one another to create a single image. Similar to dual-negative landscape photography, combination printing was technically much more complex. The concept of combination printing stemmed from the desire to create more of a fine art within photography and often more idealized images. Combination printing was popular in the mid-19th century due to the limitations of the negative's light sensitivity and camera technology. For example, the long exposures required at the time to create an image would properly expose the main subject, such as a building, but would completely overexpose the sky. The sky would then lack detail, usually appearing as solid white. Hippolyte Bayard, a French people, French photographer, was the first to suggest combining two separate negatives, one of the subject matter and one of a properly exposed negative of clouds, to create a balanced photogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Photomontage
Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that the final image may appear as a seamless physical print. A similar method, although one that does not use film, is realized today through image-editing software. This latter technique is referred to by professionals as " compositing", and in casual usage is often called " photoshopping" (from the name of the popular software system). A composite of related photographs to extend a view of a single scene or subject would not be labeled as a montage, but instead a stitched image or a digital image mosaic. History Author Oliver Grau in his book, ''Virtual Art: From Illusion to Immersion'', notes that the creation of an artificial immersive virtual reality, arising as a result of technical exploitation of new inventions, is a long-standing human practice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Gustave Rejlander
Oscar Gustave Rejlander (Stockholm, 19 October 1813 – Clapham, London, 18 January 1875) was a Victorian art photographer and an expert in photomontage. His collaboration with Charles Darwin on ''The Expression of the Emotions in Man and Animals'' has assured him a position in the history of behavioural science and psychiatry. Biography According to his naturalisation papers, Rejlander was born in Stockholm on 19 October 1813. He was the son of Carl Gustaf Rejlander, a stonemason and Swedish Army Officer. During his youth, his family moved to the Swedish-speaking community in Rauma, Grand Duchy of Finland (then part of Russia). In the 1830s, he relocated to England, initially settling in Lincoln, England. In the 1850s he abandoned his original profession as a painter and portrait miniaturist, apparently after seeing how well a photograph captured the fold of a sleeve. He set up as a portraitist in the industrial Midlands town of Wolverhampton, probably around 1846. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Execution Of Mary Stuart, 1895
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer-generated Imagery
Computer-generated imagery (CGI) is a specific-technology or application of computer graphics for creating or improving images in Digital art, art, Publishing, printed media, Training simulation, simulators, videos and video games. These images are either static (i.e. still images) or dynamic (i.e. moving images). CGI both refers to 2D computer graphics and (more frequently) 3D computer graphics with the purpose of designing characters, virtual worlds, or scenes and Visual effects, special effects (in films, television programs, commercials, etc.). The application of CGI for creating/improving animations is called ''computer animation'', or ''CGI animation''. History The first feature film to use CGI as well as the composition of live-action film with CGI was ''Vertigo (film), Vertigo'', which used abstract computer graphics by John Whitney (animator), John Whitney in the opening credits of the film. The first feature film to make use of CGI with live action in the storyline of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Printer
An optical printer is a device consisting of one or more film projectors mechanically linked to a movie camera. It allows filmmakers to re-photograph one or more strips of film. The optical printer is used for making visual effects for motion pictures, or for copying and restoring film material. Common optical effects include fade outs and fade ins, dissolves, slow motion, fast motion, and matte work. More complicated work can involve dozens of elements, all combined into a single scene. History The first commercially available, although not mass produced, optical printer appeared in 1927 and was called the Depue & Vance Daylight Optical Printer. It was mainly used to reduce standard prints to 16mm and allowed for operation without a darkroom except for loading the positive film magazine. In 1918, the cinematographer Carl Gregory came upon a printer made by G. J. Badgley of New York, designed to produce copies of a standard film using domestic size film stock. Realizing the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schüfftan Process
The Schüfftan process is a special effect in filmmaking named after its inventor, German cinematographer Eugen Schüfftan (1893–1977). The technique consists of covering part of the camera's view with a mirror, allowing filmmakers to assemble an image from multiple parts. It was widely used in the first half of the 20th century. First popularized in the 1927 film ''Metropolis'', this technique involved positioning a plate of glass at a 45-degree angle between the camera and the miniatures, outlining the area where actors would be inserted, and transferring this outline to a mirror. The process is similar to "Pepper's ghost", a 19th century stage technique. Despite its use in numerous films, including works by Alfred Hitchcock and Peter Jackson, the Schüfftan process has largely been replaced by matte shots and chroma key. Application The process was refined and popularized by the German cinematographer Eugen Schüfftan while he was working on the film ''Metropolis'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matte (filmmaking)
Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background painting. In film and stage, mattes can be physically huge sections of painted canvas, portraying large scenic expanses of landscapes. In film, the principle of a matte requires masking certain areas of the film emulsion to selectively control which areas are exposed. However, many complex special-effects scenes have included dozens of discrete image elements, requiring very complex use of mattes and layering mattes on top of one another. For an example of a simple matte, the director may wish to depict a group of actors in front of a store, with a massive city and sky visible above the store's roof. There would be two images—the actors on the set, and the imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
