Master Of The Furies
Master of the Furies is the provisional name of an ivory sculptor working in the early 17th century. The name is derived from their characteristic work, showing shouting furies, in the Kunsthistorisches Museum Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST .... All their works are without any signature. The earliest record of their works are found in an inventory of Maria Magdalena of Austria. External links * * Furies, Master of the Year of birth unknown {{sculptor-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ivory
Ivory is a hard, white material from the tusks (traditionally from elephants) and teeth of animals, that consists mainly of dentine, one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mammals is the same, regardless of the species of origin, but ivory contains structures of mineralised collagen. The trade in certain teeth and tusks other than elephant is well established and widespread; therefore, "ivory" can correctly be used to describe any mammalian teeth or tusks of commercial interest which are large enough to be carved or scrimshawed. Besides natural ivory, ivory can also be produced synthetically, hence (unlike natural ivory) not requiring the retrieval of the material from animals. Tagua nuts can also be carved like ivory. The trade of finished goods of ivory products has its origins in the Indus Valley. Ivory is a main product that is seen in abundance and was used for trading in Harappan civilization. Finished iv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Sculptor
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Erinyes
The Erinyes ( ; sing. Erinys ; grc, Ἐρινύες, pl. of ), also known as the Furies, and the Eumenides, were female chthonic deities of vengeance in ancient Greek religion and mythology. A formulaic oath in the '' Iliad'' invokes them as "the Erinyes, that under earth take vengeance on men, whosoever hath sworn a false oath". Walter Burkert suggests that they are "an embodiment of the act of self-cursing contained in the oath". They correspond to the Dirae in Roman mythology. The Roman writer Maurus Servius Honoratus wrote (ca. 400 AD) that they are called "Eumenides" in hell, "Furiae" on Earth, and "Dirae" in heaven. Erinyes are akin to some other Greek deities, called Poenai. According to Hesiod's '' Theogony'', when the Titan Cronus castrated his father, Uranus, and threw his genitalia into the sea, the Erinyes (along with the Giants and the Meliae) emerged from the drops of blood which fell on the Earth (Gaia), while Aphrodite was born from the crests of se ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term ''Kunsthistorisches Museum'' applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide. Emperor Franz Joseph I of Austria-Hungary opened the facility around 1891 at the same time as the Natural History Museum, Vienna which has a similar design and is directly across Maria-Theresien-Platz. The two buildings were constructed between 1871 and 1891 according to plans by Gottfried Semper and Baron Karl von Hasenauer. The emperor commissioned the two Ringstraße museums to create a suitable home for the Habsburgs' formidable art collection and to make it accessible to the general public. The buildings are rectangular in shape, with symme ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Archduchess Maria Maddalena Of Austria
Maria Maddalena of Austria (Maria Magdalena; 7 October 1589 – 1 November 1631) was Grand Duchess of Tuscany from the accession of her husband, Cosimo II, in 1609 until his death in 1621. With him, she had eight children, including a duchess of Parma, a grand duke of Tuscany, and an archduchess of Further Austria. Born in Graz, she was the youngest daughter of Charles II, Archduke of Inner Austria, and his wife Maria Anna of Bavaria. During the minority of her son, Grand Duke Ferdinando, she and her mother-in-law acted as regents from 1621 to 1628. She died on 1 November 1631 in Passau. Grand Duchess consort of Tuscany In 1608, Maria Maddalena was married to Cosimo de' Medici, Grand Prince of Tuscany. Cosimo's father, Grand Duke Ferdinando I of Tuscany, arranged the marriage in order to assuage Spain's (where Maria Maddalena's sister was the incumbent queen) animosity towards Tuscany, which had been inflamed due to a string of Franco-Tuscan marriages. Regency She and Cos ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Liebieghaus
The Liebieghaus is a late 19th-century villa in Frankfurt, Germany. It contains a sculpture museum, the ''Städtische Galerie Liebieghaus'', which is part of the Museumsufer on the Sachsenhausen bank of the River Main. Max Hollein was the director from January 2006 to 2016, followed by . History The Liebieghaus was built in 1896, in a palatial, Historicist style, as a retirement home for the Bohemian textile manufacturer Baron Heinrich von Liebieg (1839–1904). The city of Frankfurt acquired the building in 1908 and devoted it to the sculpture collection. A renovation was completed in October 2009. This included adding a publicly accessible "Open Depot", making it possible for the first time to view certain parts of the collection that are not in the permanent exhibition. Collection The museum includes ancient Greek, Roman and Egyptian sculpture, as well as Medieval, Baroque, Renaissance and Classicist pieces, and works from the Far East. The collection was built up ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Anonymous Artists
In art history, an anonymous master is an Old Master whose work is known, but whose name is lost. Renaissance Only in the Renaissance did individual artists in Western Europe acquire personalities known by their peers (some listed by Vasari in his ''Lives of the Artists''), such as those known by: * Their true name or their father's name: ** Filippino Lippi after his father Fra Filippo Lippi * A chosen pseudonym, possibly linked to his birthplace or his father's trade: ** Giuliano da Sangallo worked on the gate of Saint Gall ** Antonio del Pollaiuolo, after his father, a chicken farmer (pollo in Italian) ** Jacopo del Sellaio, after his father, a saddler (''sellier'') ** The Della Robbias (after the Tuscan word ''robbia'', dyers' madder, and his father, the dyer Luca della Robbia) ** Masuccio Segondo, student of Masuccio Primo ** etc. * A surname attributed to him: ** Il Cronaca, who never stopped talking about the ruins he had seen in Rome ** Daniele da Volterra, nicknamed ''Il ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |