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Makam
Maqam, makam, maqaam or maqām (plural maqāmāt) may refer to: Musical structures * Arabic maqam, melodic modes in traditional Arabic music ** Iraqi maqam, a genre of Arabic maqam music found in Iraq * Persian maqam, a notion in Persian classical music * Turkish makam, a Turkish system of melody types ** List of Turkish makams * Muqam, a melody type from Uyghur culture * Mugham, a music tradition of Azerbaijani cultures * Shashmaqam ("six maqams"), a musical genre typical of Tajikistan and Uzbekistan * Weekly Maqam, melody types used in weekly prayer services of Sephardic Jewish culture Individual maqamat * Hijaz (maqam) * Rast (maqam) Other uses * Maqam (shrine), a tomb of a Muslim holy person * Maqam (Sufism), any spiritual stage in the Sufi path * Maqam, Iran, a village in Hormozgan Province, Iran * Al-Maqam Mosque, Basra, Iraq * MAQAM Maqam, makam, maqaam or maqām (plural maqāmāt) may refer to: Musical structures * Arabic maqam, melodic modes in traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Makam
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ''maqām'' ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition ('' beste'', '' şarkı'', '' peşrev'', '' âyin'', etc.) or a spontaneous composition ('' gazel'', '' taksim'', recitation of '' Kuran-ı Kerim'', '' Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Geographic and cultural relations The Turkish makam system has some corresponding relationships to maqams in Arabic music and '' echos'' in Byzantine music. Some theories suggest the origin of the makam to be the city of Mosul in Iraq. "Mula Othman Al-Musili," in reference to his city of origin, is said to have served in the Ottoman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Turkish Makams
Here is a list of Turkish makams of Ottoman classical music. Some main makams * Çargah * Buselik * Kürdî * Rast * Saba * Uşşak * Hicaz * Uzzal * Hümayun * Acem * Zirgüleli Hicaz * Neva The Neva ( , ; , ) is a river in northwestern Russia flowing from Lake Ladoga through the western part of Leningrad Oblast (historical region of Ingria) to the Neva Bay of the Gulf of Finland. Despite its modest length of , it is the fourth- ... * Tahir * Beyati * Muhayyer * Segâh * Gülizâr * Hüseyni * Karcığar * Basit Suzinak Makams Note A 1. Âb-ı Kevser 2. Acem 3. Acem-Aşîrân 4. Acem-Bâ-Zir-Keşîde 5. Acem-Bûselik 6. Acem-Irak 7. Acem-Kürdî 8. Acem-Murassa 9. Acem-Rast 10. Acem-Zemzeme 11. Acem-Zir-Keşîde 12. Acemli Rast 12.5. Acemli Yegâh 13. Âgâaze-i Kâbili 14. Aheng-i-Tarâb 15. Akberi 16. Anber-Efşân 17. Arabân 18. Arabân-Kürdî 19. Arabân-Nigâr 20. Arabân-ı-Cedîd 21. Arazb� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MAQAM
Maqam, makam, maqaam or maqām (plural maqāmāt) may refer to: Musical structures * Arabic maqam, melodic modes in traditional Arabic music ** Iraqi maqam, a genre of Arabic maqam music found in Iraq * Persian maqam, a notion in Persian classical music * Turkish makam, a Turkish system of melody types ** List of Turkish makams * Muqam, a melody type from Uyghur culture * Mugham, a music tradition of Azerbaijani cultures * Shashmaqam ("six maqams"), a musical genre typical of Tajikistan and Uzbekistan * Weekly Maqam, melody types used in weekly prayer services of Sephardic Jewish culture Individual maqamat * Hijaz (maqam) * Rast (maqam) Other uses * Maqam (shrine) A maqām () is a Muslims, Muslim shrine constructed at a site linked to a religious figure or Wali, saint, commonly found in the Levant (or ''al-Shām),'' which comprises the present-day countries of Lebanon, Syria, Palestine, and Israel. It is ..., a tomb of a Muslim holy person * Maqam (Sufism), any sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Maqam
In traditional Arabic music, maqam (, literally "ascent"; ') is the system of melodic modes, which is mainly melodic. The word ''maqam'' in Arabic means place, location or position. The Arabic ''maqam'' is a melody type. It is "a technique of improvisation" that defines the pitches, patterns, and development of a piece of music and is "unique to Arabic art music". There are 72 heptatonic tone rows or scales of maqamat. These are constructed from augmented, major, neutral, and minor seconds. Each ''maqam'' is built on a scale, and carries a tradition that defines its habitual phrases, important notes, melodic development and modulation. Both compositions and improvisations in traditional Arabic music are based on the ''maqam'' system. ''Maqamat'' can be realized with either vocal or instrumental music, and do not include a rhythmic component. An essential factor in performance is that each maqam describes the "tonal-spatial factor" or set of musical notes and the rela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rast (maqam)
Rast Panjgah (or Rast; ) is the name of a ''dastgah'' (musical mode) in Iranian music and of a ''Arabic maqam, maqam'' in Arabic music, Arabic and related systems of music. ''Rast'' () is a Persian word meaning "right" or "direct". Rast is regarded as the basic ''dastgah'' in Iranian music and later on was adopted in Arabic music, Arabic and Turkish makam music, in the same way as the major scale in Western music, though it is rather different from the major scale in detail. ''Rast'' features a quarter tone, half-flat third and a half-flat seventh scale degrees. Middle eastern Sephardic Jews liken the word ''rast'' to "head" from the Hebrew word ''rosh''. Therefore, they have a tradition of applying maqam rast to the prayers whenever they begin a new Torah book in the weekly Torah portions (this occurs approximately five times a year as there are five books in the Torah). Rast in different music traditions * Rast (Arabic maqam) * Rast (Turkish makam) *Rast pitch class set * Ras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-Maqam Mosque
Al-Maqam Mosque () is a historic mosque in the city of Basra, Iraq. It is located in the Al-'Ashara region. Description The word in means "shrine", and it is believed that the site was originally a place of shrine, but the views are divided on who was being commemorated. According to an account by Muhammad Sadiq al-Hakim in his documentation, the shrine dated back to the year 772, and it was established by the descendant of Islamic prophet Muhammad and the eighth Shia imam Ali al-Ridha when he visited Basra from Medina. The construction of the mosque itself dates back to 1754 by the Ottomans. It was among the largest mosques during the time, with the area size of and the haram having capacity of 500 worshipers. The building is made of brick and constructed in the older Islamic architectural style. One of the domes is painted in blue, and the verses from the Dhikir al-Hakim inscribed on it.دليل الجوامع والمساجد التراثية والأثرية - ديوان ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maqam, Iran
Bandar-e Moqam () is a village in, and the capital of, Moqam Rural District of Shibkaveh District, Bandar Lengeh County, Hormozgan province, Iran Iran, officially the Islamic Republic of Iran (IRI) and also known as Persia, is a country in West Asia. It borders Iraq to the west, Turkey, Azerbaijan, and Armenia to the northwest, the Caspian Sea to the north, Turkmenistan to the nort .... Demographics Population At the time of the 2006 National Census, the village's population was 1,537 in 296 households. The following census in 2011 counted 1,820 people in 410 households. The 2016 census measured the population of the village as 1,955 people in 479 households. It was the most populous village in its rural district. See also Notes References Populated places in Bandar Lengeh County {{BandarLengeh-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maqam (Sufism)
Maqām ( "station"; plural ''maqāmāt'') refers to each stage a Sufi's soul must attain in its search for God.Gardet, L. "Ḥāl." Encyclopaedia of Islam, Second Edition. Edited by: P. Bearman; , Th. Bianquis; C.E. Bosworth; , E. van Donzel; and W.P. Heinrichs. Brill, 2011. Brill Online. Augustana. 2 April 2011 The stations are derived from the most routine considerations a Sufi must deal with on a day-to-day basis and is essentially an embodiment of both mystical knowledge and Islamic law (Sharia). Although the number and order of maqamat are not universal the majority agree on the following seven: Tawba, Wara', Zuhd, Faqr, Ṣabr, Tawakkul, and Riḍā. Sufis believe that these stations are the grounds of the spiritual life, and they are viewed as a mode through which the most elemental aspects of daily life begin to play a vital role in the overall attainment of oneness with God.Sells, Michael Anthony. Early Islamic Mysticism: Sufi, Qur'an, Mi'Raj, Poetic and Theological Wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maqam (shrine)
A maqām () is a Muslims, Muslim shrine constructed at a site linked to a religious figure or Wali, saint, commonly found in the Levant (or ''al-Shām),'' which comprises the present-day countries of Lebanon, Syria, Palestine, and Israel. It is usually a funeral construction, commonly cubic-shaped and topped with a dome. The cult for holy sites in Islamic Syria heightened during the 12th and 13th centuries, particularly under Zengid dynasty, Zangid and Ayyubid dynasty, Ayyubid rule. Historians attribute this surge to the political climate, notably the Crusades and the Muslim reconquest of the region. Funded by rulers and the elite, these shrines functioned as points of piety, attracting individuals from different levels of society, generating employment opportunities, and contributing to economic growth. During this period, as demand increased, more sanctuaries emerged, some repurposed from Jewish and Christian holy sites, others built upon newly discovered tombs and relics, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hijaz (maqam)
In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant.Dave Hunter (2005). ''Play Acoustic'', San Francisco: Backbeat, p. 226. . It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled FraigishDick Weissman, Dan Fox (2009). ''A Guide to Non-Jazz Improvisation'', guitar edition, Pacific, Missouri: Mel Bay, p. 130. .). It resembles the Phrygian mode but with a major third, rather than a minor third. The augmented second between its second and third scale degrees gives it an "Arabic" or Middle Eastern feeling to Western listeners. In the Berklee method, it is known as the Mixolydian 9 13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V7/III and V7/VI. Construction Built on C, the scale is as follows. : When related to the scale degre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iraqi Maqam
Iraqi Maqam () is a genre of Arabic maqam music found in Iraq. The roots of modern Iraqi maqam can be traced as far back as the Abbasid Caliphate (8th–13th centuries AD), when that large empire was controlled from Baghdad. The ensemble of instruments used in this genre, called ''Al Chalghi al Baghdadi'', includes a ''qari' ''(singer), ''santur'', goblet drum, joza, ''cello,'' and sometimes '' oud'' and naqqarat. The focus is on the poem sung in classical Arabic or an Iraqi dialect (then called ''zuhayri''). A complete maqam concert is known as ''fasl'' (plural ''fusul'') and is named after the first maqam: Bayat, Hijaz, Rast, Nawa, or Husayni. A typical performance includes the following sections: *''tahrir'', sometimes ''badwah'' *''taslum'' *''finalis'' Maqama texts are often derived from classical Arabic poetry, such as by al-Mutanabbi and Abu Nuwas. Some performers used traditional sources translated into the dialect of Baghdad, and still others use Arabic, Persian, Tur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
