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Magnificat In E-flat Major, BWV 243a
The in E-flat major, 243a, also BWV243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements, scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets, timpani, oboes, strings and basso continuo including bassoon. Bach revised the work some ten years later, transposing it from E-flat major to D major, and creating the version mostly performed today, BWV 243. The work was first performed in Leipzig in 1723. In May that year Bach assumed his position as Thomaskantor and embarked on an ambitious series of compositions. The Magnificat was sung at vesper services on feast days, and, as suggested by recent research, Bach's setting may have been written for a performance on 2 July, celebrating the Marian feast of the Visitation. For a Christmas celebration the same or a later year, he performed it at the Nikolaikir ...
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Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ...
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D Major
D major is a major scale based on D (musical note), D, consisting of the pitches D, E (musical note), E, F♯ (musical note), F, G (musical note), G, A (musical note), A, B (musical note), B, and C♯ (musical note), C. Its key signature has two Sharp (music), sharps. Its relative key, relative minor is B minor and its parallel key, parallel minor is D minor. The D major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of D major are: * Tonic (music), Tonic – D major * Supertonic – E minor * Mediant – F-sharp minor * Subdominant – G major * Dominant (music), Dominant – A major * Submediant – B minor * Leading-tone – Diminished triad, C-sharp diminished Characteristics D major is well-suited to violin music because of the structure of the instrument, ...
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Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed Bach cantata, cantatas for both List of secular cantatas by Johann Sebastian Bach, secular and sacred use. He composed his church cantatas for use in the Lutheranism, Lutheran church, mainly intended for the occasions of the liturgical year. Bach's Nekrolog, Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: ''scores:Bach-Gesellschaft Ausgabe/Thematic Catalogue, Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas ...
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Bach Cantata
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas ( German: ), are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Working for Leipzig's and , it was part of Bach's job to perform a church cantata every Sunday and holiday, conducting soloists, the Thomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting after Trinity of 1723, Bach regularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era. Works from three annual cycles of cantatas for the l ...
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Köthen
Köthen () is a town in Germany. It is the capital of the district of Anhalt-Bitterfeld in Saxony-Anhalt, about north of Halle. Köthen is the location of the main campus and the administrative centre of the regional university, Anhalt University of Applied Sciences/Hochschule Anhalt which is especially strong in information technology. The city is conveniently located at the hub of the Magdeburg–Leipzig, Dessau–Köthen and Köthen–Aschersleben railways. Köthen is situated in a fertile area with rich black soil suitable to the cultivation of sugar-beets. Industry includes high-tech engineering, manufacture of cranes, as well as chemicals, printing, and foodstuffs. In English, the name of the city is often spelt anachronistically as Cöthen, a practice that has become standard in the literature relating to the life and work of Johann Sebastian Bach, who resided and worked there from 1717 to 1723. History Owing to the fertile soil of the region, the area of Köthen i ...
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Weimar
Weimar is a city in the state (Germany), German state of Thuringia, in Central Germany (cultural area), Central Germany between Erfurt to the west and Jena to the east, southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouring cities of Erfurt and Jena, it forms the central metropolitan area of Thuringia, with approximately 500,000 inhabitants. The city itself has a population of 65,000. Weimar is well known because of its cultural heritage and importance in German history. The city was a focal point of the German Enlightenment and home of the leading literary figures of Weimar Classicism, Johann Wolfgang von Goethe and Friedrich Schiller. In the 19th century, composers such as Franz Liszt made Weimar a music centre. Later, artists and architects including Henry van de Velde, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Walter Gropius came to the city and founded the Bauhaus movement, the most important German design school of the int ...
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Mühlhausen
Mühlhausen () is a town in the north-west of Thuringia, Germany, north of Niederdorla, the country's Central Germany (geography)#Geographical centre, geographical centre, north-west of Erfurt, east of Kassel and south-east of Göttingen. Mühlhausen was first mentioned in 967 and became one of the most important cities in central Germany in the late Middle Ages. In the mid-13th century, it became a ''free imperial city, Freie Reichsstadt'', an independent and republican self-ruled member of the Holy Roman Empire, controlling an area of approximately and 19 regional villages. Due to its long-distance trade, Mühlhausen was prosperous and influential with a population of 10,000 around 1500. Because it was spared from later destruction, Mühlhausen today has a great variety of historical buildings with one of the largest medieval city centres remaining in Germany, covering a surface of more than 50 hectares within the inner city wall and approximately 200 hectares overall. ...
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Arnstadt
Arnstadt () is a town in Ilm-Kreis, Thuringia, Germany, on the river Gera (river), Gera about south of Erfurt, the capital of Thuringia. Arnstadt is one of the oldest towns in Thuringia, and has a well-preserved historic centre with a partially preserved town wall. The town is nicknamed ("The Gateway to the Thuringian Forest") because of its location on the northern edge of that forest. Arnstadt has a population of approximately 27,000. Geography The town centre is on the west side of the River Gera. The municipality has absorbed several neighbouring municipalities: Angelhausen–Oberndorf (1922), Siegelbach (1994), Rudisleben (1999) and Wipfratal (2019). The neighbouring municipalities are Amt Wachsenburg, Alkersleben, Dornheim, Bösleben-Wüllersleben, Stadtilm, Ilmenau, Plaue and Geratal. Climate The annual precipitation averages 487 mm. History A deed of gift issued 1 May 704 in Würzburg by the Thuringian Duke Hedan II to the Anglo-Saxon bishop Willibrord of Archdioc ...
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Lutheranism
Lutheranism is a major branch of Protestantism that emerged under the work of Martin Luther, the 16th-century German friar and Protestant Reformers, reformer whose efforts to reform the theology and practices of the Catholic Church launched the Reformation in 1517. The Lutheran Churches adhere to the Bible and the Ecumenical Creeds, with Lutheran doctrine being explicated in the Book of Concord. Lutherans hold themselves to be in continuity with the apostolic church and affirm the writings of the Church Fathers and the first four ecumenical councils. The schism between Roman Catholicism and Lutheranism, which was formalized in the Diet of Worms, Edict of Worms of 1521, centered around two points: the proper source of s:Augsburg Confession#Article XXVIII: Of Ecclesiastical Power., authority in the church, often called the formal principle of the Reformation, and the doctrine of s:Augsburg Confession#Article IV: Of Justification., justification, the material principle of Luther ...
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Recapitulation (music)
In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition. This material is most often recapitulated in the tonic key of the movement, in such a way that it reaffirms that key as the movement's home key. In some sonata form movements, the recapitulation presents a straightforward image of the movement's exposition. However, many sonata form movements, even early examples, depart from this simple procedure. Devices used by composers include incorporating a secondary development section, or varying the character of the original material, or rearranging its order, or adding new material, or omitting material altogether, or overlaying material that was kept separate in the exposition. The composer of a sonata form movement may disguise the start of the recapitulation as an extension of the ...
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Doxology
A doxology (Ancient Greek: ''doxologia'', from , ''doxa'' 'glory' and -, -''logia'' 'saying') is a short hymn of praises to God in various forms of Christian worship, often added to the end of canticles, psalms, and hymns. The tradition derives from a similar practice in the Jewish synagogue, where some version of the Kaddish serves to terminate each section of the service. Trinitarian doxology Among Christian traditions a doxology is typically an expression of praise sung to the Holy Trinity: the Father, the Son, and the Holy Spirit. It is common in high hymns for the final stanza to take the form of a doxology. Doxologies occur in the Eucharistic prayers, the Liturgy of the Hours, hymns, and various Catholic devotions such as novenas and the Rosary. ''Gloria in excelsis Deo'' The Gloria in excelsis Deo, also called the Greater Doxology, is a hymn beginning with the words that the angels sang when the birth of Christ was announced to shepherds in . Other verses were added ...
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List Of Magnificat Composers
The Magnificat, in Latin also ''canticum Beat(issim)ae Virginis Mariae'' (the song of the (most) Blessed Virgin Mary), is a common part of Christian worship, for instance traditionally included in vespers, evensong or matins. As such it is often sung and was set to music by various composers. History In Gregorian chant the Magnificat is sung according to the eight traditional psalm tones: * Tonus I (first tone): ''Magnificat primi toni'' * Tonus II (second tone): ''Magnificat secundi toni'' * Tonus III (third tone): ''Magnificat tertii toni'' * Tonus IV (fourth tone): ''Magnificat quarti toni'' * Tonus V (fifth tone): ''Magnificat quinti toni'' * Tonus VI (sixth tone): ''Magnificat sexti toni'' * Tonus VII (seventh tone): ''Magnificat septimi toni'' * Tonus VIII (eighth tone): ''Magnificat octavi toni'' Composers, or collections of compositions, referring to or using all eight of the traditional Gregorian psalm tone settings of the Magnificat include the Choirbook, D-Ju MS 20 (var ...
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