List Of Compositions By Teresa Carreño
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List Of Compositions By Teresa Carreño
This list of compositions by Teresa Carreño María Teresa Gertrudis de Jesús Carreño García (December 22, 1853June 12, 1917) was a Venezuelan pianist, soprano, composer, and conductor. Over the course of her 54-year concert career, she became an internationally renowned virtuoso pia ... provides the earliest known publication date and name of publisher. If a work is unpublished or no published work available, the abbreviation “MS” is used. Carreño composed approximately seventy-five compositions. Most of her compositions were composed between 1860 and 1875, and then sporadically during 1880s and 1890s. Sixty-eight compositions are for solo piano, two known works exist for voice and piano, two works for chorus, and three works for instrumental or orchestral ensemble. Works for Piano with opus numbers * Op. 1 Gottschalk Waltz' (Boston, 1863) * Op. 2 Caprice-Polka, Fantasie-Caprice (Paris, c. 1866) * Op. 3 Reverie-Impromptu, (MS, c. 1866) * Op. 4 Caprice Étude no ...
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Teresa Carreño
María Teresa Gertrudis de Jesús Carreño García (December 22, 1853June 12, 1917) was a Venezuelan pianist, soprano, composer, and conductor. Over the course of her 54-year concert career, she became an internationally renowned virtuoso pianist and was often referred to as the "Valkyrie of the Piano". Carreño was an early adopter of the works of one of her students, American composer and pianist Edward MacDowell (1860–1908) and premiered several of his compositions across the globe. She also frequently performed the works of Norwegian composer and pianist Edvard Grieg (1843–1907). Carreño composed approximately 75 works for solo piano, voice and piano, choir and orchestra, and instrumental ensemble. Several composers dedicated their compositions to Carreño, including Amy Beach ( Piano Concerto in C-sharp minor) and Edward MacDowell ( Piano Concerto No. 2). Early life and education María Teresa Carreño García de Sena was born in Caracas, Venezuela, on December 22 ...
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