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List Of Classical-era Composers
This is a list of composers of the Classical music era, roughly from 1730 to 1820. Prominent classicist composers include Christoph Willibald Gluck, Carl Philipp Emanuel Bach, Johann Stamitz, Joseph Haydn, Johann Christian Bach, Antonio Salieri, Muzio Clementi, Wolfgang Amadeus Mozart, Luigi Boccherini, Ludwig van Beethoven, Niccolò Paganini, Gioachino Rossini and Franz Schubert. As with the list of Romantic composers, this is a purely chronological catalogue, and includes figures not usually thought of as Classical-period composers, such as Antonio Vivaldi, Johann Sebastian Bach, and Georg Frideric Handel, as well as figures more often regarded as belonging to the early Romantic era, such as Carl Maria von Weber. Early Galante era composers – Transition from Baroque to Classical (born before 1710) Composers in the Baroque/Classical transitional era, sometimes seen as the beginning of the Galante era, include the following listed by their date of birth: * Giacomo Anton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of '' style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Leveridge
Richard Leveridge (or Leueridge) (19 July 1670 – 22 March 1758) was an English bass singer of the London stage and a composer of baroque music, including many popular songs. Life Richard Leveridge was born in the parish of St Martin-in-the-Fields, London, in 1670, and in 1695 became the leading bass singer in the United Company managed by Christopher Rich at Drury Lane, after the defection of several leading singers from Rich's company. His first important role of which anything is known was as the magician Ismeron in Henry Purcell's opera '' The Indian Queen'', which included the aria "Ye twice ten hundred deities". Purcell himself remained loyal to the company, and for several months Leveridge worked closely with him. It is likely that "Arise, ye subterranean winds" in the music (attributed to Purcell) for ''The Tempest'' was written for him. After Purcell's death he continued to work with composers Daniel Purcell and Jeremiah Clarke, and took a leading part in Clarke's Ode up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis De Caix D'Hervelois
Louis de Caix d'Hervelois (; c. 1670 in France – 18 October 1759 in France) was a composer of chamber music. Biography Caix d'Hervelois wrote music almost exclusively for the viol. Most of his other works exist as transcriptions from his viol music. A native of the north of France, almost nothing is known of his life. However, his changing addresses appear in his published music as well as in passing in contemporary discussions of the viol, and in brief notes in archives. The longest archival text (1697) documents a request by a canon of Sainte-Chapelle, annoyed by the noise of the young ''chapelain ordinaire'' Caix learning to play the viol, that Caix practice in a room under the stairs. Louis de Caix d'Hervelois was a pupil of the great Marin Marais. Caix's tuneful, graceful music is firmly in the French tradition of character pieces in dance suites. It is among the most idiomatic music written for the viol, its apparent simplicity deepening when interpreted in the light of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Avitrano
Giuseppe Antonio Avitrano (Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ..., c. 1670 – Naples, 19 March 1756) was an Italian composer and violinist. Avitrano came from a family of musicians. From about 1690 until his death he was member of the Neapolitan court orchestra. Works * 10 Sonatas for 2 violins, violone, organ, Op. 1 (Naples, 1697) * 10 Sonatas for 2 violins, violone, organ, Op. 2 (Naples, 1703) * 12 Sonata a quattro, for 3 violins and basso continuo, Op. 3 (Naples, 1713) AllMusic. Retrieved 3 October 2013. * 7 cantatas for soprano and basso continuo * M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Nicolaus Bach
Johann Nicolaus Bach (or Johann Nikolaus Bach) ( – 4 November 1753) was a German composer of the Baroque period. Johann Nicolaus was the eldest son of Johann Christoph Bach and the second cousin of Johann Sebastian Bach. He was educated at the University of Jena, where he later became organist. He was probably born at Eisenach, where his father was employed as a musician, attended the Eisenach Latin school until 1689, and was a student of the Jena city organist J.M. Knüpfer, a son of Sebastian Knüpfer; after an Italian sojourn in 1696, he became organist at the Stadtkirche and the Kollegiatkirche in Jena. He was influenced by Antonio Lotti. He later joined the Danish army. He then returned to Jena where he lived for the rest of his life. Few of his compositions survive. He was also a maker of harpsichords and organs. Surviving pieces include a mass, two chorale preludes on "" and a Singspiel ''Der jenaische Wein- und Bierrufer'', this in the form of a quodlibet on Jena st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eccles (composer)
John Eccles (1668 – 12 January 1735) was an English composer. Born in London, eldest son of professional musician Solomon Eccles and brother of fellow composer Henry Eccles, John Eccles was appointed to the King's Private Music in 1694, and in 1700 became Master of the King's Musick. Also in 1700 he finished second in a competition to write music for William Congreve's masque '' The Judgement of Paris'' ( John Weldon won). Eccles was very active as a composer for the theatre, and from the 1690s wrote a large amount of incidental music including music for Congreve's ''Love for Love'', John Dryden's ''The Spanish Friar'' and William Shakespeare's ''Macbeth''. Jointly with Henry Purcell he wrote incidental music for Thomas d'Urfey's ''Don Quixote''. He became a composer to Drury Lane theatre in 1693 and when some of the actors broke off to form their own company at Lincoln's Inn Fields in 1695, he composed music for them as well including for John Dennis's '' Rinaldo and Armida' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christoph Pepusch
Johann Christoph Pepusch (1667 – 1752), also known as John Christopher Pepusch and Dr Pepusch, was a German-born composer who spent most of his working life in England. He was born in Berlin, son of a vicar, and was married to Margherita de l'Epine who also performed in some of his theatrical productions. Early life Pepusch studied music theory under Martin Klingenberg, cantor of the Marienkirche in Berlin. At the age of 14, he was appointed to the Prussian court where he gave music lessons to the future Frederick William I of Prussia. He resigned this position in 1698 after witnessing the execution of an officer without trial. He then first went to Amsterdam. In 1704, he settled in England but continued to publish in Amsterdam until 1718. Career At first, Pepusch earned a living playing the viola, then as a theatre director, music theoretician, teacher and organist. In 1726, Pepusch founded The Academy of Vocal Music with others; in around 1730–1, it was rename ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Pignolet De Montéclair
Michel Pignolet de Montéclair (4 December 1667 – 22 September 1737) was a French composer of the baroque period. He was born Michel Pignolet in Andelot, Haute-Marne, France, and only later added "Montéclair" (the name of a fortress in his home town) to his name. Little is known of his life, and there are no known official portraits. He was the son of a weaver; his entrance into the choir school at the age of nine may have been the only chance of escaping the poverty of a weaver's life. In 1687, he went to Paris and joined the orchestra of the Opera, where he played the basse de violon. In Paris he studied with Jean-Baptiste Moreau. At some point between 1687 and the early years of the new century, he seems to have been ''maître de musique'' to the Prince de Vaudémont and to have followed him to Italy. It was probably from there that he brought the idea to add the double bass to the opera orchestra. All the time Montéclair must have worked as a music teacher of high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Féry Rebel
Jean-Féry Rebel (18 April 1666 – 2 January 1747) was an innovative French Baroque composer and violinist. Biography Rebel, a child violin prodigy, was the most famous offspring of Jean Rebel, a tenor in Louis XIV's private chapel. He later became a student of the great violinist, singer, conductor, and composer Jean-Baptiste Lully. By 1699, at age 33, Rebel became first violinist of the Académie royale de musique (also known as the Opéra). He travelled to Spain in 1700. Upon his return to France in 1705, he was given a place in the prestigious ensemble known as the Les Vingt-quatre Violons du Roi. He was chosen Maître de Musique in 1716. His most important position at court was Chamber Composer, receiving the title in 1726. Rebel served as court composer to Louis XIV and ''maître de musique'' at the Académie, and directed the Concert Spirituel (during the 1734–1735 season). Rebel was one of the first French musicians to compose sonatas in the Italian style. Many of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michele Mascitti
Michele Mascitti (1664 in Villa Santa Maria (from Chieti); 24 April 1760 in Paris) was an Italian violinist and Baroque composer. Life Mascitti was educated by a relative, Pietro Marchitelli (1643-1729), a violinist in the royal court orchestra in Naples, and at the "Teatro San Bartolomeo", possibly by Corelli. Mascitti found a temporary position in the royal orchestra, but soon left. He traveled through Italy, and later throughout Europe, spending time in Germany and the Netherlands. He was under the protection of Cardinal Ottoboni and the reigning Duke of Bavaria. In 1704, he settled in Paris and took the Frenchified given name of Michel. He became a French citizen in 1739. Philippe d'Orléans was a patron, allowing Mascitti early appearances at the court of Versailles. Mascitti published all nine of his sonata collections in Paris. The four concertos from Op. 7 follow the ''concerto grosso'' style of Corelli. During his lifetime, Mascitti enjoyed similar fame to Albinoni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Siret
Nicolas Siret (3 March 1663 – 22 June 1754) was a French baroque composer, organist and harpsichordist. He was born and died in Troyes, France, where he worked as organist in the Church of Saint Jean and the Cathedral of Saint Peter and Saint Paul. Both his grandfather and his father were organists in Troyes. Siret was a friend and admirer of François Couperin, and his first collection of harpsichord pieces, published approximately in 1709, was dedicated to Couperin. The suites of this collection all begin with a French overture, following the tradition established by Jean-Baptiste Lully. Siret's second volume of harpsichord pieces (''Second livre de pièces de clavecin'', published in 1719) was, along with Couperin's ''L'art de toucher le clavecin'', one of the last publications to include unmeasured preludes. Siret also wrote some "pièces de caractère" (pieces of descriptive character, not dances), stylistically reminiscent of Couperin, and a single organ work by him surviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
