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Les Cloches De Corneville
''Les cloches de Corneville'' (''The Bells of Corneville'', sometimes known in English as ''The Chimes of Normandy'') is an opéra-comique in three acts, composed by Robert Planquette to a libretto by Louis Clairville and Charles Gabet. The story, set at the turn of the 18th century, depicts the return of an exiled aristocrat to his ancestral castle, the machinations of the miserly steward to secure the family's fortune for himself, and the changing amorous pairings of the four juvenile leads. Aspects of the plot were criticised by contemporary critics as derivative of earlier operas. The opera was Planquette's first full-length stage work, and although he later wrote twelve more, including ''Rip Van Winkle'', which was a hit in London, he never equalled the international success of this first venture. It broke box-office records in Paris and London, where it set a new long-run record for musical theatre worldwide, and was continually revived in Europe and the US during the res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lecocq
Alexandre Charles Lecocq (3 June 183224 October 1918) was a French composer, known for his opérettes and opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus'' (1886), which was not a success, and the ballet ''Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, '' Fleur-de-Thé'' (Tea-flower), twelve years later. His comic operas ''L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon-Max
Nicolas-Marie Simon (1852, in Reims, France – 1923), known as Simon-Max, was a French tenor who was mainly active in Paris in the field of opera-bouffe. After musical studies in Reims he made his debut in 1875 at the Théâtre de la Renaissance as Janio in ''La reine Indigo'' then on 9 September that year at the Théâtre des Folies-Dramatiques as Anatole de Quillembois in ''Les cent vierges'' by Lecocq.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. At the Folies-Dramatiques he went on to sing in the premieres of ''Les cloches de Corneville'' on 17 April 1877 (Jean Grenicheux), '' La fille du tambour-major'' on 13 December 1879 and ''Madame Favart'' on 28 December 1878 (Hector de Boispréau). Other premieres included Cottinet in ''Le petit Parisien'' (16 January 1882), Inigo in ''La princesse des Canaries'' (9 February 1883), Ischabod in the French premiere of ''Rip'' (11 November 1884), Planchet in ''Les petits mousquetaires'' (5 March 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juliette Simon-Girard
Juliette-Joséphine Simon-Girard (8 May 1859 – 1954) was a French soprano, principally in operetta.Gänzl K. Juliette Simon-Girard. In: The New Grove Dictionary of Opera. Macmillan, London and New York, 1997. Her father, , was an actor at the Comédie Française, and her mother was Caroline Girard, of the Opéra-Comique. Career Girard was born at Paris. After studies at the Conservatoire in 1876 (in the class of Henri de Régnier) she made her debut at the Théâtre des Folies-Dramatiques as Carlinette in Offenbach's ''La foire Saint-Laurent'' on 10 February 1877, and then became an overnight star by creating the role of Serpolette in ''Les cloches de Corneville'' on 19 April 1877.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. During the run of ''Les cloches de Corneville'' she met and married the well-known tenor Simon-Max, thereafter becoming Mme Simon-Girard. At the age of 19, she created the title role in Offenbach’s ''Madame Fava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conchita Gélabert
Maria Conchita Gélabert (1857–1922)Maria Gelabert Dead. , July 15, 1922 was a lyrical artist and actress of Spanish origin who performed in France at the end of the 19th century. Biography Born in Madrid, Gélabert entered the in 1873 and obtained a first run off in opéra comique in 1876. In 1877, she was hired at the |
La Fille De Madame Angot
''La fille de Madame Angot'' (''Madame Angot's Daughter'') is an opéra comique in three acts by Charles Lecocq with words by Clairville, Paul Siraudin and Victor Koning. It was premiered in Brussels in December 1872 and soon became a success in Paris, London, New York and across continental Europe. Along with Robert Planquette's '' Les cloches de Corneville'', ''La fille de Madame Angot'' was the most successful work of the French-language musical theatre in the last three decades of the 19th century, and outperformed other noted international hits such as ''H.M.S. Pinafore'' and ''Die Fledermaus''. The opera depicts the romantic exploits of Clairette, a young Parisian florist, engaged to one man but in love with another, and up against a richer and more powerful rival for the latter's attentions. Unlike some more risqué French comic operas of the era, the plot of ''La fille de Madame Angot'' proved exportable to more strait-laced countries without the need for extensive rewrit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Lamb (writer)
Andrew Martin Lamb (born 23 September 1942) is an English writer, music historian, lecturer and broadcaster, known for his expertise in light music and musical theatre. In addition to his musical work, Lamb maintained a full-time career as an actuary and investment manager. Biography Lamb was born in Oldham, Lancashire, the son of Harry Lamb, a schoolmaster, and his wife Winifred, ''née'' Emmott.Andrew Lamb at Contemporary Authors Online, Gale, 2002 (subscription required), accessed 22 March 2009 He was educated at Werneth Council School, Oldham, Manchester Grammar School and |
