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Legend Of Good Women
''The Legend of Good Women'' is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century. The poem is the third longest of Chaucer's works, after '' The Canterbury Tales'' and ''Troilus and Criseyde'', and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout ''The Canterbury Tales''. This form of the heroic couplet would become a significant part of English literature possibly inspired by Chaucer. Summary Prologue The prologue describes how Chaucer is reprimanded by the god of love and his queen, Alceste, for his works—such as ''Troilus and Criseyde''—depicting women in a poor light. Criseyde is made to seem inconstant in love in that earlier work, and Alceste demands a poem of Chaucer extolling the virtues of women and their good deeds. The incomplete nature of the poem is suggested by Chaucer's Retraction from ''The Canterbury Tales'' which calls ...
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Poem
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ' ...
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Polyxena
In Greek mythology, Polyxena (; Greek: ) was the youngest daughter of King Priam of Troy and his queen, Hecuba. She does not appear in Homer, but in several other classical authors, though the details of her story vary considerably. After the fall of Troy, she dies when sacrificed by the Greeks on the tomb of Achilles, to whom she had been betrothed and in whose death she was complicit in many versions. Description Polyxene was described by the chronicler Malalas in his account of the ''Chronography'' as "tall, pure, very white, large-eyed, black-haired, with her hair worn long behind, a good nose and cheeks, blooming-lipped, small-footed, virgin, charming, very beautiful, 18 years old when they killed her". Meanwhile, in the account of Dares the Phrygian, she was illustrated as ". . .fair, tall, and beautiful. Her neck was slender, her eyes lovely her hair blond and long, her body well-proportioned, her fingers tapering, her legs straight, and her feet the best. Surpassing ...
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Mock-heroic
Mock-heroic, mock-epic or heroi-comic works are typically satires or parodies that mock common Classical stereotypes of heroes and heroic literature. Typically, mock-heroic works either put a fool in the role of the hero or exaggerate the heroic qualities to such a point that they become absurd. History Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain. The earliest example of the form is the ''Batrachomyomachia'' ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great. A longstanding assumption on the origin of the mock-heroic in the 17th century is that epic and the pastoral genres had become used up and exhausted,Griffin,Dustin H. (1994) ''Satire: A Critical Reintroduction'p.135/ref> and so they got parodically reprised. In the 17th century the epic genre was heavily criticized, bec ...
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Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ...
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The Man Of Law's Prologue And Tale
"The Man of Law's Tale" is the fifth of the ''Canterbury Tales'' by Geoffrey Chaucer, written around 1387. John Gower's "Tale of Constance" in ''Confessio Amantis'' tells the same story and may have been a source for Chaucer. Nicholas Trivet's ''Les chronicles'' was a source for both authors. Wurtele provides a detailed compilation of the differences between Trivet's Chronicle and the poems of Gower and Chaucer. Gower strove for vividness and shortened the tale in places. Chaucer expanded the tale and emphasizes the holiness of Constance and how she was favoured by heaven. Hagiographic motifs are most abundant in Chaucer's version, e.g. “the miracles God works though Custance and the way she is miraculously fed while at sea”. 2Wurtele observes that Chaucer makes frequent use of the adjective "hooly" but Gower never uses this word. Synopsis (References here are to line numbers in both Man of Law's Tale (MLT) and Confessio Amantis (CA).) Constance (Custance in Chaucer) is t ...
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Rhetorical Device
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. Rhetorical devices evoke an emotional response in the audience through use of language, but that is not their primary purpose. Rather, by doing so, they seek to make a position or argument more compelling than it would otherwise be. Modes of persuasion Originating from Aristotle's ''Rhetoric'', the four modes of persuasion in an argument are as follows: ;Logos : is an appeal to logic using intellectual reasoning and argument structure such as giving claims, sound reasons for them, and supporting evidence.Selzer, J. (2004). Rhetorical Analysis: Understanding How Texts Persuade Readers. In C. Bazerman & P. Prior (Eds.), ''What Writing Do ...
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Paralipsis
Apophasis (; , ) is a rhetorical device wherein the speaker or writer brings up a subject by either denying it, or denying that it should be brought up. Accordingly, it can be seen as a rhetorical relative of irony. The device is also called paralipsis (παράλειψις) – also spelled paraleipsis or paralepsis – or occupatio, and known also as praeteritio, preterition, or parasiopesis (παρασιώπησις). Usage As a rhetorical device, apophasis can serve several purposes. For example, It can be employed to raise an ''ad hominem'' or otherwise controversial attack while disclaiming responsibility for it, as in, "I refuse to discuss the rumor that my opponent is a drunk." This can make it a favored tactic in politics. Apophasis can be used passive-aggressively, as in, "I forgive you for your jealousy, so I won't even mention what a betrayal it was." In Cicero's "Pro Caelio" speech, he says to a prosecutor, "" ("I now forget your wrongs, Clodia, I set aside the me ...
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Joan Of Kent
Joan, Countess of Kent (29 September 1326/1327 – 7 August 1385), known as The Fair Maid of Kent, was the mother of King Richard II of England, her son by her third husband, Edward the Black Prince, son and heir apparent of King Edward III. Although the French chronicler Jean Froissart called her "the most beautiful woman in all the realm of England, and the most loving", the appellation "Fair Maid of Kent" does not appear to be contemporary.Tait Joan inherited the titles 4th Countess of Kent and 5th Baroness Wake of Liddell after the death of her brother John, 3rd Earl of Kent, in 1352. Joan was made a Lady of the Garter in 1378. Early life Joan was born on 29 September of either 1326 or 1327 and was the daughter of Edmund of Woodstock, 1st Earl of Kent (1301-1330), by his wife, Margaret Wake, 3rd Baroness Wake of Liddell. Edmund was the sixth son of King Edward I of England by his second wife, Margaret of France, daughter of King Philip III of France. Edmund was always ...
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Poet Laureate
A poet laureate (plural: poets laureate) is a poet officially appointed by a government or conferring institution, typically expected to compose poems for special events and occasions. Albertino Mussato of Padua and Francesco Petrarca (Petrarch) of Arezzo were the first to be crowned poets laureate after the classical age, respectively in 1315 and 1342. In Britain, the term dates from the appointment of Bernard André by Henry VII of England. The royal office of Poet Laureate in England dates from the appointment of John Dryden in 1668. In modern times a poet laureate title may be conferred by an organization such as the Poetry Foundation, which designates a Young People's Poet Laureate, unconnected with the National Youth Poet Laureate and the United States Poet Laureate. The office is also popular with regional and community groups. Examples include the Pikes Peak Poet Laureate, which is designated by a "Presenting Partners" group from within the community, the Minnesota poet l ...
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Richard II Of England
Richard II (6 January 1367 – ), also known as Richard of Bordeaux, was King of England from 1377 until he was deposed in 1399. He was the son of Edward the Black Prince, Prince of Wales, and Joan, Countess of Kent. Richard's father died in 1376, leaving Richard as heir apparent to his grandfather, King Edward III; upon the latter's death, the 10-year-old Richard succeeded to the throne. During Richard's first years as king, government was in the hands of a series of regency councils, influenced by Richard's uncles John of Gaunt and Thomas of Woodstock. England then faced various problems, most notably the Hundred Years' War. A major challenge of the reign was the Peasants' Revolt in 1381, and the young king played a central part in the successful suppression of this crisis. Less warlike than either his father or grandfather, he sought to bring an end to the Hundred Years' War. A firm believer in the royal prerogative, Richard restrained the power of the aristocracy an ...
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Anne Of Bohemia
Anne of Bohemia (11 May 1366 – 7 June 1394), also known as Anne of Luxembourg, was Queen of England as the first wife of King Richard II. A member of the House of Luxembourg, she was the eldest daughter of Charles IV, Holy Roman Emperor and King of Bohemia, and Elizabeth of Pomerania. Her death at the age of 28 was believed to have been caused by plague. Early life Anne had four brothers, including the Holy Roman Emperor Sigismund, and one younger sister, Margaret of Bohemia, Burgravine of Nuremberg. She also had five half-siblings from her father's previous marriages, including Margaret of Bohemia, Queen of Hungary. She was brought up mainly at Prague Castle, and spent much of her early life in the care of her brother, King Wenceslaus IV of Bohemia. On her journey through Flanders on the way to her new life in England, she came under the protection of her uncle, Wenceslaus I, Duke of Luxembourg. Queen of England Richard II married Anne of Bohemia (1382) as a result of t ...
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The Fall Of Princes
''The Fall of Princes'' is a long poem by English poet John Lydgate. It is based on Giovanni Boccaccio's work '' De Casibus Virorum Illustrium'', which Lydgate knew in a French translation by Laurent de Premierfait, entitled ''Des Cas des nobles hommes et femmes''. Lydgate's poem was written in the years 1431-38. It is composed of nine books and some 36 thousand lines. It is made up of rhyme royal stanzas: Out of her swoone when she did abbraide, Knowing no mean but death in her distrèsse, To her brothèr full piteously she said, "Cause of my sorrowe, roote of my heavinesse, That whilom were the sourse of my gladnèsse, When both our joyes by wille were so disposed, Under one key our hearts to be enclosed.— The poem tells about lives and tragic deaths of many historical and legendary persons. A sixteenth-century poem ''The Mirror for Magistrates'' by various authors is a sequel to ''The Fall of Princes''. References External links * scans of the version edited by Dr. H ...
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