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Le Prophète
''Le prophète'' (''The Prophet'') is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the ''Essay on the Manners and Spirit of Nations'' by Voltaire. The plot is based on the life of John of Leiden, Anabaptist leader and self-proclaimed "King of Münster" in the 16th century. Performance history After the brilliant success of their grand opera '' Les Huguenots'' (1836), Meyerbeer and his librettist Scribe decided to collaborate again on a piece based on a historical religious conflict. Meyerbeer's great personal wealth and his duties as official court composer to King Frederick William IV of Prussia meant that there was no hurry to complete the opera, and it was more than a decade in the composition and planning. ''Le prophète'' was first performed by the Paris Opera at the Salle Le Peletier on 16 April 1849. In the audience at the work's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave-Hippolyte Roger
Gustave-Hippolyte Roger (17 December 1815 – 12 September 1879) was a French tenor. He is best known for creating the leading tenor roles in ''La damnation de Faust'' by Berlioz in 1846 and Meyerbeer's ''Le prophète'' in 1849. Early years and education Born in Paris and orphaned at an early age, Roger was brought up in Paris by his uncle. He entered the Paris Conservatoire and studied with Blès Martin. At the completion of his training, he won first prize in singing and declamation. Career In 1838, Roger made his professional debut at the Opéra-Comique, Paris, in ''L’éclair'' by Fromental Halévy. He went on to create numerous leading roles in new operas with that company, including works by Daniel Auber (Raphaël in '' La Part du Diable'', 1843 and Lorédan in '' Haydée'', 1847, and others), Halévy (Edgard in '' Le shérif'', 1839, Olivier in ''Les Mousquetaires de la Reine'', 1846, and others). Roger was the first Marquis in ''Perruquier de la Régence'' by Ambroise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Viardot
Pauline Viardot (; 18 July 1821 – 18 May 1910) was a nineteenth-century French mezzo-soprano, pedagogue and composer of Spanish descent. Born Michelle Ferdinande Pauline García, her name appears in various forms. When it is not simply "Pauline Viardot", it most commonly appears in association with her maiden name García or the unaccented form, Garcia. This name sometimes precedes Viardot and sometimes follows it. Sometimes the words are hyphenated; sometimes they are not. She achieved initial fame as "Pauline García"; the accent was dropped at some point, but exactly when is not clear. After her marriage, she referred to herself simply as "Mme Viardot". She came from a musical family and took up music at a young age. She began performing as a teenager and had a long and illustrious career as a star performer. Early life Michelle Ferdinande Pauline García Sitches was born in Paris. Her father, Manuel, a tenor, was a Spanish singing teacher, composer and impresario. Her m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeanne-Anaïs Castellan
Jeanne-Anaïs Castellan (real name Jeanne Anaïs Castel or Chastel), born in Beaujeu, Rhône on 26 October 1819, died in Paris 1861, was a French soprano. She is most notable for creating the part of Berthe in ''Le prophète'' by Meyerbeer. Training and career Jeanne-Anaïs Castellan entered the Paris Conservatoire aged only twelve and studied there for six years, as a pupil of Laure Cinti-Damoreau and others. Upon completing her studies at the Conservatoire in 1836, she won first prize in singing. She began her career in Italy, singing in Rome, Milan and Florence among other cities, where she met and married the Italian tenor Emilio Giampietro. Castellan enjoyed an international career, singing in Cuba, the United States, England and Russia. In the Italian premiere of Meyerbeer's ''Robert le diable'' she sang the role of Isabelle, with Jenny Lind as Alice. This production was attended by the composer, who brought her to Paris to create the leading role of Berthe in his sensatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arc Lamp
An arc lamp or arc light is a lamp that produces light by an electric arc (also called a voltaic arc). The carbon arc light, which consists of an arc between carbon electrodes in air, invented by Humphry Davy in the first decade of the 1800s, was the first practical electric light. It was widely used starting in the 1870s for street and large building lighting until it was superseded by the incandescent light in the early 20th century. It continued in use in more specialized applications where a high intensity point light source was needed, such as searchlights and movie projectors until after World War II. The carbon arc lamp is now obsolete for most of these purposes, but it is still used as a source of high intensity ultraviolet light. The term is now used for gas discharge lamps, which produce light by an arc between metal electrodes through a gas in a glass bulb. The common fluorescent lamp is a low-pressure mercury arc lamp. The xenon arc lamp, which produces a high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Duboscq
Louis Jules Duboscq (March 5, 1817 – September 24, 1886) was a French instrument maker, inventor, and pioneering photographer. He was known in his time, and is remembered today, for the high quality of his optical instruments. Life and work Duboscq was born at Seine-et-Oise in 1817. He was apprenticed in 1834 to Jean-Baptiste-François Soleil (1798–1878), a prominent instrument maker, and he married one of Soleil's daughters, Rosalie Jeanne Josephine, in 1839. Among the instruments Duboscq built were a stereoscope (marketing David Brewster's lenticular stereoscope), a colorimeter, a polarimeter, a heliostat A heliostat (from '' helios'', the Greek word for ''sun'', and ''stat'', as in stationary) is a device that includes a mirror, usually a plane mirror, which turns so as to keep reflecting sunlight toward a predetermined target, compensating ... and a saccharimeter. See also * Colorimetry (chemical method) References Further reading * * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Foucault
Jean Bernard Léon Foucault (, ; ; 18 September 1819 – 11 February 1868) was a French physicist best known for his demonstration of the Foucault pendulum, a device demonstrating the effect of Earth's rotation. He also made an early measurement of the speed of light, discovered eddy currents, and is credited with naming the gyroscope. Early years The son of a publisher, Foucault was born in Paris on 18 September 1819. After an education received chiefly at home, he studied medicine, which he abandoned in favour of physics due to a blood phobia. He first directed his attention to the improvement of Louis Daguerre's photographic processes. For three years he was experimental assistant to Alfred Donné (1801–1878) in his course of lectures on microscopic anatomy. With Hippolyte Fizeau he carried out a series of investigations on the intensity of the light of the sun, as compared with that of carbon in the arc lamp, and of lime in the flame of the oxyhydrogen blowpipe; on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Desplechin
Édouard Desplechin His name is often spelt "Despléchin" » with an acute accent. (12 April 1802 – 10 December 1871), was a 19th-century French scenic designer, one of the most famous of his time. Biography He created numerous settings for grands opéras and theatre plays of the romantic era, and closely collaborated with great composers such as Meyerbeer, Verdi, Gounod and Wagner. His workshop was taken over by Eugène Carpezat and Jean-Baptiste Lavastre. Students * Jean-Baptiste Lavastre Jean-Baptiste Lavastre (24 August 1839 – 24 April 1891) was a French landscape painter and scenic designer. Biography A student of Édouard Desplechin as soon as 1854 when he was only fifteen (and then his associate from 1864 to 1870), Jea ... (1839–1891). References Bibliography * Jean-Maxime Levêque, ''Édouard Desplechin, le décorateur du grand opéra à la française (1802-1871)'', L’Harmattan, collection « Univers musical », 2008, 198 p. {{DEFAULTSOR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Séchan
Charles Polycarpe Séchan (29 June 1803 – 14 September 1874) was a French painter and theatre designer. Life Born in Paris, son of the tailor merchant Jean-Fris Séchan, he lost his parents, who had no fortune, very early on. He learned the first elements of drawing from a humble local school. He made his first steps in the career by entering the studio of Lefèvre, decorator of the Théâtre de la Porte-Saint-Martin. He created the sets of ''Périnet Leclerc'', by Lockroy and Auguste Anicet-Bourgeois Auguste Anicet, later Auguste Anicet-Bourgeois (25 December 1806 – 12 January 1871) was a French dramatist. He was born in Paris. The first play to bear his name is ''L'Ami et le mari, ou le Nouvel Amphitryon'', a vaudeville in one act. It ..., and particularly the one representing a ''Vue du vieux Paris'', was executed entirely on his drawings. After four or five years in the Lefèvre workshop, he moved to the Ciceri workshop, the first and most famous in his time. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Antoine Cambon
Charles-Antoine Cambon (21 April 1802 – 22 October 1875) was a French scenographer, theatrical production designer, who acquired international renown in the Romantic Era. Career Little biographical information exists on Cambon's early years, other than that he would have been active as an aquarelle and sepia artist before studying with Pierre-Luc Charles Ciceri. At Ciceri's workshop Cambon made acquaintance with Humanité-René Philastre, who would become his first long-term associate. As a stage design for a "Salon" at the Bibliothèque-Musée de l'Opéra testifies, Philastre and Cambon started collaborating in 1824 at the latest. From that time until 1848, Philastre and Cambon accepted numerous joint commissions for theatrical interior decorations and stage designs. Thus, they decorated the interiors of venues in Angoulême, Antwerp, Beaune, Brest, Choiseul, Dijon, Douai, Ghent, Lille, Lyon, Paris and Rouen, often providing complete machineries as well. Philastre and C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
