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Là Ci Darem La Mano
"" (Italian for "There we will give each other our hands") is a duet for the characters Don Giovanni (baritone) and Zerlina (soprano) in Mozart's 1787 opera ''Don Giovanni'' (act 1, scene 9). Text The duet, with words by Lorenzo Da Ponte, is sung during the first act of the opera. Don Giovanni has just met Zerlina and her betrothed, Masetto. In an attempt to distract Masetto and have him removed from the scene, Giovanni offers to host a wedding celebration for the couple at his castle. When Masetto has left, Giovanni attempts to seduce Zerlina to accompany him to his castle. However, after the end of the duet Donna Elvira arrives and thwarts the seduction, and leaves with Zerlina. Music "Là ci darem la mano", number 7 in the score, starts in the key of A major with a tempo indication of andante and a time signature of 2/4. The vocal range for Don Giovanni covers E3 to E4, Zerlina's range covers E4 to F5. The piece is labelled a "duettino", a "little duet". This may be b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Siepi
Cesare Siepi (10 February 19235 July 2010) was an Italian opera singer, generally considered to have been one of the finest Bass (voice type), basses of the post-war period. His voice was characterised by a deep, warm timbre, a full, resonant, wide-ranging lower register with relaxed vibrato, and a ringing, vibrant upper register. Although renowned as a Verdian bass, his tall, striking presence and the elegance of Musical phrasing, phrasing made him a natural for the role of Don Giovanni. He can be seen in that role on Paul Czinner's 1954 film of the opera made during an edition of the Salzburg Festival under the baton of Wilhelm Furtwängler. Early career Born in Milan (his year of birth is debated between 1919 and 1923, though 1923 is given as official), he began singing as a member of a Madrigal (music), madrigal group. He often claimed to have been largely self-taught, having attended the music conservatory in his home city for just a short time. His operatic career was inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Eberhard Müller
August Eberhard Müller (13 December 1767, Northeim – 3 December 1817, Weimar) was a German composer, organist and choir leader. Life Trained by his organist father, he made his first public performance aged eight. He then studied under Johann Christoph Friedrich Bach at Bückeburg, where Müller served as organist at the Ulrichskirche until 1788. From 1789 he worked as choir leader, teacher and organist in Magdeburg. On the recommendation of Johann Friedrich Reichardt, whom he had met in Berlin in 1792, Müller was made organist of the St. Nicholas Church in Leipzig in 1794. In 1800 he was made the assistant to Johann Adam Hiller, who he succeeded as Thomaskantor on his death in 1804. In 1810 he became Kapellmeister of the ducal court in Weimar. Müller kept J. S. Bach's works in the repertoire and also contributed to the spread of Viennese Classicism. In 1801 he conducted the first performance outside Vienna of Haydn's '' The Seasons''. He composed for the piano, writin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Campagnoli
Bartolomeo Campagnoli (September 10, 1751 – November 6, 1827) was an Italian violinist and composer. Campagnoli was a virtuoso violinist who toured Europe propagating the 18th Century Italian violin style. He also has a number of compositions to his name, notably: * ''Divertissements'' for solo violin, which are highly regarded in music schools * ''41 Caprices'' for solo viola, frequently used by student violists * ''Nouvelle Méthode'' for the violin (1827). * A number of ''Duos for flute and violin'' * 30 ''Preludes'' for violin in all 24 keys Life Bartolomeo was born in Cento, where his father was a trader. He studied the violin locally, firstly in Bologna, and then from 1763 in Modena with Paul Guastarobba, who had studied with the noted violinist Giuseppe Tartini. He returned home in 1766 and played in a local orchestra. In 1768 he studied further in Venice and Padua, where Tartini still lived. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antic Hay
''Antic Hay'' is a novel by Aldous Huxley, published in 1923. The story takes place in London, and gives a satiric depiction of the aimless or self-absorbed cultural elite in the sad and turbulent times following the end of World War I. A 1923 review opined that Antic Hay was "probably the most brilliant novel of the year" and summarized Huxley's theme as "contemporary civilization is damnable, and...the dark stream of Time is the only reality." A 1961 scholarly journal article characterized the book's theme as "disunity, disorder and disorganization" whose characters "illustrate a disreputable world disintegrating into fragments." It reinforced Huxley's reputation as an iconoclast. The book was condemned for its cynicism and for its supposed immorality because of its open debate on sex. The novel was banned for a while in Australia and burned in Cairo. Superficially the story follows Theodore Gumbril, a teacher in an English boarding school who invents Gumbril's Patent Small-C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aldous Huxley
Aldous Leonard Huxley ( ; 26 July 1894 – 22 November 1963) was an English writer and philosopher. His bibliography spans nearly 50 books, including non-fiction novel, non-fiction works, as well as essays, narratives, and poems. Born into the prominent Huxley family, he graduated from Balliol College, Oxford, with a degree in English literature. Early in his career, he published short stories and poetry and edited the literary magazine ''Oxford Poetry'', before going on to publish travel writing, satire, and screenplays. He spent the latter part of his life in the United States, living in Los Angeles from 1937 until his death. By the end of his life, Huxley was widely acknowledged as one of the foremost intellectuals of his time. He was nominated for the Nobel Prize in Literature nine times, and was elected Companion of Literature by the Royal Society of Literature in 1962. Huxley was a pacifist. He grew interested in philosophical mysticism, as well as universalism, addressin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Bloom
Leopold Paula Bloom is the fictional protagonist and hero of James Joyce's 1922 novel '' Ulysses''. His peregrinations and encounters in Dublin on 16 June 1904 mirror, on a more mundane and intimate scale, those of Ulysses/Odysseus in Homer's epic poem the ''Odyssey''. Factual antecedents Joyce first started planning a piece in 1906 that he described as "deal ngwith Mr. Hunter" to be included as the final story in ''Dubliners'', which he later retitled "Ulysses" in a letter to his brother that year. The protagonist of the piece was apparently to be based on a Dubliner named Alfred H. Hunter, who, according to Joyce's biographer, Richard Ellmann, was rumored around town to have been from a Jewish background and to have an unfaithful, promiscuous wife. The same source that related this reputation to Ellmann also suggested that on the night of 20 June 1904, an intoxicated Joyce approached a young woman standing alone in St. Stephen's Green and spoke to her just before her escort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Joyce
James Augustine Aloysius Joyce (born James Augusta Joyce; 2 February 1882 – 13 January 1941) was an Irish novelist, poet, and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the twentieth century. Joyce's novel ''Ulysses (novel), Ulysses'' (1922) is a landmark in which the episodes of Homer's ''Odyssey'' are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection ''Dubliners'' (1914) and the novels ''A Portrait of the Artist as a Young Man'' (1916) and ''Finnegans Wake'' (1939). His other writings include three books of poetry, a play, letters, and occasional journalism. Born in Dublin into a middle-class family, Joyce attended the Jesuit Clongowes Wood College in County Kildare, then, briefly, the Congregation of Christian Brothers, Christian Brothers–run O'Connell School. Despite the chaotic family li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulysses (novel)
''Ulysses'' is a modernist novel by the Irish writer James Joyce. Partially serialised in the American journal '' The Little Review'' from March 1918 to December 1920, the entire work was published in Paris by Sylvia Beach on 2 February 1922, Joyce's fortieth birthday. It is considered one of the most important works of modernist literature and a classic of the genre, having been called "a demonstration and summation of the entire movement". ''Ulysses'' chronicles the experiences of three Dubliners over the course of a single day, 16 June 1904 (which its fans now celebrate annually as Bloomsday). Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the '' Odyssey'', and the novel establishes a series of parallels between Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus. There are also correspondences with William Shakespeare's play '' Hamlet'' and with other literary, mythological and historical fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third (chord)
In music, the third factor of a chord is the note or pitch two scale degrees above the root or tonal center. When the third is the bass note, or lowest note, of the expressed triad, the chord is in first inversion. Use Conventionally, the third is third in importance to the root and fifth, with the third in all primary triads (I, IV, V and i, iv, v) being either major or minor. In jazz chords and theory, the third is required due to it determining chord quality. The third in both major and augmented chords is major (E in C) and the third in both minor and diminished chords is minor (E in C). Tenth In music and music theory, a tenth is the note ten scale degrees from the root of a chord and also the interval between the root and the tenth. Since there are only seven degrees in a diatonic scale the tenth degree is the same as the mediant and the interval of a tenth is a compound third. See also * List of third intervals Third interval may refer to one of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fermata
A fermata (; "from ''fermare'', to stay, or stop"; also known as a hold, pause, colloquially a birdseye or cyclops eye, or as a grand pause when placed on a note or a rest) is a symbol of musical notation indicating that the note should be prolonged beyond the normal duration its note value would indicate.''The Harvard Dictionary of Music'', p. 310 Exactly how much longer it is held is up to the discretion of the performer or conductor, but twice as long is common. It is usually printed above but can be occasionally below (when it is upside down) the note to be extended. When a fermata is placed over a bar or double-bar, it is used to indicate the end of a phrase or section of a work. In a concerto, it indicates the point at which the soloist is to play a cadenza. A fermata can occur at the end of a piece (or movement) or in the middle of a piece. It can be followed by either a brief rest or more notes. Other names for a fermata are ''corona'' (Italian), ''point d'o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
