Love Can't Turn Around
"Love Can't Turn Around" is a 1986 Chicago house song by American musicians, DJs and record producers Farley Keith Williams a.k.a. Farley "Jackmaster" Funk and Jesse Saunders featuring vocalist Darryl Pandy. It holds an important place in the history of house music as the first record in that genre to cross over from the US clubs to the UK Singles Chart. History "I Can't Turn Around" by Isaac Hayes (1975) The song's origin was " I Can't Turn Around", the lead single from Isaac Hayes' 1975 album ''Chocolate Chip''. This album was notable for being the first on which Hayes moved on from funk to embrace the then-fashionable disco sound. Hayes' original version remained a club favourite for many years and was often played at the Warehouse, the influential Chicago nightclub which was the focus of the house music scene in the early 1980s. "I Can't Turn Around" by Steve "Silk" Hurley (1986) In 1986, Steve "Silk" Hurley, working under the name J.M. Silk, recorded a house version of th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Farley "Jackmaster" Funk
Farley "Jackmaster" Funk (born Farley Keith Williams; January 25, 1962) is an American musician, DJ and record producer of Chicago house and acid house music. He is notable for writing and producing a number of highly influential tracks in the mid and late 1980s. He has released records under various aliases such as "Farley Funkin' Keith", "Rude Boy Farley Keith", "The Housemaster Boyz", "Jackmaster Dick" or "The Godfather of House". Career Farley got his start in the music industry in 1981 as one of the original members of the Hot Mix 5, a DJ team at WBMX-FM 102.7 FM, Oak Park, Illinois (original members of Kenny "Jammin" Jason, Mickey "Mixin" Oliver, Scott "Smokin" Silz, Farley "Funkin" Keith and Ralphi "Rockin" Rosario). He was a guest DJ at the Warehouse nightclub, and was a resident DJ at The Playground, which later became the Candy Store In 1985, together with Chip E., he started a record label named House Records whose first release was "Jack Trax" by Mirage & Chip ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Laurent Garnier
Laurent Garnier (born 1 February 1966), also known as Choice, is a French electronic music producer and DJ. Garnier began DJing in Manchester during the late 1980s. He became a producer in the early 1990s and recorded several albums. Early influences In 1984, Garnier started working as a waiter at the French Embassy in London.Johnson, Miles (2007)Profile – Laurent Garnier, '' The List'', Issue 591, 29 November 2007. Retrieved 16 March 2012 He started playing with DJ Nelson, a.k.a. DJ Stan, at a French club. He stayed there for a year and a half before moving to Manchester in 1986. Living in England he discovered the booming UK house scene and started DJing, including at the Haçienda. Career In 1987, he discovered The Haçienda in Manchester, and met Mike Pickering the resident DJ. Chicago house and Detroit techno became popular, and Garnier started mixing there under the name of DJ Pedro. In 1988, he went back to France to fulfill his military obligations. He also spent som ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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London Records
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name – as London American Recordings, often shortened to London American – was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. The label is owned by Because Music, which also owns most of the label's 1980s and 1990s UK catalogue. History London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland, and Luciano Pavarotti. In a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Top Of The Pops
''Top of the Pops'' (''TOTP'') is a British record chart television programme, made by the BBC and broadcast weekly between 1January 1964 and 30 July 2006. The programme was the world's longest-running weekly music show. For most of its history, it was broadcast on Thursday evenings on BBC One. Each show consisted of performances of some of the week's best-selling popular music records, usually excluding any tracks moving down the chart, including a rundown of that week's singles chart. This was originally the Top 20, though this varied throughout the show's history. The Top 30 was used from 1969 and the Top 40 from 1984. Dusty Springfield's "I Only Want to Be with You" was the first song featured on ''TOTP'', while the Rolling Stones were the first band to perform with "I Wanna Be Your Man". Snow Patrol were the last act to play live on the weekly show when they performed their single "Chasing Cars". Status Quo (band), Status Quo made more appearances than any other artist, w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Broadway Theatre
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences#-re, -er, American and British English spelling differences), many of the List of Broadway theaters, extant or closed Broadway venues use or used the spelling ''Theatre'' as the proper noun in their names. Many performers and trade groups for live dramatic presentations also use the spelling ''theatre''. or Broadway, is a theatre genre that consists of the theatrical performances presented in 41 professional Theater (structure), theaters, each with 500 or more seats, in the Theater District, Manhattan, Theater District and Lincoln Center along Broadway (Manhattan), Broadway, in Midtown Manhattan, New York City. Broadway and London's West End theatre, West End together represent the highest commercial level of live theater in the English-speaking world. While the Broadway (Manhattan), Broadway thoroughfare is eponymous ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the Line (poetry)">line or lines that are repeated in poetry or in music">poetry.html" ;"title="Line (poetry)">line or lines that are repeated in poetry">Line (poetry)">line or lines that are repeated in poetry or in music—the "chorus" of a song. Poetry, Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the Verse (popular music), verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history Although repeats of refrains may use different words, refrains are made recognizable by reusing the same melody (whe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Radio Edit
In music, a radio edit, or a "clean version," is a modification, typically truncated or censored, intended to make a song more suitable for airplay. It may be censored for profanity, vulgarities, or subject matter; or adjusted for length, instrumentation, or form. Radio edits may also be used for commercial single release radio versions, which may be denoted as the 7″ version (as opposed to the 12″ version, which is an extended version of a song). Not all "radio edit" tracks are played on the radio. Time constraints Radio edits often shorten a long song to make it more commercially viable for radio stations. The normal length for songs played on the radio is between three and five minutes. The amount of cut content differs, ranging from a few seconds to nearly half of the song. It is common for radio edits to have shortened intros and/or outros. In the intro, any kind of musical buildup is removed, or, if there is no such buildup, an extensive intro is often halved. In the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hook (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener." The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music.Davidson, Miriam; Heartwood, Kiya (1996). ''Songwriting for Beginners'', p.7. Alfred Music Publishing. . Definitions One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered." Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring." Alternatively, the term has been defined as and can be somethin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ostinato
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cover ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, and classical music, for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hot Dance Club Songs
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard (magazine), Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was "You Shou ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |