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Love Ain't Gonna Wait For You
"Love Ain't Gonna Wait for You" is a song by British pop group S Club and the last single by the band, released on their final studio album '' Seeing Double'' and included on the compilation '' Best: The Greatest Hits of S Club 7''. It was released in United Kingdom on 26 May 2003 as double A-side with " Say Goodbye". In other countries, only "Say Goodbye" was released as single. Music video This video is a montage, incorporating scenes from the '' Seeing Double'' movie (which the song features in) along with shots from all their previous music videos, series of their TV show and the Carnival 2002 arena tour. Track listings * UK CD1 and Australasian CD single # " Say Goodbye" # "Love Ain't Gonna Wait for You" (single remix) # "Special Kind of Something" # "Say Goodbye" (video) # Goodbye messages from Rachel, Tina and Bradley (video) * UK CD2 # "Say Goodbye" # "Bitter Sweet" # "Love Ain't Gonna Wait for You" (video) # Goodbye messages from Jon, Jo and Hannah (video) * UK casset ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
S Club 7
S Club 7 were a British pop group from London, created by former Spice Girls manager Simon Fuller and consisting of members Bradley McIntosh, Hannah Spearritt, Jo O'Meara, Jon Lee, Paul Cattermole, Rachel Stevens and Tina Barrett. The group was formed in 1998 and quickly rose to fame by starring in their own BBC television series, '' Miami 7''. In their five years together, S Club 7 had four UK number-one singles, one UK number-one album, and a string of hits throughout Europe as well as a Top 10 hit on the US Hot 100, with their 2000 single " Never Had a Dream Come True". They recorded four studio albums, released 11 singles and went on to sell over 10 million albums worldwide. The concept of the group was created by Simon Fuller who signed them to Polydor Records. Their show lasted four seasons and saw the group travel across the US, eventually ending up in Barcelona. It became popular in 100 countries where the show was watched by over 90 million viewers. The show, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavyn Wright
Gavyn Wright is a British violinist and orchestra leader with the London Session Orchestra and Penguin Cafe Orchestra. He is best known for his orchestral arrangements on pop productions (including Elton John, Simply Red, Bush, Mecano, Oasis, Gordon Haskell, Donna Lewis, Tina Turner, Italian singer-songwriter Alice, Lucio Battisti, Van Morrison) as well as numerous TV and movie soundtracks (including ''Shrek'' 1 and 2, ''The Constant Gardener'', ''Stuart Little'', ''Batman Begins'', '' The Black Dahlia'', ''Shakespeare in Love'', '' 12 Monkeys'', '' The Last Emperor'', ''We Were Soldiers'', '' Shall We Dance?''). External linksDiscographyat DiscogsFilmographyat the New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ... British classical violinists Briti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Recordings Produced By Simon Ellis (record Producer)
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
S Club 7 Songs
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the complica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Number-one Singles In Scotland
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2003 Songs
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated '' Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UKChartsPlus
''UKChartsPlus'' is an independent weekly newsletter about the UK music charts. It was first published in September 2001 as ''ChartsPlus'' in order to authoritatively record the official music chart information in the United Kingdom, as compiled by the Official Charts Company. Its publication began after ''Hit Music'' which was a sister publication of ''Music Week'' ceased publication in May 2001. The new newsletter was established to be totally independent of ''Music Week'', licensing the chart data directly from Official Charts Company and other chart providers. History Initially it covered: * The UK Singles Chart up to number 200 * The UK Albums Chart up to number 200 * The Compilation Album Chart up to number 50 It also included a ''New Entries Spotlight'' on all new top 200 singles, and a ''Year to Date'' collection of all the current year's Top 200 albums and singles. Since then, it has expanded to include the BPI silver, gold or platinum sales awards, predictions of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Lipson
Stephen J. Lipson (born 16 March 1954) is an English record producer, audio engineer, guitarist and songwriter. As a record producer, he has worked with many artists including Annie Lennox, Propaganda, Act, Frankie Goes to Hollywood, Will Young, Geri Halliwell, Jeff Beck and Hans Zimmer. He has also engineered, played guitar on and contributed to much of the programming on many of the records he has produced. Collaborations * ''Playing in the Flame'' – Sally Oldfield (1981) * '' Slave to the Rhythm'' – Grace Jones (1985) * ''Earthrise'' – Tandy Morgan (1985) * '' Street Fighting Years'' – Simple Minds (1989) * '' Flowers in the Dirt'' – Paul McCartney (1989) * ''Real Life'' – Simple Minds (1991) * ''Diva'' – Annie Lennox (1992) * ''A Spanner in the Works'' – Rod Stewart (1995) * ''Medusa'' – Annie Lennox (1995) * '' Live the Life'' – Michael W. Smith (1998) * '' Ronan'' – Ronan Keating (2000) * '' Scream If You Wanna Go Faster'' – Geri Halliwell (200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertmaster
The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (U.K.) is the principal first violin player in an orchestra (or clarinet in a concert band). After the conductor, the concertmaster is the second-most significant leader in an orchestra, symphonic band or other musical ensemble. Orchestra In an orchestra, the concertmaster is the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a concerto, in which case a guest soloist usually plays). It is usually required that the concertmaster be the most skilled musician in the section, experienced at learning music quickly, counting rests accurately and leading the rest of the string section by their playing and bow gestures. The concertmaster sits to the conductor's left, closest to the audience, in what is called the "first chair," ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
