Louvre Colonnade
The Louvre Colonnade is the easternmost façade of the Louvre Palace in Paris. It has been celebrated as the foremost masterpiece of French architectural classicism since its construction, mostly between 1667 and 1674. The design, dominated by two loggias with trabeated colonnades of coupled giant columns, was created by a committee of three, the Petit Conseil, consisting of Louis Le Vau, Charles Le Brun, and Claude Perrault. Louis Le Vau's brother, François Le Vau, also contributed. Cast in a restrained classicizing baroque manner, it interprets rules laid down by the ancient Roman architect Vitruvius, whose works Perrault translated into French (1673).Neumann 2013, pp. 296–297. Its flat-roofline design, previously associated with Italy and unprecedented in France, was immensely influential. Description Little that could be called Baroque can be identified in the Colonnade's cool classicism that looks back to the 16th century. The use of one central and two terminal pavi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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East Facade Of The Sully Wing 2009-06-02
East is one of the four cardinal directions or points of the compass. It is the opposite direction from west and is the direction from which the Sunrise, Sun rises on the Earth. Etymology As in other languages, the word is formed from the fact that east is the direction where the Sun rises: ''east'' comes from Middle English ''est'', from Old English ''ēast'', which itself comes from the Proto-Germanic language, Proto-Germanic *''aus-to-'' or *''austra-'' "east, toward the sunrise", from Proto-Indo-European language, Proto-Indo-European *aus- "to shine," or "dawn", cognate with Old High German ''*ōstar'' "to the east", Latin ''aurora'' 'dawn', and Greek language, Greek ''ēōs'' 'dawn, east'. Examples of the same formation in other languages include Latin Orient, oriens 'east, sunrise' from orior 'to rise, to originate', Greek language, Greek ανατολή Anatolia, anatolé 'east' from ἀνατέλλω 'to rise' and Hebrew מִזְרָח mizraḥ 'east' from זָרַח zara ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Triumphal Arch
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road, and usually standing alone, unconnected to other buildings. In its simplest form, a triumphal arch consists of two massive Pier (architecture), piers connected by an arch, typically crowned with a flat entablature or Attic style, attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways, or in a tetrapylon, passages leading in four directions. Triumphal arches are one of the most influential and distinctive types of ancient Roman architecture. Effectively invented by the Romans, and using their skill in making arches and vaults, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new Colonia ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, ; ; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italians, Italian sculptor and Italian architect, architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque sculpture, Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he de ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pietro Da Cortona
Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the ''salone'' or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Biography Early career Berrettini wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antoine De Ratabon
Antoine de Ratabon (1617 – 12 March 1670) was a French aristocrat who served as an arts and architecture administrator during the reign of Louis XIV.Vitu 1880, pp. 151–153 He was the first Director of the from 1655 to 1670 as well as the Surintendant des Bâtiments (Superintendent of Buildings) from 1656 to 1664. Early life and career Ratabon was born in[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean-Baptiste Colbert
Jean-Baptiste Colbert (; 29 August 1619 – 6 September 1683) was a French statesman who served as First Minister of State from 1661 until his death in 1683 under the rule of King Louis XIV. His lasting impact on the organization of the country's politics and markets, known as Colbertism, a doctrine often characterized as a variant of mercantilism, earned him the nickname ''le Grand Colbert'' (; "the Great Colbert"). A native of Reims, he was appointed Intendant of Finances on 4 May 1661. Colbert took over as Controller-General of Finances, a newly created position, in the aftermath of the arrest of Nicolas Fouquet for embezzlement, an event that led to the abolishment of the office of Superintendent of Finances. He worked to develop the domestic economy by raising tariffs and encouraging major public works projects, as well as to ensure that the French East India Company had access to foreign markets, so that they could always obtain coffee, cotton, dyewoods, fur, pepper, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cour Carrée
The Cour Carrée (, Square Court) is one of the main courtyards of the Louvre Palace in Paris. The wings surrounding it were built gradually, as the walls of the medieval Louvre were progressively demolished in favour of a French Renaissance architecture, Renaissance palace. History Construction Between 1190 and 1215, Philip II of France, Philip Augustus built the Wall of Philip II Augustus around Paris to protect the capital from the English. To reinforce this enclosure on the western side, he built the first incarnation of the Medieval Louvre Castle, Louvre, a large fortress with four high walls protected by a moat, towers, and a dungeon. Under King Charles V of France (1364-1380), with the population of Paris increasing, Paris spread well beyond the Philip Augustus wall. The king built a Wall of Charles V, new enclosure encompassing the new quarters. With the Louvre Castle now inside the new city walls, it lost much of its military value. The King renovated the castle to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cardinal Mazarin
Jules Mazarin (born Giulio Raimondo Mazzarino or Mazarini; 14 July 1602 – 9 March 1661), from 1641 known as Cardinal Mazarin, was an Italian Catholic prelate, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. He was made a cardinal in 1641. After serving as a papal diplomat for Pope Urban VIII, Mazarin offered his diplomatic services to Cardinal Richelieu and moved to Paris in 1640. After the death of Richelieu in 1642, Mazarin took his place as first minister of Louis XIII, and then of Louis XIV, when he succeeded to the throne in 1643. Mazarin acted as the head of the government for Anne of Austria, the regent for the young Louis XIV, and was also responsible for the king's education until he came of age. The first years of Mazarin in office were marked by military victories in the Thirty Years' War, which he used to make France the main European power and establish the Peace of Westphalia (1646� ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Balustrade
A baluster () is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a guard railing, coping, or ornamental detail is known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. In the UK, there are different height requirements for domestic and commercial balustrades, as outlined in Approved Document K. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the , from , from ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ancient Roman Temple
Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain "the most obvious symbol of Roman architecture".Summerson (1980), 25 Their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room ''(cella)'' housed the cult image of the deity to whom the temple was dedicated, and often a table for supplementary offerings or libations and a small altar for incense. Behind the cella was a room, or rooms, used by temple attendants for storage of equipment and offerings. The ordinary worshiper rarely entered the cella, and most public ceremonies were performed outside of the cella where the sacrificial altar was located, on the portico, with a crowd gathered in the temple precinct. The most common architectural pla ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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House Of Raphael
Palazzo Caprini was a Renaissance palazzo in Rome, Italy, in the Borgo rione between Piazza Scossacavalli and via Alessandrina (also named Borgo Nuovo). It was designed by Donato Bramante around 1510, or a few years before. It was also known as the Palazzo di Raffaello or House of Raphael, since the artist Raphael had bought it in 1517 and lived there until his death three years later,Gigli (1992) p. 46 although by then he was planning to build a much larger palazzo elsewhere. In the late 16th century, the Palazzo Caprini, already decayed and crumbling, underwent a total renovation and constituted the core of the much larger Palazzo dei Convertendi.Gigli (1992) p. 48 The garden house of the Palazzo Caprini was not destroyed until 1848. The appearance of the Palazzo Caprini's main facade is known from an etching published by Antoine Lafréry and a partial sketch attributed to Andrea Palladio.Gigli (1992) p. 54 It had five bays and two levels, with rustication (using stucco) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |