|
Louis D'Angelo
Louis D'Angelo (May 6, 1888 – August 9, 1958) was an American bass-baritone of Italian birth who was particularly known for his performances at the Metropolitan Opera during the first half of the 20th century. He created roles in the world premieres of seven operas at the Met, including Marco in Puccini's ''Gianni Schicchi'' in 1917. D'Angelo also sang roles in the United States premieres of thirteen works. In total, he appeared in 1,882 performances at the Met. He sang a broad repertoire of more than 300 roles at the Met ranging from leading roles to comprimario parts. His voice was recorded for several Metropolitan Opera radio broadcasts, and on several complete opera recordings made by the Met for Naxos Records. Early life and career D'Angelo was born on May 6, 1888, in Naples, Italy. With his family he moved to the United States at the age of three. He was trained in the United States and began his career as a leading baritone with the Century Opera Company in 1914. He mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Metropolitan City of Naples, Its province-level municipality is the third-most populous Metropolitan cities of Italy, metropolitan city in Italy with a population of 3,115,320 residents, and Naples metropolitan area, its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the 1st millennium BC, first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooklyn Academy Of Music
The Brooklyn Academy of Music (BAM) is a performing arts venue in Brooklyn, New York City, known as a center for progressive and avant-garde performance. It presented its first performance in 1861 and began operations in its present location in 1908. The Academy is incorporated as a New York State not-for-profit corporation. It has 501(c)(3) status. Katy Clark became president in 2015 and left the institution in 2021. David Binder became artistic director in 2019. History 19th and early 20th centuries On October 21, 1858, a meeting was held at the Polytechnic Institute to measure support for establishing "a hall adapted to Musical, Literary, Scientific and other occasional purposes, of sufficient size to meet the requirements of our large population and worth in style and appearance of our city." [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. There are several recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Man Without A Country (opera)
''The Man Without a Country'' is an opera in 2 acts by composer Walter Damrosch. Arthur Guiterman wrote the English language libretto which was based on Edward Everett Hale's 1863 short story of the same name. The work premiered at the Metropolitan Opera in New York City on May 12, 1937. '' Time
Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, t ... '', May 24, 1937
Roles |
Stephen Decatur
Stephen Decatur Jr. (; January 5, 1779 – March 22, 1820) was an American naval officer and commodore. He was born on the eastern shore of Maryland in Worcester County. His father, Stephen Decatur Sr., was a commodore in the United States Navy who served during the American Revolution; he brought the younger Stephen into the world of ships and sailing early on. Shortly after attending college, Decatur followed in his father's footsteps and joined the U.S. Navy at the age of nineteen as a midshipman. Decatur supervised the construction of several U.S. naval vessels, one of which he later commanded. Promoted at age 25, he is the youngest man to reach the rank of captain in the history of the United States Navy. He served under three presidents, and played a major role in the early development of the U.S. Navy. In almost every theater of operation, Decatur's service was characterized by acts of heroism and exceptional performance. His service in the U.S. Navy took h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merry Mount (opera)
''Merry Mount'' is an opera in three acts by American composer Howard Hanson; its libretto, by Richard Stokes, is loosely based on Nathaniel Hawthorne's short story "The May-Pole of Merry Mount", taken from his ''Twice Told Tales''. Hanson's only opera, it was commissioned by the Metropolitan Opera in New York City. The opera received its world premiere in concert at the fortieth annual May Festival of the University Musical Society in Ann Arbor, Michigan (at Hill Auditorium), on May 20, 1933, with the composer conducting the Chicago Symphony Orchestra. The cast included Leonora Corona, Rose Bampton, Frederick Jagel, Chase Baromeo, John Charles Thomas, and George Galvani. Its world stage premiere by the Metropolitan Opera was given on February 10, 1934. As that performance took place at a Saturday matinée, it was broadcast nationally as part of the company's weekly radio series, with Milton Cross serving as announcer. The premiere featured Lawrence Tibbett in the central ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Ibbetson (opera)
'' ''Peter Ibbetson'' is an opera in three acts by American composer Deems Taylor from a libretto by the composer and Constance Collier, based on the 1891 novel by George du Maurier. ''Peter Ibbetson'' was first performed at the Metropolitan Opera in New York City on 7 February 1931 and it appeared in four seasons for a total of 22 performances (in the house and on tour) until 1935 and the retirement of the two singers who created the starring roles, Lucrezia Bori and Edward Johnson. Performance history The opera opened the 1933-34 Met season and was broadcast twice, in 1932 (when the operas were still being broadcast only in part) and again in 1934. On 29 June 1960 the Empire State Music Festival presented a performance of ''Peter Ibbetson'' which was broadcast. Licia Albanese was coached in the part of Mary by its creator, Lucrezia Bori. In 1999 the opera was revived in concert form by the Seattle Symphony Orchestra with Lauren Flanigan as Mary. Roles Synopsis :Tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The King's Henchman
''The King's Henchman'' is an opera in three acts composed by Deems Taylor to an English language libretto by Edna St. Vincent Millay. The libretto is based on both legend and historical figures documented in the ''Anglo-Saxon Chronicle'' including Edgar the Peaceful, Elfrida of Devon, and Dunstan. It tells the story of a love triangle between King Eadgar, his henchman Aethelwold, and Aelfrida, daughter of the Thane of Devon. It premiered on 17 February 1927 at the Metropolitan Opera in New York City in a performance conducted by Tullio Serafin. Background and premiere Shortly after becoming General Manager of the Metropolitan Opera in 1908, Giulio Gatti-Casazza had set a goal of producing at least one new English-language opera by an American composer each season. These were often selected via a competition from works that had already been completed or partially composed. However, the competition for the 1927 season had thrown up no winner, and Otto Kahn, chairman of the boar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleopatra's Night
''Cleopatra's Night'' is a short opera in two acts by American composer Henry Kimball Hadley. Its libretto is by Alice Leal Pollock based on the 1838 short story " One of Cleopatra's Nights" by French author Théophile Gautier. The opera premiered at the Metropolitan Opera on January 31, 1920. The opera was revived the following season, and was broadcast on NBC radio in 1929. ''Cleopatra's Night'' is written in an eclectic late romantic style, influenced both by the dramatic lyricism of the verismo movement and the rich orchestral approach employed by Wagner and Richard Strauss. The opera's first production was designed by Norman Bel Geddes. Frances Alda sang the title role, while tenor Orville Harrold sang the role of Meïamoun. Gennaro Papi conducted the premiere, though Hadley took the baton for the sixth and final performance of the season, becoming the first American composer to conduct his own opera at the Met. The opera was brought back the following season for three fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Legend (opera)
''The Legend'' is a one-act tragic opera composed by Joseph Carl Breil to an English libretto by Jacques Byrne. It premiered at the Metropolitan Opera in New York City on March 12, 1919 in a triple bill with two other one-act operas, John Hugo's '' The Temple Dancer'' and Charles Cadman's ''Shanewis''. Its melodramatic story is set in Muscovadia, a mythical country in the Balkans, and involves an impoverished nobleman turned bandit, his daughter Carmelita, and her lover Stephen, a captain in the hussars. The action unfolds over a single night at the end of which both lovers are dead—Stephen stabbed to death by Carmelita and Carmelita shot by Stephen's fellow hussars. The only one of Breil's six operas to be performed by a major opera company, ''The Legend'' received scathing press reviews and after its three performances at the Met disappeared from the repertory. Background and performance history Although primarily known as a composer of silent film scores including those fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Martinelli
Giovanni Martinelli (22 October 1885 – 2 February 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres. Biography and career Martinelli was born 22 October 1885 in Montagnana, Province of Padua, Veneto in the Kingdom of Italy. After service as a clarinetist in a military band, he studied with Giuseppe Mandolini in Milan, and made his first operatic role in 1908 as the messenger in ''Aida''. On 29 December 1910, Martinelli made his professional debut at the Teatro dal Verme in ''Ernani''. On 12 June 1911, Martinelli debuted in Rome as Dick Johnson in ''La fanciulla del West''; he would continue singing in that role elsewhere in Italy including La Scala in 1912. Martinelli made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
