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Louchie Lou
Louchie Lou & Michie One are a British female ragga/soul duo from London, best known for the single " Shout (It Out)", plus their collaboration with Suggs on the single "Cecilia", both of which reached the top 10 of the UK Singles Chart. Career Louchie Lou (Louise Gold) and Michie One (Michelle Charles) met in 1991 at a Rebel MC gig. In 1993, they released their debut single, "Rich Girl", which samples the showtune " If I Were a Rich Man" from the musical ''Fiddler on the Roof''. Later that year they had their first chart hit with " Shout (It Out)", which reached number 7 in the UK Singles Chart. It is a mash-up of the 1964 Lulu hit, originally recorded by The Isley Brothers, with the Henry Mancini composition, the "''Peter Gunn theme''" as performed by The Art of Noise and Duane Eddy from 1986. For their 1995 album debut, ''II B Free'', Louchie Lou & Michie One collaborated with Sly and Robbie, and Quincy Jones' son QDIII. The album was released in October 1995 and con ...
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London
London is the Capital city, capital and List of urban areas in the United Kingdom, largest city of both England and the United Kingdom, with a population of in . London metropolitan area, Its wider metropolitan area is the largest in Western Europe, with a population of 14.9 million. London stands on the River Thames in southeast England, at the head of a tidal estuary down to the North Sea, and has been a major settlement for nearly 2,000 years. Its ancient core and financial centre, the City of London, was founded by the Roman Empire, Romans as Londinium and has retained its medieval boundaries. The City of Westminster, to the west of the City of London, has been the centuries-long host of Government of the United Kingdom, the national government and Parliament of the United Kingdom, parliament. London grew rapidly 19th-century London, in the 19th century, becoming the world's List of largest cities throughout history, largest city at the time. Since the 19th cen ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, Mechanical system, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustics, acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a varying magnetic field by an electromagnet, which makes a representation of the sound as magnetized areas on a plastic tape with a magnetic coating on it. Analog sound reproduction is the reverse process, with a large ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune " The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a ...
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Music Festival
A music festival is a festival, community event with music, performances of singing and instrument playing that is often presented with a theme such as musical genre (e.g., rock music, rock, blues, folk music, folk, jazz, classical music), nationality, locality of musicians, or holiday. Music festivals are generally organized by individuals or organizations within networks of music production, typically music scenes, the music industries, or institutions of music education. Music festivals are commonly held outdoors, with tents or roofed temporary stages for the performers. Often music festivals host other attractions such as food and merchandise vending, dance, crafts, performance art, and social or cultural activities. Many festivals are annual, or repeat at some other interval, while some are held only once. Some festivals are organized as for-profit concerts and others are benefits for a specific charitable cause. At music festivals associated with charitable causes, there may ...
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Get Down On It
"Get Down on It" is a song by American band Kool & the Gang. It was originally released on their ''Something Special (Kool & the Gang album), Something Special'' album in 1981. The single was certified Gold by the Recording Industry Association of America, RIAA. ''Record World'' called it a "kinetic dancer" and said that the "chant-like chorus hook is contagious." Track listing Charts The song hit the top 10 of the US Pop music, Pop and Contemporary R&B, R&B charts in Billboard (magazine), ''Billboard'' in early 1982. It entered the UK charts in December 1981 and reached number three, their highest-charting hit in the UK at that time. It spent a total of 12 weeks on the British play list. Ten years later, it was re-released in the UK charts – on the Mercury label – but only charted for a week (at number 69). Weekly charts Year-end charts Charts for Eiffel 65 remix Certifications Peter Andre version "Get Down on It" was re-recorded and released as the ...
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Somebody Else's Guy
"Somebody Else's Guy" is a 1984 song written and popularized by Jocelyn Brown. On the US soul chart, the single peaked at number two and stalled at number 75 on the Hot 100, but in the UK it made the pop top 20. On the disco chart, "Somebody Else's Guy" peaked at number 13. It was the title track of Brown's debut solo album, released the same year. Credits and personnel * Jocelyn Brown – writer, vocals, background vocals, producer * Fred McFarlane – keyboards, drum programming * James Calloway– bass * Ivan Hampden Jr - Congas * Connie Harvey – background vocals * Marian Rolle – background vocals * Wendell Morrison – background vocals * Allen George – producer * Fred McFarlane - producer * Hugo Dwyer – engineering, mix engineer Track listing and formats ; U.S. 12" single, VND D01 # "Somebody Else's Guy" (Vocal 12" Version) - 6:28 # "Somebody Else's Guy" (Instrumental Dub) - 5:45 Charts Certifications CeCe Peniston version In 1996, the song ...
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Single (music)
In Music industry, music, a single is a type of Art release#Music, release of a song Sound recording, recording of fewer tracks than an album (LP record, LP), typically one or two tracks. A single can be released for record sales, sale to the public in a variety of physical or digital formats. Singles may be standalone tracks or connected to an artist's album, and in the latter case would often have at least one single release before the album itself, called lead singles. The single was defined in the mid-20th century with the ''45'' (named after its speed in revolutions per minute), a type of 7-inch sized vinyl records, vinyl record containing an A-side and B-side, A-side and a B-side, i.e. one song on each side. The single format was highly influential in pop music and the early days of rock and roll, and it was the format used for jukeboxes and preferred by younger populations in the 1950s and 1960s. Singles in Digital distribution, digital form became very popular in the ...
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Quincy Jones III
Quincy Delight Jones III (born 23 December 1968), better known as QDIII, QD3 and Snoopy, is a Swedish-American music producer, composer and documentary film producer. Family Jones was born in Wimbledon, London, the only son of American musician-music producer Quincy Jones Jr. and his second wife, Swedish model Ulla (née Andersson). He grew up in Sweden with his older sister Martina after their parents legally separated.Superiorpics.com: Quincy Jones
accessed 8 July 2010
The two have five American half-sisters from their father's two other marriages and relationships in the United States, including actresses Kidada and Rashida Jones and fashio ...
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Quincy Jones
Quincy Delight Jones Jr. (March 14, 1933 – November 3, 2024) was an American record producer, composer, arranger, conductor, trumpeter, and bandleader. Over the course of his seven-decade career, he received List of awards and nominations received by Quincy Jones, many accolades including 28 Grammy Awards, a Primetime Emmy Award, and a Tony Award as well as nominations for seven Academy Awards and four Golden Globe Awards. Jones came to prominence in the 1950s as a jazz arranger and conductor before producing pop hit records for Lesley Gore in the early 1960s (including "It's My Party") and serving as an arranger and conductor for several collaborations between Frank Sinatra and the jazz artist Count Basie. Jones produced three of the most successful albums by Michael Jackson: ''Off the Wall'' (1979), ''Thriller (album), Thriller'' (1982), and ''Bad (album), Bad'' (1987). In 1985, Jones produced and conducted the charity song "We Are the World", which raised funds for victims ...
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Sly And Robbie
Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. They recorded several albums under the Sly and Robbie name, and made hundreds of appearances on records by other performers. Shakespeare died in December 2021 following kidney surgery. Career 1970s: Beginnings in reggae Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie Shakespeare, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are fans of Motown, Stax Records, the Philly Sound, and country music, in addition to Jamaican record labels Studio One and Treasure Isle), and reggae production in particular. Speaking on his influences, Sly explains “My mentor was the drummer for The Skatalites, Lloyd Knibb. And I used to l ...
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Duane Eddy
Duane Eddy (April 26, 1938 – April 30, 2024) was an American guitarist. In the late 1950s and early 1960s, he had a string of hit records produced by Lee Hazlewood which were noted for their characteristically "twangy" guitar sound, including " Rebel-'Rouser", "Peter Gunn", and " Because They're Young". He had sold 12 million records by 1963. His guitar style influenced the Ventures, the Shadows, the Beatles (particularly lead guitarist George Harrison), Bruce Springsteen, Steve Earle, and Marty Stuart.Duane Eddy, The Times Register, 3 May 2024 Eddy was inducted into the Rock and Roll Hall of Fame in 1994 and the Musicians Hall of Fame and Museum in 2008. Early life Eddy was born in Corning, New York, on April 26, 1938. His parents were Lloyd and Alberta (née Granger) Eddy. Eddy's father drove a bread truck and later became the manager of a grocery store. He began playing the guitar at the age of five, after hearing the cowboy singer Gene Autry. In 1950, at the age of ...
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The Art Of Noise
Art of Noise (also the Art of Noise) were a British avant-garde synth-rock group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. The group had international Top 20 hits with its interpretations of "Kiss", featuring Tom Jones, and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. The band is noted for innovative use of electronics and computers in pop music, particularly its innovative use of sampling. History Beginnings The technological impetus for the Art of Noise was the advent of the Fairli ...
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