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Literary Mode
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the ''satiric'' mode, the ''ironic'', the ''comic'', the ''pastoral'', and the ''didactic''. History In his ''Poetics'', the ancient Greek philosopher Aristotle uses 'mode' in a more specific sense. Kinds of poetry, he writes, may be differentiated in three ways: according to their ''medium'' of imitation, according to their ''objects'' of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III). According to this definition, 'narrative' and 'drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literature
Literature is any collection of Writing, written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, Play (theatre), plays, and poetry, poems. It includes both print and Electronic literature, digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.; see also Homer. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role. Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Selgin
Peter Selgin (; born 1957) is an American novelist, short story writer, playwright, essayist, editor, and illustrator. Selgin is Associate Professor of English at Georgia College & State University in Milledgeville, Georgia. Biography The son of Italian immigrants, Peter Selgin was born in Bethesda, Maryland, grew up in Bethel, Connecticut, and attended Bethel High School. Following high school, he attended Pratt Institute in Brooklyn, New York, where he studied film, theater and visual art. He later attended Bard College, and earned his Bachelor of Arts in English from Western Connecticut State University. In addition to writing plays and stories, he worked as a visual artist—including as a caricaturist, illustrator, and painter. Nerve damage to his hand from a dog attack in 1981 temporarily sidelined his career. Selgin's injury and its aftermath are the subject of The Best American Essays "Confessions of a Left-Handed Man". Selgin earned his Master of Fine Arts degree from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Style (fiction)
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. Thus, style is a term that may refer, at one and the same time, to singular aspects of an individual's writing habits or a particular document and to aspects that go well-beyond the individual writer. Beyond the essential elements of spelling, grammar, and punctuation, writing style is the choice of words, Sentence (linguistics), sentence structure, and paragraph structure, used to convey the meaning effectively. The former are referred to as ''rules'', ''elements'', ''essentials'', ''mechanics'', or ''handbook''; the latter are referred to as ''style'', or ''rhetoric''. The rules are about ''what'' a writer does; style is about ''how'' the writer does it. While following the rules drawn from established English usage, a writer has great flexibility in how to express a concept. Some have suggested that the point of writing style is to: * express t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetics
Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, though usage of the term can also refer to literature broadly. Poetics is distinguished from hermeneutics by its focus on the synthesis of non-semantic elements in a text rather than its semantic interpretation. Most literary criticism combines poetics and hermeneutics in a single analysis; however, one or the other may predominate given the text and the aims of the one doing the reading. History of Poetics Western Poetics Generally speaking, poetics in the western tradition emerged out of Ancient Greece. Fragments of Homer and Hesiod represent the earliest Western treatments of poetic theory, followed later by the work of the lyricist Pindar. The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" and "productive". It stems, not surprisingly, from the word for poetry, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narratology
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. The term is an anglicisation of French ''narratologie'', coined by Tzvetan Todorov (''Grammaire du Décaméron'', 1969). Its theoretical lineage is traceable to Aristotle (''Poetics (Aristotle), Poetics'') but modern narratology is agreed to have begun with the Russian formalism, Russian formalists, particularly Vladimir Propp (''Morphology of the Folktale'', 1928), and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in ''The Dialogic Imagination'' (1975). Cognitive narratology is a more recent development that allows for a broader understanding of narrative. Rather than focus on the structure of the story, cognitive narratology asks "how humans make sense of stories" and "how humans use stories as sense-making instruments". Defining narrative Structuralist narratologists like Rimmon-Kenan define narrative fiction as "the nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Concepts
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.; see also Homer. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role. Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but can also include works in various non-fiction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Random House
Random House is an imprint and publishing group of Penguin Random House. Founded in 1927 by businessmen Bennett Cerf and Donald Klopfer as an imprint of Modern Library, it quickly overtook Modern Library as the parent imprint. Over the following decades, a series of acquisitions made it into one of the largest publishers in the United States. In 2013, it was merged with Penguin Group to form Penguin Random House, which is owned by the Germany-based media conglomerate Bertelsmann. Penguin Random House uses its brand for Random House Publishing Group and Random House Children's Books, as well as several imprints. Company history 20th century Random House was founded in 1927 by Bennett Cerf and Donald Klopfer, two years after they acquired the Modern Library imprint from publisher Horace Liveright, which reprints classic works of literature. Cerf is quoted as saying, "We just said we were going to publish a few books on the side at random", which suggested the name Random ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bedford Books
Bedford/St. Martin's is an American publishing company specializing in humanities college textbooks. Bedford/St. Martin's is part of the Bedford, Freeman, and Worth Publishing group owned by the Macmillan Publishers, which is in turn owned by the Stuttgart-based Georg von Holtzbrinck Publishing Group. Its offices are in Boston and New York City. History The company was founded in 1981 by Charles Christensen and Joan Feinberg as Bedford Books, an imprint of St. Martin's Press. Among others works, Bedford/St. Martin's has published ''The Bedford Handbook'' and ''A Writer's Reference'' by Diana Hacker, ''Patterns for College Writing'', '' The Bedford Reader'', ''The American Promise'', ''Ways of the World'' and ''Writer's Help''. In 2013, Bedford/St. Martin's made a deal with Coursera Coursera Inc. () is an American global massive open online course provider. It was founded in 2012 by Stanford University computer science professors Andrew Ng and Daphne Koller. Coursera w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatomy Of Criticism
''Anatomy of Criticism: Four Essays'' (Princeton University Press, 1957) is a book by Canadian literary critic and theorist Northrop Frye that attempts to formulate an overall view of the scope, theory, principles, and techniques of literary criticism derived exclusively from literature. Frye consciously omits all specific and practical criticism, instead offering classically inspired theories of modes, symbols, myths and genres, in what he termed "an interconnected group of suggestions." The literary approach proposed by Frye in ''Anatomy'' was highly influential in the decades before deconstructivist criticism and other expressions of postmodernism came to prominence in American academia circa 1980s. Frye's four essays are sandwiched between a "Polemical Introduction" and a "Tentative Conclusion." The four essays are titled "Historical Criticism: Theory of Modes", "Ethical Criticism: Theory of Symbols", "Archetypal Criticism: A Theory of Myths", and "Rhetorical Criticism: Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequel
A sequel is a work of literature, film, theatre, television, music, or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work. In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear repeatedly. The difference between more than one sequel and a series is somewhat arbitrary. Sequels are attractive to creators and publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about popular characters or settings, making the production of sequels financially appealing. In film, sequels are very common. There are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scene (fiction)
A scene is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two. Theatre In drama, a scene is a unit of action, often a subdivision of an act. French scene A "French scene" is a scene in which the beginning and end are marked by a change in the presence of characters onstage, rather than by the lights going up or down or the set being changed. Obligatory scene From the French ''scène à faire'', an obligatory scene is a scene (usually highly charged with emotion) which is anticipated by the audience and provided by an obliging playwright. An example is ''Hamlet'' 3.4, when Hamlet confronts his mother. Film In filmmaking and video production, a scene is generally thought of as a section of a motion picture in a single location and continuous time made up of a series of shots, which are each a set of contiguous frames from individual cameras from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
