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List Of Operas By Joseph Haydn
Joseph Haydn is not primarily remembered as a composer of opera, yet the genre occupied a great deal of his time. During the 1770s and 1780s, Haydn ran an opera troupe on behalf of his employer, Prince Nikolaus Esterházy, which put on up to 150 performances per year. A number of the operas were Haydn's own work. Haydn's operas are only occasionally performed today. The list is arranged chronologically and divided by career stage. Composed as a freelance musician *1753: '' Der krumme Teufel'', Hob. 29/1a, Singspiel (libretto by Joseph von Kurz), composed during Haydn's time as a freelance musician. Now lost. Composed during Haydn's service for the Esterházy family Composed for the first London journey *1791: '' L'anima del filosofo, ossia Orfeo ed Euridice'', Hob. 28/13, dramma per musica in 4 acts (libretto by Carlo Francesco Badini). Haydn's own version of the Orpheus tale, the plot of a great many operas. Haydn's only post-Esterházy opera, composed for his 1791 trip to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet". Haydn arose from humble origins, the child of working people in a rural village. He established his career first by serving as a chorister at St. Stephen's Cathedral, Vienna, then through an arduous period as a freelance musician. Eventually he found career success, spending much of his working life as Kapellmeister, music director for the wealthy Esterházy family at their palace of Eszterháza in rural Hungary. Though he had his own orchestra there, it isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". During this period his music circulated widely in publication, eventuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Coltellini
Marco Coltellini (24 May 1724, in Montepulciano – November 1777, in Saint Petersburg) was an Italian opera tenor, libretto, librettist and Printer (publisher), printer. Biography Coltellini embarked on a career in the Church, but had to leave after fathering four daughters. He set up a printing shop in Livorno to publish the works of Age of Enlightenment, Enlightenment figures such as Algarotti, Francesco Algarotti and Cesare Beccaria. Coltellini was very interested in opera and made the acquaintance of Metastasio (the leading librettist of opera seria) as well as Christoph Willibald Gluck, Ranieri de' Calzabigi and Giacomo Durazzo, who were involved in the reform of Italian opera. In 1763, Coltellini succeeded Metastasio as the Imperial Poet at the Court of Vienna. He provided libretti for Gluck, Johann Adolf Hasse, Hasse (''Piramo e Tisbe'') and Antonio Salieri, Salieri, as well as revising Carlo Goldoni's ''La finta semplice'' so it could be set by Mozart. His collaboratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (, ; ; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic '' Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Eroicomico
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other forms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Paladino
(''The paladin Orlando''), Hob. 28/11, is an opera in three acts by Joseph Haydn which was first performed at Eszterháza on 6 December 1782. The libretto by is based on another libretto, ''Le pazzie d'Orlando'', by Carlo Francesco Badini (set by the composer Pietro Alessandro Guglielmi in 1771), itself inspired by Ariosto's epic poem ''Orlando furioso''. The opera was described as a ''dramma eroicomico'' and the plot mixes heroic and comic elements. It was Haydn's most popular opera during his lifetime. While in Prague, Mozart conducted a few performances of the opera. The Pennsylvania Opera Theater presented the United States premiere of the work at the Trocadero Theatre, Philadelphia, in March 1982 with John Gilmore in the title role. More recently, staged performances have been given in 2009 at the Berlin State Opera with René Jacobs conducting, and in 2016 at the Zurich Opera House conducted by Gianluca Capuano. In 2023, Il Giardino Armonico conducted by Giovanni Anto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fedeltà Premiata
' (''Fidelity Rewarded''), Hob. XXVIII/10, is an opera in three acts by Joseph Haydn first performed at the Eszterháza palace in Fertőd, Hungary, on 25 February 1781 to celebrate the reopening of the court theatre after a fire. The opera was revised for a new version first performed in 1782. Composition and performance history The main opera house adjoining the palace at Eszterháza had been destroyed by fire in November 1779; ''La fedeltà premiata'', composed in 1780, inaugurated the new state-of-the-art theatre in the grounds which opened after major delays 15 months later. The opera was written during the most prolific period of Haydn's operatic composition between 1773 and 1783 when he composed eight Italian operas. The libretto was adapted by Haydn and an anonymous colleague from Giambattista Lorenzi's ''L'infedeltà fedele'', which had been set by Cimarosa in 1779. Haydn had access to Cimarosa's score, Rice J. A., ''La fedeltà premiata'' in ''Haydn (Oxford Composer Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and personal charm, and made Pietro h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Azione Teatrale
; plural ) is a genre of opera, popular in Italy and southern Europe. An ''azione teatrale'' was typically shorter in scale, with few actors, usually no chorus, and either presented in a single act or divided into two parts. These musical plays were usually presented for dignitaries in their private palaces, or in the aristocratic theaters of their hosts. Dedicatory in nature, the plots as perfected by the leading light of The Enlightenment stage, Pietro Metastasio, revolve around the trial and personal struggle of an individual to overcome hardship, privation, or temptation on his road to being a better man. Larger works, with more charterers, festive choruses, and often involving historical or mythological characters, were called a ''festa teatrale''. Examples of the genre include Traetta's ''Armida'' (1761), Mozart's '' Il sogno di Scipione'' (1772) and Haydn's '' L'isola disabitata'' (1779). Gluck's '' Orfeo ed Euridice'' (1762) also belongs to this genre, though in many ways ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'isola Disabitata
' ( English: ''The Uninhabited Island''), Hob. 28/9, is an opera (') by Joseph Haydn, his tenth opera, written for the Eszterházy court and premiered on 6 December 1779. The libretto is the only one by Metastasio set by Haydn. The libretto had been originally set by Giuseppe Bonno (1754, Vienna) and subsequently used by Manuel García. Nino Rota has set excerpts to music as well. The libretto was adapted into French and set by F. I. Beck in Bordeaux in the same year as Haydn as '' L'isle déserte''. A later German version was as a Singspiel ''Die wüste Insel'' (Hob. XXVIII:9). Haydn's work has long been remembered for its dramatic overture, but the rest of the opera did not see print until H. C. Robbins Landon's 1976 edition (only available for rental). A new edition by Thomas J Busse was prepared in 2007 and is now online. The piece is striking for its use of orchestral throughout. Unrelated to Metastasio there is also a libretto of the same title by Carlo Goldoni (usi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vera Costanza
' (''True Constancy''), Hob. 28/8, is an operatic dramma giocoso by Joseph Haydn. The Italian libretto was a shortened version of the one by Francesco Puttini set by Pasquale Anfossi for the opera of the same name given in Rome in 1776. The story explores the troubles of a sentimental heroine abandoned by a mad lover. Performance history The work was written for the Eszterházy court and was first performed on 25 April 1779. It was revived there in April 1785 when Haydn apparently had to re-create much of the opera from memory, the original having been largely lost. It was given in Bratislava, Budapest, Vienna and Brno between 1786 and 1792 under the title ''Der flatterhafte Liebhaber''. The Vienna performance was directed by Wolfgang Amadeus Mozart. In Paris in 1791, it was performed as ''Laurette''. The opera was recorded in May 1976 by Philips in association with the Radio Suisse Romande & European Broadcasting Union. In 1980 the opera was given its United States premiere a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Mondo Della Luna
' (''The World on the Moon''), Hob. XXVIII:7, is an opera buffa by Joseph Haydn with a libretto written by Carlo Goldoni in 1750, first performed at Eszterháza, Hungary, on 3 August 1777. Goldoni's libretto had previously been set by six other composers, first by the composer Baldassare Galuppi and performed in Venice in the carnival of 1750. It was then adapted for Haydn's version of the opera, which would be performed during the wedding celebrations of Count Nikolaus Esterházy, the younger son of Haydn's patron, Prince Nikolaus Esterházy, and the Countess Maria Anna Wissenwolf. It is sometimes performed as a singspiel under its German title '. Roles The roles of Ecclitico and Lisetta were written for Guglielmo Jermoli and his wife Maria Jermoli, but they left Eszterháza shortly before the premiere. The opera is scored for two oboes, two bassoons, two horns, two trumpets, timpani, strings, and continuo. Synopsis Time: early 18th century Place: near Florence Act ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottlieb Konrad Pfeffel
Gottlieb Konrad Pfeffel (28 June 1736 – 1 May 1809) was a French-German writer and translator from the Pfeffel family. His texts were put to music by Ludwig van Beethoven, Joseph Haydn and Franz Schubert. He is sometimes also known as Amédée or Théophile Conrad Pfeffel, which is the French translation of Gottlieb ("Godlove"). Biography Gottlieb Konrad Pfeffel was born in Colmar. His father, Johann Konrad Pfeffel (1682–1738), was the mayor of Colmar and a legal consultant of the French king, but died when Gottlieb was only two years old. His mother was Anna Katharina Pfeffel, nee Herr (1694–1773), daughter of patrician of Colmar Johann Georg Herr. His father was the son of a pastor Johann Konrad Pfeffel (1636–1701). He was raised by his brother (1726–1807), who was ten years older. He went in 1751 to the University of Halle to study law, with the intention of becoming a diplomat. There, he was a student of the philosopher Christian Wolff. In 1752, Pfeffel tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
