List Of Operas By Claudio Monteverdi
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List Of Operas By Claudio Monteverdi
The Italian composer Claudio Monteverdi (1567–1643) wrote several works for the stage between 1604 and 1643, including ten in the then-emerging opera genre. Of these, both the music and libretto for three are extant: ''L'Orfeo'' (1607), ''Il ritorno d'Ulisse in patria'' (1640) and ''L'incoronazione di Poppea'' (1643). Seven other opera projects are known; four were completed and performed during Monteverdi's lifetime, while he abandoned another three at some point. The libretto has survived for some of these Lost operas by Claudio Monteverdi, lost operas. The Origins of opera, opera genre emerged during Monteverdi's earlier career, first as courtly entertainment trying to revive Greek theatre. The first known work to be regarded as an opera in the modern sense is ''Dafne'' (1598) by Jacopo Peri, and his ''Euridice (Peri), Euridice'' (1600) is the earliest surviving one. Since Monteverdi served as the court composer for the Dukes of Mantua#Dukes of Mantua (1530–1708), Gonzaga ...
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Mantua2 BMK
Mantua ( ; ; Lombard language, Lombard and ) is a ''comune'' (municipality) in the Italian region of Lombardy, and capital of the Province of Mantua, eponymous province. In 2016, Mantua was designated as the "Italian Capital of Culture". In 2017, it was named as the "European Capital of Gastronomy", included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and the nearby of Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the House of Gonzaga, Gonzaga family between 1328 and 1708 made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and of Italy as a whole. It had one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasur ...
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Venice
Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are linked by 438 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). As of 2025, 249,466 people resided in greater Venice or the Comune of Venice, of whom about 51,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adr ...
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Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ...
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Drama
Drama is the specific Mode (literature), mode of fiction Mimesis, represented in performance: a Play (theatre), play, opera, mime, ballet, etc., performed in a theatre, or on Radio drama, radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the Epic poetry, epic and the Lyric poetry, lyrical modes ever since Aristotle's ''Poetics (Aristotle), Poetics'' ()—the earliest work of dramatic theory. The term "drama" comes from a Ancient Greek, Greek word meaning "deed" or "Action (philosophy), act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional Genre, generic division between Comedy (drama), comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''Play (theatre), play'' or ''game'' (translating the Old English, Anglo-Saxon ''pleġan'' or Latin ''ludus'') wa ...
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Fable
Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or saying. A fable differs from a parable in that the latter ''excludes'' animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind. Conversely, an animal tale specifically includes talking animals as characters. Usage has not always been so clearly distinguished. In the King James Version of the New Testament, "" ("'' mythos''") was rendered by the translators as "fable" in the First Epistle to Timothy, the Second Epistle to Timothy, the Epistle to Titus and the First Epistle of Peter. A person who writes fables is referred to as a fabulist. Global history The fable is one of the m ...
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List Of Opera Genres
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other forms ...
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Torquato Tasso
Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between Christians and Muslims at the end of the First Crusade, during the Siege of Jerusalem (1099), Siege of Jerusalem of 1099. Tasso had mental illness and died a few days before he was to be Poet laureate, crowned on the Capitoline Hill as the king of poets by Clement VIII, Pope Clement VIII. His work was widely translated and adapted, and until the beginning of the 20th century, he remained one of the most widely read poets in Europe. Biography Early life Born in Sorrento, Torquato was the son of Bernardo Tasso, a nobleman of Bergamo and an epic and lyric poet of considerable fame in his day, and his wife Porzia de Rossi, a noblewoman born in Naples of Tuscany, Tuscan origins. His father had for many years been secretary in the service of ...
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Giulio Strozzi
Giulio Strozzi (1583 - 31 March 1652) was a Venetian poet and libretto writer. His libretti were put to music by composers like Claudio Monteverdi, Francesco Cavalli, Francesco Manelli, and Francesco Sacrati. He sometimes used the pseudonym Luigi Zorzisto. Biography Giulio Strozzi was a bastard, and later legitimized, son of Roberto Strozzi, from the Strozzi family. Born in Venice in 1583, he first studied there before going to the University of Pisa to study law. He lived and worked in Rome, Padua and Urbino before returning to Venice in the 1620s. He was the adoptive father of composer Barbara Strozzi (born in 1619 from Isabella Garzoni, a woman servant living in Strozzi's house, and possibly his illegitimate daughter). He remained there until his death on 31 March 1652. Work He wrote poetry and plays, but is best remembered as one of the first writers of libretti, the texts used for all kinds of musical plays but most specifically opera. His earliest known work was in 16 ...
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Ottavio Rinuccini
Ottavio Rinuccini (20 January 1563Firenze, Registro dei battezzati al fonte di S. Giovanni tenuto dal preposto di S. Giovanni, Registro 14, Carta 76v. – 28 March 1621) was an Italian poet, courtier, and opera libretto, librettist at the end of the Renaissance music, Renaissance and beginning of the Baroque music, Baroque eras. In collaborating with Jacopo Peri to produce the first opera, ''Dafne'', in 1597, he became the first opera librettist. He was born and died at Florence. Works Rinuccini wrote texts for some of the intermedio, intermedi at the performance of La Pellegrina, ''La pellegrina'' at the wedding of Ferdinando I de' Medici, Grand Duke of Tuscany, Ferdinand I de' Medici and Christina, Grand Duchess of Tuscany, Christine de Lorraine in May 1589. Other works include: * Libretto for Jacopo Peri's opera ''Dafne'', first performed early in 1598. * The pastorale (poetry), pastorale, ''Euridice'', used as the libretto for Peri's opera, ''Euridice (Peri), Euridice'', and ...
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Scipione Agnelli
Scipione Agnelli (1586 – 1 October 1653) was an Italian Catholic bishop, scholar and jurist. Life Born in Mantua, Agnelli was the son of Count Lepido Agnelli, in the service of the House of Gonzaga, and Girolama Pavese. He was educated at the Gonzaga court of Mantua and Casale and graduated in theology and canon law. In 1611 he pronounced the funeral oration for Eleonora de' Medici, consort of the Duke Vincenzo I Gonzaga. Ferdinando Gonzaga, the Duke of Mantua and Monferrato, proposed him to hold the position of bishop of Casale Monferrato; he was ordained on 18 February 1624. Because of the War of the Mantuan Succession, for many years he was prevented from carrying out his pastoral activity in Casale. Agnelli died in Casale Monferrato in 1653. Works * ''Vita della Beata Osanna ndreasi', 1597 and 1607. * ''De ideis libri tres disceptationum'', 1611. * ''Le nozze di Tetide'' (lost) * ''Il Mariale'', 1634. * ''Il Bonifacio'', tragedia sacra, 1629. * ''Annali di Mantova ...
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L'Arianna
' (Stattkus-Verzeichnis, SV 291, ''Ariadne'') is the Lost literary work, lost second List of operas by Claudio Monteverdi, opera by Italian composer Claudio Monteverdi. One of the earliest operas in general, it was composed in 1607–1608 and first performed on 28 May 1608, as part of the musical festivities for a royal wedding at the court of Vincenzo I Gonzaga, Duke of Mantua, Duke Vincenzo Gonzaga in House of Gonzaga, Mantua. All the music is lost apart from the extended recitative known as "" ("Ariadne's Lament"). The libretto, which survives complete, was written in eight scenes by Ottavio Rinuccini, who used Ovid's ''Heroides'' and other classical sources to relate the story of Ariadne#Naxos, Ariadne's abandonment by Theseus on the island of Naxos#Mythic Naxos, Naxos and her subsequent elevation as bride to the god Dionysus, Bacchus. The opera was composed under severe pressure of time; the composer later said that the effort of creating it almost killed him. The initial per ...
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Lost Literary Work
A lost literary work (referred throughout this article just as a lost work) is a document, literary work, or piece of multimedia, produced of which no surviving copies are known to exist, meaning it can be known only through reference, or literary fragments. This term most commonly applies to works from the classical world, although it is increasingly used in relation to modern works. A work may be lost to history through the destruction of an original manuscript and all later copies. Works—or, commonly, small fragments of works—have survived by being found by archaeologists during investigations, or accidentally by laypersons such as, for example, the finding Nag Hammadi library scrolls. Works also survived when they were reused as bookbinding materials, quoted or included in other works, or as palimpsests, where an original document is imperfectly erased so the substrate on which it was written can be reused. The discovery, in 1822, of Cicero's '' De re publica'' was ...
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