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Les Troyens
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts, running for about five hours, by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Troyens'' is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Under the title ''Les Troyens à Carthage'', the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. The reduced versions run for about three hours. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written. Composition history Berlioz began the libretto on 5 May 1856 and completed it toward the end of June 1856. He finished the full score ...
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Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and Orchestra, orchestras. The original productions consisted of spectacular design and stage effects with plots normally based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French-language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1860; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, especially those of opera. Several Italians working durin ...
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Hector Berlioz, Les Troyens à Carthage Vocal Score Cover - Restoration
In Greek mythology, Hector (; , ) was a Trojan prince, a hero and the greatest warrior for Troy during the Trojan War. He is a major character in Homer's ''Iliad'', where he leads the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He is ultimately killed in single combat by the Greek hero Achilles, who later drags his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. The name was in use during Mycenaean times, as evidenced by a servant with the name referred to in a Linear B tablet. In the tablet, the name is spelled , ''E-ko-to''. Moses I. Finley proposed that the Homeric hero was partly based ...
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La Perle Du Brésil
''La Perle du Brésil'' (''The Pearl of Brazil'') is an 1851 in 3 acts by composer Félicien David to a French-language libretto by J. Gabriel and . Performance history The opera was premiered on 22 November 1851 by the Opéra-National under Edmond Seveste at the Théâtre Historique on the Boulevard du Temple. Hector Berlioz described it as "sometimes good, often bad and in all, of little advantage to the composer". Nevertheless, it was the company's first popular success, being given an unusually long run of 68 performances during the next three years. A revised version of the opera was produced in 1858–59 by the same company under its new name, Théâtre Lyrique, and its new director, Léon Carvalho, with his wife Caroline Miolan-Carvalho as Zora, and again in 1863–64 at their new theatre on the Place du Châtelet, for a total of 144 performances. It was revived at the second Salle Favart by the Opéra-Comique under Léon Carvalho on 17 May 1883 with new spoken dialogue ...
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Félicien David
Félicien-César David (13 April 1810 – 29 August 1876) was a French composer. Biography Félicien David was born in Cadenet, and began to study music at the age of five under his father, whose death when the boy was six left him an impoverished orphan. His good voice enabled him to study as a choirboy at the Cathedral of Saint-Sauveur in Aix-en-Provence, which he left at the age of 15 with a sound knowledge of music, and a scholarship which enabled him to study literature at a Jesuit college. However, after three years, he abandoned these studies to pursue a musical career. He first obtained a position in the orchestra of the theatre at Aix. In 1829, he became ''maître de chapelle'' at Aix Cathedral, Saint-Sauveur, but realised that to complete his musical education he needed to study at Paris. An allowance of 50 francs per month from a rich uncle made this possible. In Paris in 1830 he convinced Luigi Cherubini, the director of the Conservatoire de Paris, Conservatoire, t ...
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Edmond Cabel
Edmond Cabel (18 November 1832 – December 1888) was a French operatic tenor. He was born Edmond-Antoine-Auguste Dreulette in Namur. He was the brother of the famous coloratura soprano Marie Cabel and adopted her married name Cabu (and later, the family's stage name Cabel).Walsh 1981, p. 375.Pierre 1900p. 712Kutsch and Riemens 2003, . He studied singing at the Conservatoire de Paris, and on 22 April 1855 sang Jacob (Isacco) in a student performance of the first two acts of Rossini's '' La pie voleuse'' (as adapted into French by Castil-Blaze) and on 29 June, Artémidore in the first three acts of Gluck's '' Armide'' (both under Jules Pasdeloup as the conductor), and won a second prize in opéra comique for 1855. From 1856 to 1859 he sang at the Théatre de l'Opéra-Comique in Paris. At the Théâtre Lyrique he sang André in a revival of Gretry's '' L’épreuve villageoise'' on 11 September 1863. He also created the role of Hylas in Berlioz' '' Les Troyens à Carthage'' on ...
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Bronchitis
Bronchitis is inflammation of the bronchi (large and medium-sized airways) in the lungs that causes coughing. Bronchitis usually begins as an infection in the nose, ears, throat, or sinuses. The infection then makes its way down to the bronchi. Symptoms include coughing up sputum, wheezing, shortness of breath, and chest pain. Bronchitis can be acute or chronic. Acute bronchitis usually has a cough that lasts around three weeks, and is also known as a chest cold. In more than 90% of cases, the cause is a viral infection. These viruses may be spread through the air when people cough or by direct contact. A small number of cases are caused by a bacterial infection such as '' Mycoplasma pneumoniae'' or '' Bordetella pertussis''. Risk factors include exposure to tobacco smoke, dust, and other air pollution. Treatment of acute bronchitis typically involves rest, paracetamol (acetaminophen), and nonsteroidal anti-inflammatory drugs (NSAIDs) to help with the fever. Chronic ...
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Hylas
In classical mythology, Hylas () was a youth who served Heracles (Roman Hercules) as companion and servant. His abduction by water nymphs was a theme of ancient art, and has been an enduring subject for Western art in the classical tradition. Genealogy In Greek mythology, Hylas was the son of King Theiodamas of the Dryopians and the nymph Menodice, daughter of Orion. In some accounts, his father was Euphemus or King Ceyx of Trachis.Antoninus Liberalis26/ref> Mythology Heracles After Heracles killed Theiodamas in battle, he took on Hylas as his arms-bearer and taught him to be a warrior. The poet Theocritus (about 300 BC) wrote about the love between Heracles and Hylas: Argonauts Heracles took Hylas with him on the Argo, thus making him one of the Argonauts. Hylas was kidnapped by Naiads of the spring of Pegae in Mysia when they fell in love with him, and he vanished into the water with a cry. His disappearance greatly upset Heracles, who, along with Polyphemus ...
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Aeneas
In Greco-Roman mythology, Aeneas ( , ; from ) was a Troy, Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus (mythology), Venus). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus (son of Tros), Ilus, founder of Troy), making Aeneas a second cousin to Priam's List of children of Priam, children (such as Hector and Paris (mythology), Paris). He is a minor character in Greek mythology and is mentioned in Homer's ''Iliad''. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's ''Aeneid'', where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Víðarr of the Æsir.The Prose Edda of Snorri Sturlson Translated by Arthur Gilchrist Brodeur [1916] Prologue II at Internet Sacred Texts Archive. Accessed 11/14/17 Etymology Aeneas is the Romanization of Greek, Romanization of the h ...
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Iopas
In Virgil's ''Aeneid'', Iopas is a bard at the court of Dido. He is featured at the end of Book 1, where he performs the "Song of Iopas", a creation narrative, during a banquet hosted for Aeneas and his Trojans. Text, context The passage in Virgil: ...cithara crinitus Iopas personat aurata, docuit quem maximus Atlas. hic canit errantem lunam solisque labores, unde hominum genus et pecudes, unde imber et ignes, Arcturum pluuiasque Hyadas geminosque Triones, quid tantum Oceano properent se tingere soles hiberni, uel quae tardis mora noctibus obstet A student of Atlas, the maestro, Livens the air with his gilded harp. For the long-haired Iopas Sings of the unpredictable moon, of the sun and its labours, Origins human and animal, causes of fire and of moisture, Stars (Lesser, Greater Bear, rainy Hyades, also Arcturus), Why in the winter the sun so hurries to dive in the Ocean, What slows winter's lingering nights, what blocks and delays them. (Tr. Frederick Ahl) Christine G. Perkell ...
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Seine
The Seine ( , ) is a river in northern France. Its drainage basin is in the Paris Basin (a geological relative lowland) covering most of northern France. It rises at Source-Seine, northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and into the English Channel at Le Havre (and Honfleur on the left bank). It is navigable by ocean-going vessels as far as Rouen, from the sea. Over 60 percent of its length, as far as Burgundy (region), Burgundy, is negotiable by large barges and most tour boats, and nearly its whole length is available for recreational boating; Bateaux Mouches, excursion boats offer sightseeing tours of the river banks in the capital city, Paris. There are 37 List of bridges in Paris#Seine, bridges in Paris across the Seine (the most famous of which are the Pont Alexandre III and the Pont Neuf) and dozens List of crossings of the River Seine, more outside the city. A notable bridge, which is also the last along the course of ...
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Backdrop (theater)
Theater drapes and stage curtains are large pieces of cloth that are designed to mask Theater (structure)#Basic elements of a theater structure, backstage areas of a theater from spectators. They are designed for a variety of specific purposes, moving in different ways (if at all) and constructed from various fabrics. Many are made from black or other darkly colored, light-absorbing material (In North America, for example, heavyweight velour is the current industry standard). Theater drapes represent a portion of any production's ''soft goods'', a category comprising any non-wardrobe, cloth-based element of the stage or scenery. Theater curtains are often pocketed at the bottom to hold weighty chain or to accept pipes to remove their fullness and stretch them tight. Proscenium stages use a greater variety of drapes than theatre in the round, arena or thrust stages. In proscenium theaters, drapes are typically suspended from batten (theater), battens and can be controlled by a fly ...
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Fauns
The faun (, ; , ) is a half-human and half-goat mythological creature appearing in Greek and Roman mythology. Originally fauns of Roman mythology were ghosts ( genii) of rustic places, lesser versions of their chief, the god Faunus. Before their conflation with Greek satyrs, they and Faunus were represented as naked men (e.g. the Barberini Faun). Later fauns became copies of the satyrs of Greek mythology, who themselves were originally shown as part-horse rather than part-goat. By the Renaissance, fauns were depicted as two-footed creatures with the horns, legs, and tail of a goat and the head, torso, and arms of a human; they are often depicted with pointed ears. These late-form mythological creatures borrowed their look from the satyrs, who in turn borrowed their look from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their Greek chieftain, Silenus, was a minor deity of Greek mythology. Origins Romans believed fauns stirred fear in men tr ...
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