Le Médecin Malgré Lui
''Le Médecin malgré lui'' (; "The doctor/physician in spite of himself") is a farce by Molière first presented in 1666 (published as a manuscript in early 1667) at le Théâtre du Palais-Royal (rue Saint-Honoré), théâtre du Palais-Royal by la Troupe du Roi. The play is one of several plays by Molière to center on Sganarelle, a character that Molière himself portrayed, and is a comedic satire of 17th century France, French medicine. The music composed by Marc-Antoine Charpentier is lost. The play initially focuses on Sganarelle, an impoverished Lumberjack, woodcutter (logger, timber cutter) who is both alcoholic and Gluttony, gluttonous. He spends his meager income on food and drink for himself. One day, he Domestic violence, beats his wife during an argument between them. In revenge, the wife convinces the servants of a wealthy man that Sganarelle is an Eccentricity (behavior), eccentric physician who needs beatings to admit his identity and work. The initially unwil ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arranged Marriage
Arranged marriage is a type of Marriage, marital union where the bride and groom are primarily selected by individuals other than the couple themselves, particularly by family members such as the parents. In some cultures, a professional matchmaking, matchmaker may be used to find a spouse for a young person. Arranged marriages have historically been prominent in many cultures. The practice remains common in many regions, notably the Caucasus, Central Asia, North Africa, South Asia, Southeast Asia, sub-Saharan Africa, Caribbean, and West Asia. In many other parts of the world, the practice has declined substantially during the 19th and 20th centuries. Forced marriages, practised in some families, are condemned by the United Nations. The specific sub-category of forced child marriage is especially condemned. History Arranged marriages were the norm throughout the world until the 18th century. Typically, marriages were arranged by parents, grandparents or other close relatives and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Émile Chautard
Émile Chautard (7 September 1864 – 24 April 1934) was a French-American film director, actor, and screenwriter, most active in the silent era. He directed more than 100 films between 1910 and 1924. He also appeared in more than 60 films between 1911 and 1934. Life and work Chautard was born in Paris. After a significant career beginning as a stage actor at the Odéon-Théâtre de l'Europe and moving up to the head of film production at Éclair Films' Paris studio in 1913, Chautard emigrated to the United States in January 1915, sailing on the S/S ''Rochambeau'', from Le Havre to New York. From 1915 to about 1918, Chautard worked for the World Film Company based in Fort Lee, New Jersey. At World, along with a group of other French-speaking film technicians including Maurice Tourneur, Léonce Perret, George Archainbaud, Albert Capellani and Lucien Andriot, he developed such films as the 1915 version of '' Camille'', and taught a young apprentice film cutter at the W ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lux Summer Theatre
''Lux Summer Theatre'' is a CBS Radio (Columbia Broadcasting System) anthology series which ran during the summer of 1953 in the ''Lux Radio Theatre's'' regular one-hour timeslot. Fourteen episodes aired from June through August of that year. This weekly series differed from its parent show in several ways, starting with it being the first version of ''Lux Radio Theatre'' since 1936 to air during the summer. Norman Macdonnell was brought in from the ''Gunsmoke'' radio series to take on the job of director-producer. Ken Carpenter continued as the show's announcer, with Don Wilson filling in for him when on vacation. This summer series had a significantly smaller budget than its parent show, with each episode budgeted at $4250 (by contrast, when ''Lux Radio Theatre'' aired its first show from Hollywood in 1936 that show's budget was a reported $17,000). Because of the budget constraints, only a single major star headed-up each episode of the summer series. Another difference in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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NBC University Theatre
''NBC University Theater'' (also known as ''NBC University Theater of the Air'', ''NBC Theater of the Air'' or ''NBC Theater'') was a brand the National Broadcasting Co. applied to a category of radio programming. Although it was not actually a university, some colleges and universities participated by including some of the programming in their curriculum. ''NBC University Theaters most well-known radio series was ''The World's Great Novels''. NBC used the name "''University Theater''" or similar from about 1923–1947. Description Most NBC University Theater programming aired on NBC's Red Network, but the Blue Network (later to become ABC) also participated. The Armed Forces Radio Network also distributed some of the programs. About 1948, NBC replaced this category with '' NBC Presents''. ''The World's Great Novels'' ''The World's Great Novels'' was one of the radio series included in NBC University Theater. The series was produced by Margaret Cuthbert and directed by H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ernest Kinoy
Ernest Kinoy (April 1, 1925 – November 10, 2014) was an American writer, screenwriter and playwright. Early life Kinoy was born in New York City on April 1, 1925; his parents, Albert and Sarah Kinoy (formerly Forstadt), were both high-school teachers. His older brother Arthur Kinoy later became a leading constitutional lawyer. Kinoy attended the Ethical Culture Fieldston School and later Columbia University, although his studies were interrupted by military service during World War II. During his army service with the 106th Infantry Division, Kinoy was made a prisoner of war, and was interned at the Stalag IX-B camp but, as a Jewish POW, was subsequently sent to the slave labor camp at Berga. Following his return from the war and graduation from Columbia College in 1947, he joined NBC as a staff writer in 1948. Radio, television and screen career NBC years (1948–1960) During his time at NBC, Kinoy wrote scripts for many of the major NBC radio and television dramas ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, London, and edited by Stanley Sadie. Christina Bashford was the managing editor. While some entries were based on their equivalent entry in ''The New Grove Dictionary of Music and Musicians'', most were specially commissioned. The work contains contributions from over 1,300 scholars, with 11,000 articles in total, covering over 2,900 composers and 1800 operas. The operas discussed range from the earliest operas in 16th century Italy to the 1992 Philip Glass work '' The Voyage''. The final volume includes four appendices: an index of principal role names in 850 notable operas; an index of incipits of arias and ensembles (first line only, no musical examples); a list of contributors; and illustration acknowledgements. In 1997, the diction ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Le Médecin Malgré Lui (opera)
(''The Doctor in spite of himself''; sometimes also called ''The Mock Doctor'') is an opéra comique in three acts by Charles Gounod to a libretto by Jules Barbier and Michel Carré after Molière's Le Médecin malgré lui, play of the same name. The work premiered at the Théâtre Lyrique in Paris on 15 January 1858. Performance history As the work uses spoken dialogue and verse taken directly from Molière's play, the Comédie-Française tried unsuccessfully to block performance of the opera. It was revived at the Opéra-Comique in 1872, 1886, 1902 and 1938; was seen in Hamburg, Stockholm and Warsaw in 1862; and in England between 1865 and 1891. On 25 November 1978 the opera received its 100th performance at the Opéra-Comique, conducted by Sylvain Cambreling and with Jean-Philippe Lafont, Jocelyne Taillon and Jules Bastin among the cast. In June 1923, Sergei Diaghilev commissioned Erik Satie to compose recitatives to replace the spoken dialogue. According to one assessment of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Michel Carré
Michel Carré (; 20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist. He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. He wrote the text for Charles Gounod's '' Mireille'' (1864) on his own, and collaborated with Eugène Cormon on Bizet's '' Les pêcheurs de perles''. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Camille Saint-Saëns's '' Le timbre d'argent'' (libretto written in 1864, first performed in 1877), Gounod's '' Faust'' (1859), '' Roméo et Juliette'' (1867), and Offenbach's '' Les contes d'Hoffmann'' (1881). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks. His son, Michel-Antoine Carré (1865–1945), followed in his father's footsteps, also writing libretti, and later direct ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jules Barbier
Paul Jules Barbier (; 8 March 182516 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré. Works His libretti for extant operas (those co-written with Carré are shown with an asterisk) include: *: **''La Colombe'', '''' (*), '' Le médecin malgré lui'' (*), ''[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his "Ave Maria (Bach/Gounod), Ave Maria" (an elaboration of a Johann Sebastian Bach, Bach piece) and "Funeral March of a Marionette". Born in Paris into an artistic and musical family, Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |