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Le Déjeuner Sur L'herbe (Monet, Moscow)
(; ''The Luncheon on the Grass'') – originally titled ''Le Bain'' (''The Bath'') – is a large oil on canvas painting by Édouard Manet created in 1862 and 1863. It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon (Paris), Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The work increased Manet's fame; in spite of this it nonetheless failed to sell at its debut. The work is now in the Musée d'Orsay in Paris. A smaller, earlier version can be seen at the Courtauld Gallery, London. Description and context The painting features a nude woman casually lunching with two fully dressed men. Her body is starkly lit and she stares directly at the viewer. The two men, dressed as young dandy, dandies, sit with her. In front of them, the woman's clothes, a ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French Modernism, modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism (art movement), Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, Le Déjeuner sur l'herbe, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and ''Olympia (Manet), Olympia'', premiering in 1863 and '65, respectively, caused great controversy with both critics and the Academy of Fine Arts, but soon were praised by progressive artists as the breakthrough acts to the new style, Impressionism. These works, along with others, are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'ÃŽle-Saint-Denis
L'ÃŽle-Saint-Denis (; ) is a French commune in the northern suburbs of Paris, ÃŽle-de-France. It is located from the centre of Paris. The commune is entirely contained on an island of the Seine, hence its name. Along with the communes of Saint-Denis and Saint-Ouen-sur-Seine, L'ÃŽle-Saint-Denis formed the Olympic Village of the 2024 Summer Olympics. This allowed 85% of athletes to be 30 minutes from their competition venues. Heraldry Transport Several transit connections are located nearby. The closest station to l'ÃŽle-Saint-Denis is Saint-Denis station, which is an interchange station on Paris RER line D and on the Transilien Paris – Nord suburban rail line. This station is located in the neighboring commune of Saint-Denis, from the town center of l'ÃŽle-Saint-Denis. Tram T1 stops near ÃŽle-Saint-Denis's town hall. Bus route 237 runs along the length of the island. Demographics The island is the result of the joining of several smaller islands (which helps e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pastoral Concert
The ''Pastoral Concert'' or ''Le Concert Champêtre'' is an oil painting of c. 1509 attributed to the Italian Renaissance master Titian. It was previously attributed to his fellow Venetian and contemporary Giorgione. It is located in the Musée du Louvre in Paris. This painting was created between approximately 1509 and 1510; the exact date of its creation is unknown. This period also represents a turbulent period of history in Venice, specifically the League of Cambrai's War in 1509. Art historian Jonathan Unglaub suggests that this painting was painted in response to the war, providing an "idyllic refuge from the ravages of history." The term "Concert Champêtre" was first used in 1754 by Nicolas Bernard Lépicié, to describe this painting. But when it entered the Louvre in 1792 it was given the title of a Fête champêtre, a genre arguably based on this painting. It is believed to display the Renaissance admiration of classical poetry, an essential value of humanism. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design on a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engravings, a form of relief printing and stone engravings, such as petroglyphs, are not covered in this article. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and surpass the ideas and achievements of classical antiquity. Associated with great social change in most fields and disciplines, including Renaissance art, art, Renaissance architecture, architecture, politics, Renaissance literature, literature, Renaissance exploration, exploration and Science in the Renaissance, science, the Renaissance was first centered in the Republic of Florence, then spread to the Italian Renaissance, rest of Italy and later throughout Europe. The term ''rinascita'' ("rebirth") first appeared in ''Lives of the Artists'' () by Giorgio Vasari, while the corresponding French word was adopted into English as the term for this period during the 1830s. The Renaissance's intellectual basis was founded in its version of Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Des Beaux-Arts
; ) refers to a number of influential art schools in France. The term is associated with the Beaux-Arts architecture, Beaux-Arts style in architecture and city planning that thrived in France and other countries during the late nineteenth century and the first quarter of the twentieth century. The most famous and oldest is the in Paris, now located on the city's Rive Gauche, left bank across from the Louvre, at 14 rue Bonaparte (in the 6th arrondissement of Paris, 6th arrondissement). The school has a history spanning more than 350 years, training many of the great artists and architects in Europe. Fine art, Beaux-Arts style was modeled on classical "Classical antiquity, antiquities", preserving these idealized forms and passing the style on to future generations. History The origins of the Paris school go back to 1648, when the was founded by Cardinal Mazarin to educate the most talented students in drawing, painting, sculpture, engraving, architecture and other media. Loui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Des Beaux-Arts
The (; ) is a French learned society based in Paris. It is one of the five academies of the . The current president of the academy (2021) is Alain-Charles Perrot, a French architect. Background The academy was created in 1816 in Paris as a merger of the Académie de peinture et de sculpture (Academy of Painting and Sculpture, founded 1648), the Académie de musique (Academy of Music, founded in 1669) and the Académie d'architecture (Academy of Architecture, founded in 1671). Awards Currently, the provides several awards including five dedicated prizes: . Prix et Concours. * Liliane Bettencourt Prize for Choral Singing * [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcantonio Raimondi
Marcantonio Raimondi, often called simply Marcantonio ( – ), was an Italian engraver, known for being the first important printmaker whose body of work consists largely of prints copying paintings. He is therefore a key figure in the rise of the reproductive print. He also systematized a technique of engraving that became dominant in Italy and elsewhere. His collaboration with Raphael greatly helped his career, and he continued to exploit Raphael's works after the painter's death in 1520, playing a large part in spreading High Renaissance styles across Europe. Much of the biographical information we have comes from his life, the only one of a printmaker, in Vasari's ''Lives of the Artists''. He is attributed with around 300 engravings. After years of great success, his career ran into trouble in the mid-1520s; he was imprisoned for a time in Rome over his role in the series of erotic prints ''I Modi'', and then, according to Vasari, lost all his money in the Sack of Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Distance
In sociology, social distance describes the distance between individuals or social groups in society, including dimensions such as social class, race/ethnicity, gender or sexuality. Members of different groups mix less than members of the same group. It is the measure of nearness or intimacy that an individual or group feels towards another individual or group in a social network or the level of trust one group has for another and the extent of perceived likeness of beliefs. History Modern research into social distance is primarily attributed to work by sociologist Georg Simmel. Simmel's conceptualization of social distance was represented in his writings about a hypothetical stranger that was simultaneously near and far from contact with his social group. Simmel's lectures on the topic were attended by Robert Park, who later extended Simmel's ideas to the study of relations across racial/ethnic groups. At the time, racial tensions in the US at the time had brought intergrou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Leenhoff
Ferdinand Karel Adolf Constantijn Leenhoff (24May 184125April 1914) was a Dutch painter and sculptor. Life He was born in Zaltbommel to Carolus Antonius Leenhoff (1807–1878), a carillonneur and music professor, and Martina Adriana Johanna Ilcken (1807–1876). Around 1847, Ferdinand, his mother and some of his siblings moved to Paris to live with Ferdinand's grandmother. There he was pupil of Alphonse François. There his sister Suzanne met and later married the painter Édouard Manet, in the centre of whose '' Le Déjeuner sur l'herbe'' (1863) Leenhoff appears. Leenhoff studied under Joseph Mezzara in Paris, with Mezzara later marrying Leenhoff's sister Mathilde. He later returned to the Netherlands and from 1890 to 1899 taught at Amsterdam's Rijksakademie van beeldende kunsten, before dying in Nice in 1914. Selected works * Paris, cimetière de Passy : ''Bust of Édouard Manet'', bronze, on the painter's grave. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympia (Manet)
''Olympia'' is an 1863 oil painting by Édouard Manet, depicting a nude white woman ("Olympia") lying on a bed being attended to by a black maid. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is now in the Musée d'Orsay, Paris. The figure of Olympia was modeled by Victorine Meurent, and that of her servant by Laure (art model), Laure. Olympia's confrontational gaze caused shock and controversy when the painting was first exhibited at the 1865 Salon (Paris), Paris Salon, especially because a number of details in the picture identified her as a Prostitution, prostitute. The title of the painting is generally attributed to Manet's close friend Zacharie Astruc, an art critic and artist, since an excerpt from one of Astruc's poems was included in the catalogue entry along with ''Olympia'' when it was first exhibited in 1865. Content Contemporary audiences were shocked by Olympia's confrontational gaze, combi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
