Le Bal De Béatrice D'Este
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Le Bal De Béatrice D'Este
''Le Bal de Béatrice d'Este'' is a seven-movement suite for chamber ensemble by Reynaldo Hahn, first performed in 1905 in Paris. History The composer Reynaldo Hahn – born in Venezuela and long resident in Paris, though not yet, in 1905, a French national – was devoted to France, and interested in its historical culture. In his ''mélodies'' he made several settings of words by French poets of medieval and Renaissance times, and sometimes composed in a style evoking their eras.O'Connor, Patric"Hahn, Reynaldo" ''Grove Music Online'', Oxford University Press, 2001. Retrieved 29 October 2020 For ''Le Bal de Béatrice d'Este'', however, he turned to Italian history. Beatrice d'Este was the wife of the 15th-century Duke of Milan, Ludovico ("Il Moro") Sforza. She presided over a glittering court, which included Donato Bramante, Leonardo da Vinci and other leading artists. Hahn based his suite on archaic dance measures, to portray a grand ball at the ducal palace.Tchamkerten, Jacqu ...
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Reynaldo Hahn
Reynaldo Hahn de Echenagucia (9 August 1874 – 28 January 1947) was a Venezuelan-born French composer, conductor, music critic, and singer. He is best known for his songs – ''mélodies'' – of which he wrote more than 100. Hahn was born in Caracas but his family moved to Paris when he was a child, and he lived most of his life there. Following the success of his song "''Si mes vers avaient des ailes''" (If my verses had wings), written when he was aged 14, he became a prominent member of ''fin de siècle'' French society. Among his closest friends were Sarah Bernhardt and Marcel Proust. After the First World War, in which he served in the army, Hahn adapted to new musical and theatrical trends and enjoyed successes with his first opérette, ''Ciboulette'' (1923) and a collaboration with Sacha Guitry, the musical comedy ''Mozart (comédie musicale), Mozart'' (1926). During the Second World War Hahn, who was of Jewish descent, took refuge in Monaco, returning to Paris in 19 ...
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Pavane
The ''pavane'' ( ; , ''padovana''; ) is a slow processional dance common in Europe during the 16th century (Renaissance). The pavane, the earliest-known music for which was published in Venice by Ottaviano Petrucci, in Joan Ambrosio Dalza's ''Intabolatura de lauto libro quarto'' in 1508, is a sedate and dignified Partner dance, couple dance, similar to the 15th-century basse danse. The music which accompanied it appears originally to have been fast or moderately fast but, like many other dances, became slower over time. Origin of term The word ''pavane'' is most probably derived from Italian [''danza''] ''padovana'', meaning "[dance] typical of Padua" (similar to Bergamask, "dance from Bergamo"); ''pavan'' is an old Northern Italian form for the modern Italian adjective ''padovano'' (= from Padua). This origin is consistent with the equivalent form, ''Paduana''. An alternative explanation is that it derives from the Spanish ''pavón'' meaning ''peacock''. Although the dan ...
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20th-century Classical Music
20th-century classical music is Western art music that was written between the years 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started later in the century and can be seen as a change from the modern to postmodern era, although some date postmodernism from as early as about 1930. Aleatory, atonality, serialism, ''musique concrète'', and electronic music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was characteristi ...
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