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Latin Percussion
{{for, the company, Latin Percussion Latin percussion is a family of percussion, membranophone, lamellophone and idiophone instruments used in Latin music. Instruments Afro-Cuban and Puerto Rican styles Folkloric and Santeria * Trap drums * Abakua and Arará drums * Chekere/Shekere * Erikundi * Bata * Cowbell * Shaker * Conga * Cajon * Guiro * Barril de bomba * Pandereta plenera * Cuá * mouth sounds 20-21st century music (Salsa, Son Montuno, Bolero, etc.) * Bongo * Conga * Clave/ Wood block * Cowbell (cencerro) * Timbales * Shaker/ Maraca * Güiro * Cajón South America * Timbales, a similar Afro-Cuban instrument * Surdo * Cuíca * Caixa * Reco-reco *Cabasa/ Afuche * Repinique * Agogô * Tan-tan * Pandeiro * Tamborim * Apito * Berimbau Neo Samba and Neo-Bossa Nova additions * Conga * Timbales * Bongo * Clave/ Wood block * Cowbell Andean styles (Peru, Bolivia, South Ecuador, Argentina, Chile) * Rain Stick * Reco-reco * Sheep hooves, or chapchas * Chipaya box * Bombo * Huancar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a percussion mallet, beater including attached or enclosed beaters or Rattle (percussion beater), rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding Zoomusicology, zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and String instrument, chordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barril De Bomba
The barril de bomba is a traditional drum used in bomba music of Puerto Rico. The ''barriles de bomba'' are built from the wood of rum storage barrels and goatskin, adjusted with tourniquets, screws, cuñas or wedges. At least two drums are required to perform bomba music and dance: a ''Primo'' or ''subidor'', the lead drum who follows the dancer, and the ''buleador'', which keep a steady beat. Additional instruments include the ''cuá'', a hollow small wooden barrel which is struck with wooden sticks, and most commonly a ''maraca''. ''Cuá'' - wooden sticks are used on a wooden surface to draw a basic rhythmic pattern, similar to the buleador pattern. The wooden surface can be a lying barrel, a piece of hollowed tree or a bamboo, open at both ends. ''Maraca'' - made from native fig, this singular maraca produces a sharp sound. Before this artefact, a ''marimba'' (güiro) was used in some areas of the island instead of the rattle. The ''maraca'' is a shaken idiophone An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snare Drum
The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in Orchestra, orchestras, Concert band, concert bands, Marching band, marching bands, Parade, parades, drumlines, drum corps, and more. It is one of the central pieces in a drum set, a collection of percussion instruments designed to be played by a seated drummer and used in many genres of music. Because basic rhythms are very easy to learn to play on a snare drum even for children, the instrument is also suitable for the music education for young children and a rhythm band. Snare drums are usually played with drum sticks, but other beaters such as the Brush (percussion), brush or the Rute (music), rute can be used to achieve different tones. The snare drum is a versatile and expressive percussion instrument due to its sensitivity and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuíca
The cuíca () is a Brazil, Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. ''Cuíca'' is Portuguese for the gray four-eyed opossum (''Philander opossum'') which is known for its high-pitched cry. The cuíca is frequently used in carnivals, as well as often in Samba (music), samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. Many also liken its sound to that of a monkey. In drum kit list, the mute and open cuíca sound is a F5 and G5. History There are a number of styles of found around the globe. Its origins are disputed: Different sources trace it to enslaved Bantu peoples, Bantu people, to Spain, and to Muslim traders – structurally it is identical, among other instruments in the same category, to the Portuguese , Spanish , Catalan and Balearic . The cuíca was used in Africa as a call for the male lion since the sound mimics the roar of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surdo
The surdo is a bass drum or a large floor tom-like drum used in many kinds of Brazilian music, such as Axé/ Samba-reggae and samba, where it plays the lower parts from a percussion section. The instrument was created by Alcebíades Barcelos during the 1920s and 1930s as part of his work with the first samba school in Rio de Janeiro, Deixa Falar. It is also notable for its association with the cucumbi genre of the Ancient Near East. Surdo sizes normally vary between and diameter, with some as large as . In Rio de Janeiro, surdos are generally deep. Surdos used in the northeast of Brazil are commonly shallower, at deep. Surdos may have shells of wood, galvanized steel, or aluminum. Heads may be goatskin or plastic. A Rio bateria will commonly use surdos that have skin heads (for rich tone) and aluminum shells (for lower weight). Surdos are worn from a waist belt or shoulder strap, oriented with the heads roughly horizontal. The bottom head is not played. Surdo drummers beat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cajón
A cajón ( ; "box, crate, drawer") is a box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces (generally thin plywood) with the hands, fingers, or sometimes implements such as brushes, mallets, or sticks. Cajóns are primarily played in Afro-Peruvian music (specifically música criolla), but have made their way into flamenco as well. The term cajón is also applied to other box drums used in Latin American music, such as the Cuban cajón de rumba and the Mexican cajón de tapeo. Description Sheets of 13 to 19 mm ( to inch) thick wood are generally used for five sides of the box. A thinner sheet of plywood is nailed on as the sixth side, and acts as the striking surface or head. The striking surface of the cajón drum is commonly referred to as the ''tapa''. A sound hole is cut on the back side. The modern cajón may have rubber feet, and has several screws at the top for adjusting percussive timbre. Origins and evolution T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Güiro
The güiro () is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines (see photo) along the notches to produce a ratchet sound. The güiro is commonly used in Cuban, Puerto Rican, and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes. The güiro, like the maracas, is often played by a singer. It is closely related to the Cuban guayo, Dominican güira, and Haitian graj which are made of metal. Other instruments similar to the güiro are the Colombian guacharaca, the Brazilian reco-reco, the Cabo Verdean ferrinho, the quijada (cow jawbone) and the frottoir (French) or fwotwa (French Creole) ( washboard). Etymology In the Arawakan language, a language of the indigenous people of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maraca
A maraca ( , , ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas, also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round '' Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the ( scarlet ibis). It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock (instrument)
A woodblock (also spelled as two words, wood block) is a small slit drum made from a single piece of wood. The term generally signifies the Classical music, Western orchestral instrument, but may also refer to the Wooden fish, Chinese woodblock. In ragtime and jazz music, it is also known as the clog box or tap box. In orchestral music scores, woodblocks may be indicated by the French ''bloc de bois'' or ''tambour de bois'', German ''Holzblock'' or ''Holzblocktrommel'', or Italian ''cassa di legno''. The orchestral woodblock of the West is generally made from teak or another hardwood. The dimensions of this instrument vary, although it is either a rectangular or cylindrical block of wood with one or sometimes two longitudinal cavities. It is played by striking it with a stick, which produces a sharp crack. Alternatively, a rounder mallet, soft or hard, may be used, which produces a deeper-pitched and fuller "knocking" sound. On a drum kit, a woodblock is traditionally mounted on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claves
Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony or grenadilla) many modern manufacturers offer claves made of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands. Claves are sometimes hollow and carved in the middle to amplify the sound. History Claves have been very important in the development of Afro-Cuban music, such as the son and guaguancó.They are also often used in Samba music. They are often used to play an ostinato, or repeating rhythmic figure, throughout a piece known as the clave. Many examples of clave-like instruments can be found around the world. Technique The basic principle when playing claves is to allow at least one of them to resonate. The usual technique i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( Spanish: ''bongó'') are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger ''hembra'' () and the smaller ''macho'' (), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands. Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as ''bongosero'' and often plays a continuous eight-stroke pattern called ''martillo'' () as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint. Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. These older, larger bongos are known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
