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L'impresario Delle Isole Canarie
' (The impresario from the Canary Islands), also known as ''L'impresario delle Canarie'' or ''Dorina e Nibbio'', is a satirical opera intermezzo libretto attributed to Metastasio (Pietro Antonio Domenico Trapassi), written in 1724 to be performed between the acts of Metastasio's opera seria ''Didone abbandonata''. The first performance of the work was on February 1, 1724, in Naples, Italy, at Teatro San Bartolomeo. The first composer to set this libretto to music was Domenico Sarro, also known by the name ''Sarri'', who also revised the work in 1730. The role of Dorina was first sung by the contralto Santa Marchesini, and Nibbio by the basso buffo singer Gioacchino Corrado. Later versions of this libretto appear with the titles ''L'impresario'', ''L'impresario e la cantante'' and others. Plot The following is the plot as in the 1724 libretto. Later versions are different but all maintain the basic comic situation. Persons: Dorina, an opera singer; Nibbio, an impresario from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Metastasio
Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and Libretto, librettist, considered the most important writer of ''opera seria'' libretti. Early life Metastasio was born in Rome, where his father, Felice Trapassi, a native of Assisi, had taken service in the Corsican regiment of the papal forces. Felice married a Bolognese woman, Francesca Galasti, and became a grocer in the ''Via dei Cappellari''. The couple had two sons and two daughters; Pietro was the younger son. Pietro, while still a child, is said to have attracted crowds by reciting impromptu verses on a given subject. On one such occasion in 1709, two men of distinction stopped to listen: Giovanni Vincenzo Gravina, famous for legal and literary erudition as well as his directorship of the Academy of Arcadians, Arcadian Academy, and Lorenzini, a critic of some note. Gravina was attracted by the boy's poetic talent and per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prima Donna
In opera or ''commedia dell'arte'', a prima donna (; Italian for 'first lady'; : ''prime donne'') is the leading female singer in the company, the person to whom the ''prime'' roles would be given. ''Prime donne'' often had grand off-stage personalities and were seen as demanding of their colleagues. Because of this, the term has spread in contemporary usage, from its original usage in opera to referring to anyone behaving in a demanding or temperamental fashion or having an inflated view of oneself. The prima donna in opera was normally, but not necessarily, a soprano. The corresponding term for the male lead (usually a castrato in the 17th and 18th centuries, later a tenor) is ''primo uomo''.H. Rosenthal, H. and J. Warrack, ''The Concise Oxford Dictionary of Opera'', 2nd Edition, Oxford University Press, 1979. p. 398. Opera In 19th century Italy, the leading woman in an opera or ''commedia dell'arte'' company was known as the prima donna, literally the "first lady". This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Goldoni
Carlo Osvaldo Goldoni (, also , ; 25 February 1707 – 6 February 1793) was an Italian playwright and librettist from the Republic of Venice. His works include some of Italy's most famous and best-loved plays. Audiences have admired the plays of Goldoni for their ingenious mix of wit and honesty. His plays offered his contemporaries images of themselves, often dramatizing the lives, values, and conflicts of the emerging middle classes. Though he wrote in French and Italian, his plays make rich use of the Venetian language, regional vernacular, and colloquialisms. Goldoni also wrote under the pen name and title ''Polisseno Fegeio, Pastor Arcade'', which he claimed in his memoirs the " Arcadians of Rome" bestowed on him. Biography Memoirs There is an abundance of autobiographical information on Goldoni, most of which comes from the introductions to his plays and from his ''Memoirs''. However, these memoirs are known to contain many errors of fact, especially about his earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomaso Albinoni - L’impresario Delle Canarie - Titlepage Of The Libretto - Milan 1728 , Italian car-manufacturing company
{{Given name ...
Tomaso is a given name, being an Italian form of the name Thomas, a variant of the more common Tommaso or Tomasso. Notable people with the name include: * Tomaso Albinoni, 18th-century Italian composer * Alejandro de Tomaso, racing driver and businessman from Argentina * Rico Tomaso, American illustrator and painter See also * De Tomaso De Tomaso Automobili Ltd. (previously known as De Tomaso Modena SpA) is an Italian car-manufacturing company. It was founded in 1959 by Alejandro de Tomaso in Modena. It originally produced various sports prototypes and auto racing vehicles, incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Martini
Giovanni Battista or Giambattista Martini, (24 April 1706 – 3 August 1784), also known as Padre Martini, was an Italian Conventual Franciscan friar, who was a leading musician, composer, and music historian of the period and a mentor to Mozart. Biography Giovanni Battista Martini was born in Bologna, in that era part of the Papal States. His father, Antonio Maria Martini, a violinist, taught him the elements of music and the violin and he later learned singing and harpsichord playing from Padre Pradieri, and counterpoint from Antonio Riccieri and Giacomo Antonio Perti. Having received his education in classics from the priests of the Oratory of Saint Philip Neri, he afterwards entered the novitiate of the Conventual Franciscans at their friary in Lago, at the close of which he professed religious vows and received the religious habit of the Order on 11 September 1722. In 1725, though only nineteen years old, he received the appointment of chapel-master at the Basilica of San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Leo
Leonardo Leo (5 August 1694 – 31 October 1744), more correctly Leonardo Ortensio Salvatore de Leo, was a Baroque music, Baroque composer. Biography Leo was born in San Vito degli Schiavoni (currently known as San Vito dei Normanni, province of Brindisi) in the Apulia region, then part of the Kingdom of Naples. He became a student at the Music conservatories of Naples#Conservatorio della Pietà dei Turchini, Conservatorio della Pietà dei Turchini at Naples in 1703, and was a pupil first of Francesco Provenzale and later of Nicola Fago. It has been supposed that he was a pupil of Giuseppe Ottavio Pitoni, Pitoni and Alessandro Scarlatti, but he could not possibly have studied with either of these composers, although he was undoubtedly influenced by their compositions. His earliest known work was a sacred drama, ''L'infedeltà abbattuta'', performed by his fellow-students in 1712. In 1714 he produced, at the court theatre, an opera, ''Pisistrato'', which was much admired. He hel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Orlandini
Giuseppe Maria Orlandini (4 April 167624 October 1760) was an Italian baroque composer particularly known for his more than 40 operas and intermezzos. Highly regarded by music historians of his day like Francesco Saverio Quadrio, Jean-Benjamin de La Borde and Charles Burney, Orlandini, along with Vivaldi, is considered one of the major creators of the new style of opera that dominated the second decade of the 18th century. Life Born in Florence,Note- It was previously thought that he was born earlier on 19 March 1675 but current research has proven he was born on 4 April 1676. It is most likely that the earlier date is referring to an older brother who had died before Orlandini was born. Orlandini began working as an opera composer in his late twenties for Prince Ferdinando de’ Medici. His first opera, ''Artaserse'', premiered in Livorno in 1706. A moderate success, the work was revived in Naples in 1708. Beginning in 1711, he was the ''maestro di cappella'' to Prince Gian Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, London, and edited by Stanley Sadie. Christina Bashford was the managing editor. While some entries were based on their equivalent entry in ''The New Grove Dictionary of Music and Musicians'', most were specially commissioned. The work contains contributions from over 1,300 scholars, with 11,000 articles in total, covering over 2,900 composers and 1800 operas. The operas discussed range from the earliest operas in 16th century Italy to the 1992 Philip Glass work '' The Voyage''. The final volume includes four appendices: an index of principal role names in 850 notable operas; an index of incipits of arias and ensembles (first line only, no musical examples); a list of contributors; and illustration acknowledgements. In 1997, the diction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomaso Albinoni
Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is best remembered today for a work called " Adagio in G minor", attributed to him but largely written by Remo Giazotto, a 20th century musicologist and composer, who was a cataloger of the works of Albinoni. Biography Born in Venice, to Antonio Albinoni, a wealthy paper merchant, he studied violin and singing. Relatively little is known about his life, which is surprising, considering his contemporary stature as a composer and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII). His first opera, '' Zenobia, regina de Palmireni'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedetto Marcello
Benedetto Giacomo Marcello (; 31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher. Life Born in Venice, Benedetto Marcello was a member of the noble Marcello family and in his compositions, he is frequently referred to anonymously as ''Patrizio Veneto'' (Venetian patrician, i.e. aristocrat). Although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music. In 1711 he was appointed a member of the Council of Forty (in Venice's central government), and in 1730 he went to Pola as '' Provveditore'' (district governor). Due to his health having been "impaired by the climate" of Istria, Marcello retired after eight years in the capacity of ''Camerlengo'' ( chamberlain) to Brescia where he died of tuberculosis in 1739. Benedetto Marcello was the brother of Alessandro Marcello, also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarro - Il Sagrifizio Di Jefte - Title Page
Sarro may refer to: * Sarro, Mali, a village in Mali * Sarró, the sack of the Majorcan bagpipe Xeremia * Sarangani Reconciliation and Reformation Organization (SARRO), a regional political party in the Philippines People * Domenico Sarro (1679–1744), Italian composer * Lina Sarro, Italian electrical engineer * Fred DeSarro (1937–1978), American racecar driver * Al Di Sarro (1951–2011), American visual effects artist * Joseph DiSarro, American professor of political science * Dimitrios Sarros (1869/70–1937), Greek scholar, teacher, soldier See also * Saro (other) * Sarroux, a former commune in Corrèze department, France {{disambiguation, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
