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L'estro Armonico
''L'estro armonico'' (''The Harmonic Inspiration''), opus number, Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1 (Vivaldi), Twelve Trio Sonatas, Op. 1, and Twelve Violin Sonatas, Op. 2 (Vivaldi), Twelve Violin Sonatas, Op. 2, only contained sonatas, thus ''L'estro armonico'' was his first collection of concertos appearing in print. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. Each concerto was printed in eight parts: four violins, two violas, cello and basso continuo, continuo. The continuo part was printed as a figured bass for violone and harpsichord. The concertos belong to the ''concerto a 7'' format, that is: for each concerto there are seven independent parts. In each consecutive group of three concertos, the first is a concerto for four violins, the second for two violins, and the third a solo violin conc ...
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Michael Talbot (musicologist)
Michael Owen Talbot, (born 4 January 1943 in Luton) is a British musicologist and composer. Talbot is a former Professor of Music at the University of Liverpool. An expert in Italian baroque music, Talbot has authored monographs on Antonio Vivaldi and Tommaso Albinoni, and is an editor of the scholarly journal "Studi Vivaldiani". He is also active as a historicist composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and def ..., and a member of the " Vox Saeculorum" society. Talbot's expertise has been called upon in instances where the authenticity and/or provenance of works has been questioned, including the discovery of the possible Vivaldi work ''Andromeda Liberata''. Works * Antonio Vivaldi The Manchester Violin Sonatas(A-R Editions 1976) * Vivaldi's 'Manchester' Sonatas(C ...
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B Minor
B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his '' St John Passion''. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". Scale degree chords The scale degree chords of B minor are: * ...
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Jacques Israelievitch
Jacques Israelievitch, CM (May 6, 1948 – September 5, 2015) was a French violinist, and one of Canada's foremost chamber musicians. Born in Cannes, France, at 11 years old he was the youngest graduate in the history of the Le Mans Conservatory. He went on to study at the Conservatoire de Paris with Henryk Szeryng and René Benedetti, receiving three first prizes at age 16. He also studied at Indiana University School of Music with Josef Gingold, János Starker, William Primrose and Menahem Pressler. Israelievitch also performed as a soloist and chamber musician, collaborating with artists such as Carlo Maria Giulini, Jukka-Pekka Saraste, Emanuel Ax, Yefim Bronfman, and Yo-Yo Ma. In 1972, Sir Georg Solti appointed him as assistant concertmaster of the Chicago Symphony Orchestra, making him the youngest member of the orchestra. He then served as concertmaster of the St. Louis Symphony Orchestra. He served as concertmaster of the Toronto Symphony Orchestra from 1988 to 2008. ...
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F Major
F major is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat.Music Theory'. (1950). United States: Standards and Curriculum Division, Training, Bureau of Naval Personnel. 28. Its relative minor is D minor and its parallel minor is F minor. The F major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic major and melodic major scales are: F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. Scale degree chords The scale degree chords of F major are: * Tonic – F major * Supertonic – G minor * Mediant – A minor * Subdominant – B-flat majo ...
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A Minor
A minor is a minor scale based on A, B, C, D, E, F, and G. Its key signature has no flats or sharps. Its relative major is C major and its parallel major is A major. The A natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of A minor are: * Tonic – A minor * Supertonic – B diminished * Mediant – C major * Subdominant – D minor * Dominant – E minor * Submediant – F major * Subtonic – G major Well-known compositions in A minor *Johann Sebastian Bach ** English Suite No. 2, BWV 807 ** Sonata No. 2 in A minor, BWV 1003 ** Partita in A minor, BWV 1013 ** Violin Concerto in A minor, BWV 1041 ** Allein zu dir, Herr Jesu Christ, BWV 33 *Ludwig van Beethoven ** Violin Sonata No. 4, Op. 23 ** String Quartet No. 15, Op. 132 ** Bagatelle in A minor, "Für Elise" ...
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A Major
A major is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The A major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic major and melodic major scales are: In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. Scale degree chords The scale degree chords of A major are: * Tonic – A major * Supertonic – B minor * Mediant – C-sharp minor * Subdominant – D major * Dominant – E major * Submediant – F-sharp minor * Leading-tone – G-sharp diminished History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common tha ...
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E Minor
E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp, on the F. Its relative major is G major and its parallel major is E major. The E natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (un fretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar. Scale degree chords The scale degree chords of E minor are: * Tonic – E minor * Supertonic – F-sharp diminished * Mediant – G major * Subdominant – A minor * Dominant – B minor * Submediant – C major * Subtonic – D major Nota ...
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G Major
G major is a major scale based on G (musical note), G, with the pitches G, A (musical note), A, B (musical note), B, C (musical note), C, D (musical note), D, E (musical note), E, and F♯ (musical note), F. Its key signature has one sharp (music), sharp. Its relative key, relative minor is E minor and its parallel key, parallel minor is G minor. The G major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of G major are: * Tonic (music), Tonic – G major * Supertonic – A minor * Mediant – B minor * Subdominant – C major * Dominant (music), Dominant – D major * Submediant – E minor * Leading-tone – Diminished triad, F-sharp diminished Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domen ...
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G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. The G natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of G minor are: * Tonic – G minor * Supertonic – A diminished * Mediant – B-flat major * Subdominant – C minor * Dominant – D minor * Submediant – E-flat major * Subtonic – F major Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used ...
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Spiccato
''Spiccato'' is a bowing technique for string instruments in which the bow appears to bounce lightly upon the string. The term comes from the past participle of the Italian verb ''spiccare'', meaning "to separate". The terms '' martelé'', '' saltando'', and '' sautillé'' describe similar techniques. Technique In typically consistent rhythms (of quavers or semiquavers, or quicker repeated sounds), the bow is held in a more relaxed manner and allowed to bounce, resulting in a series of short, distinct notes. This occurs because of the elasticity of the string and the natural springiness of the bow. The ability to create the effect is largely tempo-dependent. In slower tempos, a ''spiccato'' can also be manufactured using the fingers and wrist to deliberately manipulate how the bow falls to the string. The speed with which the ''spiccato'' is performed depends on bow placement. At the balance point – about a third from the frog – the ''spiccato'' will be slow, while above ...
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Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ...
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