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L'Orione
''L'Orione'' ('' Orion'') is an opera in three acts and a prologue by the Italian composer Francesco Cavalli with a libretto by . It was first performed at the Royal Palace of Milan, in June 1653"''L'Orione''"
Opera Scotland
to celebrate the election of Ferdinand IV as . The libretto had originally been written for the



Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Venetian composer, organist and singer of the early Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than thirty operas, almost all of which premiered in the city's theaters. His best known works include '' Ormindo'' (1644), '' Giasone'' (1649) and '' La Calisto'' (1651). Life Cavalli was born at Crema, then an inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 '' maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman Federico Cavalli. Though he wrote prolifically for the church, he is chiefly ...
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Orion (mythology)
In Greek mythology, Orion (; Ancient Greek: Ὠρίων or ; Latin: ''Orion'') was a Gigantes, giant hunting, huntsman whom Zeus (or perhaps Artemis) placed among the stars as the Orion (constellation), constellation of Orion. Ancient sources told several different stories about Orion; there are two major versions of his birth and several versions of his death. The most important recorded episodes are his birth in Boeotia, his visit to Chios where he met Merope (Oenopion), Merope and raped her, being blinded by Oenopion, Merope's father, the recovery of his sight at Lemnos, his hunting with Artemis on Crete, his death by the bow of Artemis or the sting of the giant scorpion which became Scorpius, and his elevation to the heavens. Most ancient sources omit some of these episodes and several tell only one. These various incidents may originally have been independent, unrelated stories, and it is impossible to tell whether the omissions are simple brevity or represent a real disag ...
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Charon
In Greek mythology, Charon or Kharon ( ; ) is a psychopomp, the ferryman of the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins known generically as Charon's obols were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, ''Aeneid'', the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Charon also ferried the living mortals Heracles and Aeneas to the underworld and back again. Name origins T ...
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Neptune (mythology)
Neptune ( ) is the god of freshwater and the sea in the Roman religion. He is the counterpart of the Greek god Poseidon.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the Greek-inspired tradition, he is a brother of Jupiter and Pluto, with whom he presides over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife. Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea; his festival, '' Neptunalia'', took place on July 23, during the peak of summer when water was scarcest. Like Poseidon, he was also worshipped by the Romans as a god of horses, ''Neptunus equestris,'' who was also a patron of horse-racing. Worship The theology of Neptune is limited by his close identification with the Greek god Poseidon, one of many members of the Greek pantheon whose theol ...
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Tithonus
In Greek mythology, Tithonus ( or ; ) was the lover of Eos, Goddess of the Dawn. He was a prince of Troy, the son of King Laomedon by the Naiad Strymo (). The mythology reflected by the fifth-century vase-painters of Athens envisaged Tithonus as a '' rhapsode'', as attested by the lyre in his hand, on an oinochoe (wine jug) of the Achilles Painter, ''circa'' 470–460 BC. An asteroid (6998) has been named after Tithonus. Etymology Tithonus has been taken by the allegorist to mean ‘a grant of a stretching-out’ (from ''teinō'' and ''ōnė''), a reference to the stretching-out of his life, at Eos’s plea; but it is likely, rather, to have been a masculine form of Eos’s own name, Titonë – from ''titō'', ‘day and onë, ‘queen’ – and to have meant ‘partner of the Queen of Day’. Mythology Eos is said to have taken Tithonus, from the royal house of Troy, to be her lover.''Homeric Hymn to Aphrodite'', 218 ''ff''. The myth of Eos and Tithonus' love was known ...
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Jupiter (god)
Jupiter ( or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (nominative case, nom. and genitive case, gen. ), is the sky god, god of the sky and god of thunder, thunder, and king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most common symbols of the Roma ...
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Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano"
''Encyclopædia Britannica''
as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ...
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Cupid
In classical mythology, Cupid ( , meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor (Latin: ', "love"). His Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told about hi ...
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Venus (mythology)
Venus (; ) is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. As such, she is usually depicted nude. Etymology The Latin theonym and the common noun ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic , Old Indic 'desire'). Derivatives include ''venust ...
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ...
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Apollo
Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth). Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracular god—the prophetic deity of the Pythia, Delphic Oracle and also the deity of ritual purification. His oracles were often consulted for guidance in various matters. He was in general seen as the god who affords help and wards off e ...
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Cyclopes
In Greek mythology and later Roman mythology, the Cyclopes ( ; , ''Kýklōpes'', "Circle-eyes" or "Round-eyes"; singular Cyclops ; , ''Kýklōps'') are giant one-eyed creatures. Three groups of Cyclopes can be distinguished. In Hesiod's ''Theogony'', the Cyclopes are the three brothers, Brontes, Steropes, and Arges (Cyclops), Arges, who made Zeus's weapon, the thunderbolt. In Homer's ''Odyssey'', they are an uncivilized group of shepherds, the brethren of Polyphemus encountered by Odysseus. Cyclopes were also famous for being the builders of the Cyclopean masonry, Cyclopean walls of Mycenae and Tiryns. In ''Cyclops (play), Cyclops'', the fifth-century BC play by Euripides, a satyr play, chorus of satyrs offers comic relief based on the encounter of Odysseus and Polyphemus. The third-century BC poet Callimachus makes the Hesiodic Cyclopes the assistants of smith-god Hephaestus, as does Virgil in the Latin epic ''Aeneid'', where he seems to equate the Hesiodic and Homeric Cyclop ...
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