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L'heure Espagnole
''L'heure espagnole'' is a French one-act opera from 1911, described as a ''comédie musicale'', with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same nameStoullig E. '' Les Annales du Théâtre et de la Musique, 30eme edition, 1904.'' Librairie Paul Ollendorff, Paris, 1905.Roland-Manuel, p. 52: When Franc-Nohain heard Ravel play the work through to him for the first time, he apparently looked at his watch and said to Ravel "56 minutes". The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" more importantly means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain". The original play had first been performed at the Thé� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Tombeau De Couperin
''Le Tombeau de Couperin'' (''The Grave of Couperin'') is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements. Overview The word ''tombeau'' in the title is a musical term popular from the 17th century, meaning "a piece written as a memorial". The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin "the Great" (1668–1733). Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise Cruppi
Louise Cruppi, née Crémieux (1862–1925), was a French writer, musician and activist. Biography Louise Cruppi was raised from the age of 10 years old by her grandfather, Isaac Adolphe Crémieux (1796–1880), an influential political figure during the French Second Republic known primarily for his efforts to protect and extend the human rights of French Jews. Louise Crémieux received an excellent education and had a great talent for music. She took piano lessons with Gabriel Fauré and voice lessons with Pauline Viardot. On April 20, 1882, at the age of 20, she married Jean Cruppi (1855–1933). An elected member of parliament without interruption from 1898 to 1919, Cruppi held important ministerial posts in the governments of the Third Republic. The couple had 4 children and Louise Cruppi continued her musical activities, including hosting an important musical salon in her home at 80, rue de l’Université in Paris. She encouraged Maurice Ravel in his early work and, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Boccaccio
Giovanni Boccaccio (, , ; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was sometimes simply known as "the Certaldese" and one of the most important figures in the European literary panorama of the fourteenth century. Some scholars (including Vittore Branca) define him as the greatest European prose writer of his time, a versatile writer who amalgamated different literary trends and genres, making them converge in original works, thanks to a creative activity exercised under the banner of experimentalism. His most notable works are '' The Decameron'', a collection of short stories which in the following centuries was a determining element for the Italian literary tradition, especially after Pietro Bembo elevated the Boccaccian style to a model of Italian prose in the sixteenth century, and '' On Famous Women''. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toledo, Spain
Toledo ( , ) is a city and municipality of Spain, capital of the province of Toledo and the ''de jure'' seat of the government and parliament of the autonomous community of Castilla–La Mancha. Toledo was declared a World Heritage Site by UNESCO in 1986 for its extensive monumental and cultural heritage. Located on the banks of the Tagus in central Iberia, Toledo is known as the "City of the Three Cultures" for the cultural influences of Christians, Muslims, and Jews throughout its history. It was the capital, from 542 to 725 CE, of the Visigothic kingdom, which followed the fall of the Roman Empire. Toledo was also the location of historic events such as the Councils of Toledo and was labelled the "Imperial City" due to the fact that it was the main venue of the court of Charles V, Holy Roman Emperor in Spain. The city, seat of a powerful archdiocese for much of its history, has a Gothic Cathedral, the '' Catedral Primada de España'' ("The Primate Cathedral of Spain"), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Jankélévitch
Vladimir Jankélévitch (; 31 August 1903 – 6 June 1985) was a French philosopher and musicologist. Biography Jankélévitch was the son of Russian Jewish parents, who had emigrated to France. In 1922 he started studying philosophy at the École normale supérieure in Paris, under Professor Bergson. In 1924 he completed his DES thesis (', roughly equivalent to an MA thesis) on ''Le Traité : la dialectique. Ennéade I 3 de Plotin'' under the direction of Émile Bréhier.Alan D. Schrift, ''Twentieth-Century French Philosophy: Key Themes and Thinkers'', John Wiley & Sons, 2009, pp. 140–1. From 1927 to 1932 he taught at the , where he wrote his doctorate on Schelling. He returned to France in 1933, where he taught at the Lycée du Parc in Lyon and at many universities, including Toulouse and Lille. In 1941 he joined the French Resistance. After the war, in 1951, he was appointed to the chair of Moral Philosophy at the Sorbonne ( Paris I after 1971), where he taught until 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Delvoye
Jean Delvoye (25 November 1854, in Liège – 13 June 1938, in Ougrée) was a Belgian baritone, who, after working in the French provinces, enjoyed a long career in Paris, centred on the Opéra-Comique, and left some recordings representative of his repertoire. Life and career Delvoye studied singing at the Conservatoire de Liège under Georges Bonheur, obtaining a 2nd prize after only five months. He also won two first prizes in the "déclamation lyrique" class of baritone Sébastien Carman. Around 1881 he appeared in several performances of opéras comiques at the Salle de Fontainebleau in his home city. He sang in Dunkerque during the 1886-1887 season, before moving on to Angers (1887-1888) then Nantes for two seasons, singing Zurga in '' Les pêcheurs de perles'', and appearing as well in ''Les dragons de Villars'', '' La Béarnaise'', ''Si j'étais roi'' and ''Le Roi d'Ys''. He spent 1890 to 1893 in Marseille, where he also took lessons from Ismaël as well as appear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Dufranne
Hector Dufranne (25 October 1870 – 4 May 1951) was a Belgian operatic bass-baritone who enjoyed a long career that took him to opera houses throughout Europe and the United States for more than four decades. Admired for both his singing and his acting, Dufranne appeared in a large number of world premieres, most notably the role Golaud in the original Opéra-Comique production of Claude Debussy's '' Pelléas et Mélisande'' at the Salle Favart in Paris in 1902, which he went on to sing 120 times at that house.Pelléas et Mélisande. L’Avant-Scène Opera. 9, March–April 1977. He had an excellent singing technique which maintained the quality of his voice even into the latter part of his career. His wide vocal range and rich resonant voice enabled him to sing a variety of roles which encompassed French, German, and Italian opera. J.B. Steane: "Hector Dufranne", ''Grove Music Online'' ed. L. Macy (Accessed 5 February 2009)(subscription access) Biography Dufranne was born in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Périer
Jean (Alexis) Périer (2 February 1869 – 3 November 1954) was a French operatic baryton-martin and actor. Although he sang principally within the operetta repertoire, Périer did portray a number of opera roles; mostly within operas by Wolfgang Amadeus Mozart and Giacomo Puccini. His career was almost entirely centered in Paris and he had a long association with the Opéra-Comique. He sang in a large number of world premieres, most notably originating the role of Pelléas in Debussy's '' Pelléas et Mélisande'' in 1902. In addition to his opera career, Périer appeared in several films between 1900 and 1938. Biography Jean Périer was born in Paris, the son of Belgian parents. His father was an opera singer and repetiteur. After initially working at the Credit Lyonnais,Gänzl K. ''The Encyclopedia of the Musical Theatre.'' Blackwell, Oxford, 1994. he became a pupil of Émile-Alexandre Taskin (opéra comique) and Romain Bussine (singing) at the Paris Conservatoire, winning firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Le Tombeau De Couperin")
_School_-_Boccaccio_(1313–1375)_(Giovanni_Boccaccio)_-_355512_-_National_Trust.jpg "Click for more on -> Giovanni Boccaccio")
_in_1918.jpg "Click for more on -> Hector Dufranne")
