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L'equivoco Stravagante
''L'equivoco stravagante'' (; ''The Curious Misunderstanding'') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Gaetano Gasbarri. It was Rossini's first attempt at writing a full two-act opera. Performance history ''L'equivoco stravagante'' was first performed at the Teatro del Corso, Bologna, on 26 October 1811. It was only performed three times before the police closed the production down, possibly because the text touched on the subject of army desertion. The music of the overture was subsequently lost. The opera was first produced in the United States (in English translation as ''The Bizarre Deception'') by the Bronx Opera in January 2004.Tommasini, January 16, 2004 Roles Synopsis :Place: Italy :Time: Early 19th Century Ermanno loves Ernestina, who is attracted to the rich, but foolish, Buralicchio. Ermanno's scheming results in Ernestina being arrested on suspicion of having deserted from the army (and really being a man in di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Giocoso
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's '' Don Giovanni'' (1787) and '' Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sesto Bruscantini
Sesto Bruscantini (10 December 1919 – 4 May 2003) was an Italian baritone, one of the greatest buffo singers of the post-war era, especially renowned in Mozart and Rossini. Biography and career Bruscantini was born in Civitanova Marche, Marche, Italy. After obtaining a law degree, he turned to vocal studies in Rome, with Luigi Ricci at the Accademia Nazionale di Santa Cecilia. He won a vocal contest organized by RAI in 1947 and made his debut at La Scala in Milan in 1949, as Geronimo in Cimarosa's ''Il matrimonio segreto''. Bruscantini rapidly established himself in buffo roles in opera by Mozart and Rossini such as ''Le nozze di Figaro'', ''Don Giovanni'', ''Cosi fan tutte'', ''Il turco in Italia'', ''L'italiana in Algeri'', ''Il barbiere di Siviglia'', ''La Cenerentola'' but also in works by Donizetti such as ''L'elisir d'amore'', ''La fille du régiment'' and ''Don Pasquale''. In some of these works he often alternated roles, from Figaro to the Count in ''Nozze'', Guglielmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drammi Giocosi
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's ''Don Giovanni'' (1787) and ''Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti's ''L'elisir d'amore ''L'elisir d'amore'' (''The Elixir of Love'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Gioachino Rossini
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
