L'arlesiana
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L'arlesiana
() is an opera in three acts by Francesco Cilea to an Italian libretto by Leopoldo Marenco. It was originally written in four acts, and was first performed on 27 November 1897 at the Teatro Lirico in Milan. It was revised as a three-act opera in 1898, and a prelude was added in 1937. The opera is based on the play (1872) by Alphonse Daudet, which was itself inspired by a short story from his collection ''Letters From My Windmill'' () and is best known for the incidental music composed by Georges Bizet. Three famous arias from this opera are the "" written for a tenor, "" for a baritone, and for a mezzo-soprano, "".Julian Budden, ''L'arlesiana'', in ''Grove Music Online'', accessed 10 April 2007. Additionally, in 2011, the aria "" from the 4-act version was added to the present score by the publisher. Performance history In 2007, research at the Università degli Studi di Pavia placed the aria "" ("") in the first version of . The aria had been cut from the work after the ...
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Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star. Biography Early life Enrico Caruso came from a poor but not destitute background. Born in Naples in the via Santi Giovanni e Paolo n° 7 on 25 February 1873, he was baptised the next day in the adjacent Church of San Giovanni e Paolo. His parents originally came from Piedimonte d'Alife (now called Piedimonte Matese), in the Province of Caserta in Campania, Southern Italy. Caruso was the third of seven children and one of only three to survive infancy. There is ...
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Francesco Cilea
Francesco Cilea (; 23 July 1866 – 20 November 1950) was an Italian composer. Today he is particularly known for his operas ''L'arlesiana'' and ''Adriana Lecouvreur''. Biography Born in Palmi near Reggio di Calabria, Cilea gave early indication of an aptitude for music when at the age of four he heard a performance of Vincenzo Bellini's ''Norma'' and was greatly affected by it. He was sent to study music at the Conservatorio di San Pietro a Majella in Naples, where he quickly demonstrated his diligence and precocious talent, earning a gold medal from the Ministero della Pubblica Istruzione (Department of Education). In 1889, for his final examination at the end of his course of study, he submitted his opera ''Gina'', with a libretto by Enrico Golisciani which was adapted from the old French play ''Catherine, ou La Croix d'or'' by Baron Anne-Honoré-Joseph Duveyrier de Mélésville (1787–1865). This "melodramma idilico" was performed in the college theatre, and it attracted ...
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È La Solita Storia Del Pastore
"" , also known as "", is an aria from act 2 of the opera ''L'arlesiana'' (1897) by Francesco Cilea. It is sung by Federico (tenor), who is deeply in love with a girl from Arles, the ''Arlesiana'' of the title, but his family has arranged his marriage with Vivetta. Vivetta has always loved Federico since childhood and is disappointed to know of his love for l'Arlesiana. When he has been left alone, Federico reads the letters of l'Arlesiana (which prove she has another lover) and ponders them with his broken heart."È la solita storia" (''Lamento di Federico'')
Aria database site. Retrieved 25 July 2018


Libretto

wrote the Italian

L'Arlésienne (short Story)
''L'Arlésienne'' is a short story, written by Alphonse Daudet and first published in his collection ''Letters From My Windmill'' (''Lettres de mon moulin'') in 1869. On a commission from Léon Carvalho, the author transformed the story in 1872 into a play in three acts and five tableaux with music and chorus. Georges Bizet wrote incidental music for the play's first production on 1 October 1872, at the Vaudeville Theatre (now the Gaumont).musikmph
The play was not successful and closed after only 21 performances. The music score was later used for two suites of the same name, the first established by Bizet himself in November 1872, the second after Bizet's 1875 death, by

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Teatro Lirico (Milan)
The Teatro Lirico (known until 1894 as the Teatro alla Canobbiana) is a theatre in Milan, Italy. In the 19th and early 20th centuries it hosted numerous opera performances, including the world premieres of Donizetti's '' L'elisir d'amore'' and Giordano's '' Fedora''. The theatre, located on Via Rastrelli, closed in 1998. However, a restoration project was begun in April 2007, and it has finally re-opened in December 2021 as the Teatro Lirico Giorgio Gaber. Stage Entertainment carried on the renovation of the Theatre, completing all finishes and all workings started by the administration "Comune di Milano". History The Teatro Regio Ducale, the court theatre of the Royal Palace of Milan, was destroyed by fire on February 26, 1776. With the city deprived of its only theatre, Giuseppe Piermarini was commissioned to design and build two new theatres on land surrounding the Palace. The church of Santa Maria della Scala was demolished to build the Teatro alla Scala. A second theatre w ...
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Giuseppe Filianoti
Giuseppe Filianoti (born 11 January 1974) is an Italian lyric tenor from Reggio Calabria. Early years Born in 1974, the Italian tenor obtained his degree in Literature from the Università Degli Studi di Messina, in the Sicilian town of Messina. In 1997, he graduated from the 'Francesco Cilea' Conservatory in his hometown, studying under Anna Vandi. Filianoti then won a prestigious two-year scholarship to the Accademia del Teatro alla Scala in Milan. It was during this time that he met Alfredo Kraus, who became his mentor and his decisive influence in artistic approach, nuance, technique, and style. Career Filianoti made his professional début in 1998 at Bergamo in the title role of ''Dom Sébastien'', by Gaetano Donizetti. In 1999, after singing Argirio in ''Tancredi'' at the Rossini Opera Festival in Pesaro, he was engaged by Riccardo Muti to sing in Paisello's '' Nina, o sia La pazza per amore'' with Teatro alla Scala ( La Scala). In 2003, again under Muti, he opened th ...
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L'Arlésienne (Bizet)
''L'Arlésienne'' is incidental music composed by Georges Bizet for Alphonse Daudet's drama of the same name, usually translated as ''The Girl from Arles''. It was first performed on 30 September 1872 at the Théâtre du Vaudeville in Paris. Macdonald, Hugh, The Bizet Catalog' Bizet's music consists of 27 numbers for chorus and small orchestra, ranging from pieces of background music (mélodrames) only a few measures long, to entr'actes. Macdonald, Hugh, The Bizet Catalog' The score achieves powerful dramatic ends with the most economic of means. Still, the work received poor reviews in the wake of the unsuccessful premiere and is not often performed now in its original form, although recordings are available. However, key pieces of the incidental music, most often heard in the form of two suites for orchestra, have become some of Bizet's most popular compositions. History Composition history In July 1872, Léon Carvalho, director of the Théâtre du Vaudeville in Paris, com ...
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Philharmonisches Orchester Freiburg
Philharmonisches Orchester Freiburg (Freiburg Philharmonic) is the symphony orchestra of Freiburg im Breisgau, Germany, founded in 1887. It plays concerts in the Konzerthaus Freiburg and opera in the Theater Freiburg. History The Freiburg Philharmonic Orchestra was founded in 1887 and since then has worked with artists such as Clara Schumann and Richard Strauss. The Philharmonic Society, founded by Hermann Dimmler in 1877, had already existed before this, bringing well-known musicians and composers such as Eugen d'Albert and Franz Liszt to Freiburg. From 1867, there was the post of municipal bandmaster, who directed the theatre orchestra consisting of military musicians and laymen. At the time the orchestra was founded, the ''Kapellmeister'' Giesecker was the conductor of the ensemble. The first appearance of the new Philharmonic Orchestra was on 4 October 1887 under the direction of ''Kapellmeister'' Wilhelm Bruch. The programme included Wagner's '' Tannhäuser Overture'', pi ...
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Wexford Festival Opera
Wexford Festival Opera () is an opera festival that takes place in the town of Wexford in south-eastern Ireland during the months of October and November. The festival began in 1951 under Tom Walsh and a group of opera lovers who quickly generated considerable interest by programming unusual and rare works, a typical festival staging three operas. This concept has been maintained over the company's history under the direction of seven different artistic directors. From the beginning, the company embraced new and upcoming young singers, many of whom were Irish, but it also included new international names who made first appearances there. By the 1960s Czech and Russian operas entered the repertory, while the 1970s saw an interest in the operas of Jules Massenet under director Thomson Smillie, followed by an emphasis on Italian operas from the end of that decade. However, into the mix there appeared more modern operas by Benjamin Britten and Carlisle Floyd while Elaine Padmore's ...
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WQXR-FM
WQXR-FM (105.9 FM) is an American non-commercial classical radio station, licensed to Newark, New Jersey and serving the North Jersey and New York City area. It is owned by the nonprofit organization New York Public Radio, which also operates WNYC AM and FM and the four-station New Jersey Public Radio group. WQXR-FM broadcasts from studios and offices located in the Hudson Square neighborhood in lower Manhattan and its transmitter is located at the Empire State Building. The current WQXR-FM is its second incarnation on the FM band, and station owners traditionally trace its history to an earlier New York City station, WQXR, which broadcast on the AM band. New York Public Radio acquired the WQXR-FM operation on July 14, 2009, as part of a three-way trade which also involved The New York Times Company—the previous owners of WQXR-FM—and Univision Radio. As a result of the deal, WQXR-FM became a non-commercial public radio station operated by New York Public Radio and now ru ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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James Jorden
James Jorden, born 1954, is an American blogger, journalist and music critic. Jorden is the founding editor of the e-zine-cum-blog '' Parterre Box'' which covers the topic of opera from a queer perspective. Jorden's work with ''parterre box'' also includes a podcast, ''Unnatural Acts of Opera''. ''Parterre Box'' and Jorden have been featured in numerous media publications, including '' Opera News'' magazine, '' The Advocate'', and ''The New York Times''. He is a former web producer for Fox News. Until 2013, he was employed full-time as a legal secretary. After 10 years as a reviewer for ''Gay City News'', Jorden became opera critic for the ''New York Post'' in March 2009, succeeding Clive Barnes. In the fall of 2014, Jorden left the ''Post'' to write about opera for ''The New York Observer ''The New York Observer'' was a weekly newspaper printed from 1987 to 2016, when it ceased print publication and became the online-only newspaper ''Observer''. The media site focuses on cul ...
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